Sentences with phrase «photographic history collection»

Not exact matches

The breadth and depth of this photographic collection will easily inspire a lively classroom discussion, whether the subject at hand is history, civics, social studies, science, math, English, or language arts.

With their obsessive nature and encyclopedic magnitude, Darboven's visualizations of time and recent history, as well as the collection, selection, and rearrangement of knowledge in form of handwritten excerpts, photographic, literary, and journalistic documents of cultural history, bear witness to the artist's attempt to counter the information flood and the alleged chaos of the (post --RRB- modern world by creating an autonomous classification system and by placing herself in an individual framework of meaning.

, discussing directions in which photographic collections could or should develop, Discussing Provoke, a cross-analysis of the cult Japanese photo magazine, its historical context and its ties to the emergence of performance art in Japan in the 1960s, Photography Beyond the Image, on techniques used to produce photographic works that seek to go beyond the production of an image; Photography & Cinema in Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artists undertake.

MoMA revists its collection as a history of photography in the studio, in the tradition of «The Photographic Object.»

Shames» work is in the permanent collections of the National Portrait Gallery; International Center of Photography; the Corcoran Gallery of Art; Museum of Photographic Arts, San Diego; Museum of Fine Arts, Houston; San Jose Art Museum; Philadelphia Museum of Art; The Ford Foundation; Smithsonian National Museum of American History; Oakland Museum; University Art Museum, Berkeley and the San Francisco Museum of Modern Art.

Photographs from the Chrysler collection outline the multiple threads of photographic history.

The exhibition features the photographic opus «The Selected Gifts (1974 — 2015)», a collection of 67 photographs documenting the history of gifts the artist received over a period of 41 years.

Cyr's photography is represented in many notable public and private collections including: George Eastman House International Museum of Photography, Rochester, New York; The Photographic History Collection at the Smithsonian's National Museum of American History, Washington D.C.; and The New York Public Library, New York, New York.

Something in the Way: A Brief History of Photography and Obstruction and Photography Is are on view September 9, 2016 - February 19, 2017 NEW ORLEANS, LA - Based on NOMA's permanent collection, Something in the Way: A Brief History of Photography and Obstruction explores what obstructions in photographic images, be they accidental or intentional, can tell us about... Read More

The collection spans the entire history of photographic arts, and includes works from Europe, the Americas, and Asia.

Documentary and portrait photography from the collection The Museum of Contemporary Art, Oslo The End of an Age Gemeentemuseum, The Hague 2016 West Concourse Gallery, National Gallery of Art, Washington D.C. Strange and Familiar: Britain as Revealed by International Photographers Manchester Art Gallery, Manchester Rudin Prize for Emerging Photographers Norton Museum of Art, West Palm Beach Nude: Art from the Tate collection Art Gallery of New South Wales, Sydney Intra-Action: Women Artists from the Harn Collection Harn Museum of Art, Gainesville Underway SKMU Sorlandets Kunstmuseum, Kristiansand First Light: Rineke Dijkstra / Nan Goldin ICA, Boston Who Shot Sports: A Photographic History, 1843 to the Present The Brooklyn Museum, New York Invisible Adversaries, Marieluise Hessel Collection Hessel Museum of Art, Annandale - on - Hudson, New York ENERGY FLASH: The Rave Movement MUHKA — Museum van Hedendaagse Kunst Antwerp, Antwerp Counterpoints: Photography Through the Lens of Toronto Collections Justina M Barnicke Gallery, University of Toronto, Toronto Art Alive Festival Louisiana Museum of Modern Art, Humlebæk Idiosyncrasy: Anchovies Dream of an Olive Mausoleum Centro de Artes Visuales - Fundación Helga de Alvear, Cáceres Portrait De L'artiste En Alter FRAC Haute - Normandie, Sotteville - lès - Rouen Private Exposure me Collectors Room, Berlin On Paper: Picturing Painting The Baltimore Museum of Art, Baltimore Strange and Familiar: Britain as Revealed by International Photographers Barbican Art Gallery, London Botticelli Re-imagined The V&A London Queensize Museum Arnhem, Arnhem A quoi tient la beauté des étreintes FRAC - Auvergne, Clermont Ferrand Fire under snow Louisiana Museum of Modern Art, Humlebæk 2015

