Sentences with phrase «photographic essay for»

Photography Exhibition Will Explore the Production of Gordon Parks» First Photographic Essay for LIFEmagazine

Gordon Parks: The Making of an Argument Photography Exhibition Will Explore the Production of Gordon Parks» First Photographic Essay for LIFEmagazine On View September 12, 2013 — January 19, 2014 NEW ORLEANS, LA — The New Orleans Museum of Art presents Gordon Parks: The Making of an Argument, an exhibition that explores the production of... Read More

Not exact matches

It's no secret that we love books about libraries, but the recent arrival of The Public Library: A Photographic Essay by Robert Dawson — published just in time for National Library Week — sent us into a swoon.

Bringing together newly commissioned essays from leading activists, curators, and humanitarians, extensive photographic documentation, and an array of archival materials, the catalogues will serve as the comprehensive record for this groundbreaking exhibition and provide readers with an expanded historical and political context for the project.

Assembled negatively - like a print or photographic film - Otero's recent text - based invocations of twentieth - century philosophy (which include quotes from Sartre, among other totemic figures) also serve as visual essays in metaphysical instability for our own stunningly unreflective, culturally dumbfounded time.

This collection includes Smith's photographic essays Recording Artists, Musicians, Life Without Germs and many reviews of Broadway productions and actors — all produced for Life magazine.

Mediations includes essays and contributions from curators, historians, and photographic scholars, providing context for the complex ideas that Meiselas has addressed throughout her career.

On display are Magdalena Abakanowicz» Hurma, an epic figurative environment by the Polish sculptor; Isaac Julien's Western Union: Small Boats, a video installation on migration and the hope for a better life; George Osodi's Oil Rich Niger Delta, a photographic essay on the people of Nigeria; and Photography and Sculpture: A Correlated Exhibition (new and vintage photography linked to contemporary sculpture).

An essay on photographic portraiture practice is forthcoming in the catalog for Becoming Disfarmer, to be published by The Aldrich Contemporary Art Museum in 2014.

Secondly, these pictures were chosen from thirty - one rolls of film that were left in the bottoms of boxes in the artist's archives for decades; Facio eventually grew more interested in portraiture and photographic essays than in journalism and documentary.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

This three - part essay on the work of Karl Haendel, an LA - based artist best known for his arrangements of meticulously rendered drawings of found photographic imagery, connects three moments in his early career related to issues of artistic and cultural heritage and power.

Please join us for a dual book signing and conversation: JP Williams of Wms & Co. launches the limited edition book, A Designers Eye, a photographic essay of objects from the personal collection of Paul Rand, while Stockholm - based Henrik Nygren presents his recently - published monograph, Graphic Design: Henrik Nygren.

Earlier films and photographic works include «Young Soul Rebels» (1991), which was awarded the Semaine de la Critique Prize at the Cannes Film Festival; the acclaimed poetic film - essay and photographic series «Looking for Langston» (1989); and «Frantz Fanon: Black Skin, White Mask» (1996).

Her publications include «Richard Hamilton's Plastic Problem» in Distillations Magazine, «On Plasticity and Plate Tectonics: An essay on Digital ≈ Soft» for Grizzly Grizzly, and «In Defiance of Propaganda: Photographic Failure as Shared Ground» in Too Good to be Photographed (Lugemik, 2017).

This photographic essay entitled Genesis [Je n'isi isi](2016), explores the early role of Christian missionaries and the Church in paving the way for Colonialism in Africa, as well as the lingering effects of syncretic religions on the postcolony.

She has published essays in multiple publications including Geolocation: Nate Larson and Marni Shindelman (2015), Blue Sky: The Oregon Center for the Photographic Arts at 40 (2014), and The Question of Hope: Robert Adams in Western Oregon (2013).

Photo essay, «Marie Bovo, Inside and Out,» Exposure, the Journal of the Society for Photographic Education, 2016 (forthcoming)

Photographic works, artist's books in vitrines, a screening room for short films and an installation complete the exhibition, which is accompanied by an essay, Points of Departure, by Dominic Paterson, curator of contemporary art at the Hunterian.