«Aaron's Rod Turning Into A Snake,» Lot 234, by Anselm Kiefer, is a 25 by 33 inch oil, lacquer and
photographic collage on paper, executed circa 1984 as part of the artist's Departure from Egypt series.
Not exact matches
His
photographic collages are printed
on folded stainless steel broadsheets.
Through watercolors and
photographic collages, she focuses
on the unique historical moment that gave rise to so many countercultural cooperatives in the 1960s, as well as the realities of life
on these communes today.
Building
on the example of American artists, British artists made use of the possibilities of silkscreen printing and the new developments in lithography that could incorporate
photographic imagery and
collage.
«Notes
on Sculpture» is informed in part by the artist Robert Morris» 1966 essay of the same name, and consists of a site - responsive installation of ribbon and ratchet straps and a new series of
photographic collages.
Thomas's layered process of fragmentation, in which she begins with a
photographic portrait and moves to
collage and then
on to painting, is the result of discreet borrowings from our twenty - first century language of mass culture.
This body of work continues the artist's practice of printing and
collaging photographic experiments
on fabric, which are often displayed in a site - specific environment.
Momentarily abandoning the stupefying rhetoric of immediacy that characterized his earlier
photographic appropriations, he is now reinscribing his work in the well - lit field of modern paradigms: by referencing the monochrome as he did in his previous «joke» paintings, by reintroducing
collage and silk - screen superimpositions, and above all by coating some of his appropriations with a thin layer of white paint that is simultaneously
on top of and underneath the imagery.
On view January 23, 2015 - April 5, 2015 NEW ORLEANS, LA - In Salutations, Josephine Sacabo (American, b. 1944) combines collaged and distorted photographic images with a wet collodion on metal process that dates back to the 19th century to create a world that is barely recognizable as such, hovering like a memory or a dream in... Read Mo
On view January 23, 2015 - April 5, 2015 NEW ORLEANS, LA - In Salutations, Josephine Sacabo (American, b. 1944) combines
collaged and distorted
photographic images with a wet collodion
on metal process that dates back to the 19th century to create a world that is barely recognizable as such, hovering like a memory or a dream in... Read Mo
on metal process that dates back to the 19th century to create a world that is barely recognizable as such, hovering like a memory or a dream in... Read More
It echoes proto - appropriationist Elaine Sturtevant's
photographic revisiting of another Man Ray image, Adam and Eve, but this
collaged, thrown - together female form — reflecting allusively, perhaps like Another Interlude,
on the place of women in art history — has a power to disconcert and disquiet that is entirely its own.
A leading light of the French feminist movement in art during the 1970s, Yalter built her reputation
on a series of works (chiefly in the form of drawings, videos,
photographic collages and performances) exploring the role of women in society and the plight of migrants and refugees.
Her films have a pictorial feel, while her
photographic works are reminiscent of sculptures: scratched lines make up her projected images, and pieces of film strips appear
on her photograms and
collages -LSB-...].
Unique offerings from Andy Warhol include the recently acquired Polo, a silkscreened outlined image
on a
collage of colored papers from a delightful series revolving around various incarnations of the
photographic subject, created by the artist in 1985.
For her solo show at the Kasia Michalski Gallery, Agnieszka Polska proposes a selection of her recent works consisting of a video, a set of
collages on photographic paper as well as prints
on textile.
Moving fluidly between painting, publishing,
photographic collage, video, and performance, Pendleton creates structures that engage with language
on a literal and figurative level to yield new, radical meanings.
Also, in addition to the
photographic works of Dibbets and Gilbert & George, there are photographs by William Wegman (who is also the subject of a recent exhibition of
collage - paintings
on the fourth floor of the gallery), Bruce Nauman, and Douglas Huebler, the latter being one of the most intense, ironic, yet obliquely masterful artists associated with the origins of Conceptualism.
For his exhibition Cloud has created a selection of multi-layered paintings
on his signature shaped canvases, newspaper
collages made up of clippings from various New York dailies and large - scale paper quilts composed of
photographic fragments.
The gallery in The Domestic Arts building will further explore Zimmerman's works
on paper, juxtaposing recent
photographic collages of the night sky with pastel drawings of clouds.
More recently, Bremer has complicated this process of alteration, cutting and carving away sections of emulsion to create etchings
on the
photographic surface and using
collage techniques to create hybrid images.
In this series, I began to experiment with printing images of natural scenes, plants, and other items
on to cotton and silk that I then sewed, staged, and re-photographed to create digital
photographic collages or sewed the printed fabric into soft sculptures.
Working simultaneously in a range of mediums, Conner created hybrids of painting and sculpture, film and performance, drawing and printing, including bodies of works
on paper utilizing drawing and
collage and two important
photographic bodies of work, including a haunting group of black - and - white life - sized photograms called ANGELS.
[3] Bearden's
collage techniques changed over the years and in later pieces, he would use blown - up photostat
photographic images, silk - screened, colored paper, and billboard pieces to create large
collages on canvas and fiberboard.
Meditating
on the power of
photographic representation, Kate Steciw assembles imagery taken from social media, stock photography and iPhone cameras, which she then
collages, prints and cuts into miscellaneous, generic shapes of aluminum mounted
on Sintra PVC.
Nicholas Middleton: When you are in the middle of the process it's hard to separate out those decisions that go into making a piece... when I started painting after I left college, I didn't... well, I suppose I fought against the idea of just making a painting from
photographic sources which looked like a photograph, so I used lots of strategies to disguise it, or to confuse it in a sense, making paintings which were more like
collages, or reducing imagery to... well, I borrowed things from pop art to, I suppose, to complicate things, for a few years it felt like I was fighting against what I seem to be naturally quite good at, and then it reached a point where I just felt I didn't want to tie myself in too many knots in terms of the thinking which was going
on behind the pictures and then just let myself just paint fairly directly from
photographic sources.