Constable, Delacroix, Friedrich, Goya, Albertinum, Galerie der Neue Meister, Dresden, Germany Open Spaces / Secret Places, Sammlung Verbund, Wien, Austria Making it up: Photographic Fictions, Victoria and Albert Museum, London, United Kingdom 2012 Lost Places — Orte der Photographie, Hamburger Kunsthalle, Germany Malerei in Fotografie — Strategien der Aneignung, Städel Museum, Frankfurt, Germany The Residue of Memory, Aspen Art Museum, Aspen, Colorado This Will Have Been: Art, Love & Politics in the 1980s, Museum of Contemporary Art Chicago, Chicago Fresh Widow — Fenster - Bilder seit Matisse und Duchamp, K20 Kunstsammlung Nordrhein, Westfalen - am - Grabbeplatz, Germany Making History, Museum für Moderne Kunst (MMK), Frankfurt / Main, Germany Coup Double, FRAC Aquitaine, Bordeaux, France The Studio, Sites of Production, Kunstmuseum Luzern, Lucerne, Switzerland Open Spaces, Secret Places, Museum der Moderne Salzburg, Salzburg, Austria 2011 You Have Been There, Marian Goodman Gallery, New York Photography is Calling, Sprengel Museum, Hannover, Germany Streetlife und Homestories - Fotografien aus der Sammlung Goetz, Museum Villa Stuck, Munich MMK 1991 - 2011: 20 Jahre Gegenwart, Museum für Moderne Kunst, Frankfurt 2010 101 Collection: Route 1 — R for Replicant, CCA Wattis Institute for Contemporary Arts, San Francisco, California Doppeleffekt, Kunsthalle zu Kiel der Christian - Albrechts - Universität, Kiel, Germany Silent Revolution — A new presentation of the permanent collection, K20K21 Kunstsammlung Nordrhein - Westfalen, Düsseldorf, Germany 2009 Cézanne and Beyond, Philadelphia Museum of Art, Philadelphia Esposizione Universale — l'arte alla prova del tempo, Galleria d'Arte Moderna e Contemporanea di Bergamo (GAMeC), Bergamo, Italy 2007 On History, Fundacion Santander Central Hispano, Madrid, Spain Edit!

Photography Spanning the entire history of the photographic medium from its beginning in 1839 to the present day, the Art Institute's collection of lens - based art features works by many of the world's greatest fine art photographers.

Reflecting Ruff's own deep engagement with the history of photography, selections from his extensive personal collection of photographic materials will be included in the show, including an 1885 study of a spark by Trouvelot; electrocardiograms from 1909; nude studies from 1923, and two majestic photograms by Arthur Siegel from the 1940s.

Accordingly, Wood increasingly draws not only from his growing collection of photographic images and «readymade» portraits such as trading cards, but also the history of his own practice.

The Pritzker Center for Photography highlights 180 years of photographic history drawn from the museum's collection of 17,800 works dating from 1839.

«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006

With about 10,000 photographic images, a survey exhibition developed from the Albany Institute of History & Art's collection could easily become cumbersome and unwieldy.

Nearly every photographic process from its origins — daguerreotypes, albumen silver prints, gelatin silver prints, gum bichromates, platinum silver, cyanotypes and even digital archival prints — are in the collection, making it a keen contribution to the history of the medium itself beyond Albany's city limits.

As well as its superb collection of paintings, sculpture and drawings, The Courtauld has two photographic libraries - the Lord Martin Conway library, embracing architectural drawings, sculpture and illuminated manuscripts; and the Robert Witt library, covering paintings, drawings and engravings, with over 2 million reproductions of works by more than 70,000 artists - and a Book Library, which contains one of the UK's largest archives of works on the history of art.

Michael Darling, James W. Alsdorf Chief Curator at the MCA, surveys Collier's photographs of the past decade to analyze their artistic influences and thematic connections; Chrissie Iles, Anne and Joel Ehrenkranz Curator at the Whitney Museum of American Art, examines the artist's position within photographic and cinematic history; and novelist Kate Zambreno delves into identity and self - portraiture, collection, and obsession.

Toronto, Ontario About Blog Our objectives are to advance the knowledge of, and interest in, the history of photography, particularly Canadian photography and to undertake and encourage the collection, preservation and exhibition of photographic equipment, literature and images.

Toronto, Ontario About Blog Our objectives are to advance the knowledge of, and interest in, the history of photography, particularly Canadian photography and to undertake and encourage the collection, preservation and exhibition of photographic equipment, literature and images.