Sentences with phrase «photographic collages by»

Not exact matches

A squared circle, subdivided to suggest an approximation of the compositional matrix of his black paintings, is ringed by collaged illustrations of monsters and saints that shorthand some of the values embodied by his photographic typologies.

The accompanying catalog is the first to gather photographic images by Thomas, including portraits, collages, Polaroids, and other processes.

Inspired by the work of the Russian avant - garde and their pioneering use of montage techniques, Anna Parkina's collage - like prints layer photographic fragments with abstract areas of bold color.

In my most recent work subject and process have become inseparable: rather than document what has been, my photographic collages and mixed media monotypes give shape to change and are shaped by it in turn.

«Notes on Sculpture» is informed in part by the artist Robert Morris» 1966 essay of the same name, and consists of a site - responsive installation of ribbon and ratchet straps and a new series of photographic collages.

Look for the series of muted, monochromatic watercolors by Paul P., moody photographic botanical studies by Milijohn Ruperto and Ulrik Heltoft, Charline Von Heyl's wall of contrast - rich collaged abstractions, and Karl Haendel's painstaking pencil drawings all executed in grayscale.

Forsyth's work explores a breadth of themes, reflected in the range of techniques he employs: analogue and digital exposures taken by the artist exist in his work, alongside computer generated imagery, photograms, and photographic collages from historic magazines and vintage postcards.

Some works seem to pay homage to social media, like Mario Petrirena's floor installation of photographic collages encircled by rusted iron rings suggestive of Google Plus's circles.

Showcasing Drexler's major paintings and collages as well as her captivating early sculptures, award winning plays and novels, and photographic and video documentation of the artist's wild and varied theatrical career, the exhibition is co-curated by Rose Curator - at - Large Katy Siegel and Curatorial Assistant Caitlin Julia Rubin.

In the lower space, we will highlight artists who rather than practice photography, use photographic techniques or references, including new digital collage prints by visiting artist

Momentarily abandoning the stupefying rhetoric of immediacy that characterized his earlier photographic appropriations, he is now reinscribing his work in the well - lit field of modern paradigms: by referencing the monochrome as he did in his previous «joke» paintings, by reintroducing collage and silk - screen superimpositions, and above all by coating some of his appropriations with a thin layer of white paint that is simultaneously on top of and underneath the imagery.

«Aaron's Rod Turning Into A Snake,» Lot 234, by Anselm Kiefer, is a 25 by 33 inch oil, lacquer and photographic collage on paper, executed circa 1984 as part of the artist's Departure from Egypt series.

Though each of the photographic works in this exhibition have been altered through digital manipulation, the tools of collage, illustration, deconstruction, redaction, surrealism are used in different measures by the exhibiting artists.

Wallace Berman will be represented by a series of previously unseen single - image Verifax collages, a body of rarely exhibited mailers from the collection of Teri Garr, inserts from his limited edition, hand - made artists magazine, Semina, selections from his recently discovered body of photographic portraiture, and several unique works incorporating images which were considered «pornography» at the time.

Unique offerings from Andy Warhol include the recently acquired Polo, a silkscreened outlined image on a collage of colored papers from a delightful series revolving around various incarnations of the photographic subject, created by the artist in 1985.

Organized by Curator - at - Large Katy Siegel and Curatorial Assistant Caitlin Julia Rubin at Brandeis University's Rose Art Museum, the exhibition showcases Drexler's better - known paintings in context with her collages, drawings, and sculpture, in addition to her scripts, screenplays, novels, and photographic ephemera.

The show additionally includes an entirely new series of collage works inspired by the photographic work of Diane Arbus and Robert Mapplethorpe's Black Book.

Also, in addition to the photographic works of Dibbets and Gilbert & George, there are photographs by William Wegman (who is also the subject of a recent exhibition of collage - paintings on the fourth floor of the gallery), Bruce Nauman, and Douglas Huebler, the latter being one of the most intense, ironic, yet obliquely masterful artists associated with the origins of Conceptualism.

Margarita Myrogianni presents a photographic diptych of a still life with newspaper used as an object while at Tjorg Douglas Beer's collages a puppet is surrounded by images of celebrities, actors, pop star, dictators and war criminals that he has cut out of newspapers.

Barbara Kruger's adoption of advertising techniques emphasized the coercive authority of language while work by Renée Cox and Catherine Opie, among many others, brought renewed attention to the politics of the body — be it the black male body in the case of Cox's photographic collage, or the gay, lesbian and transgendered subjects of Opie's reverent photographic portraiture.

The first is a series of wall - hung, photographic collages that meldtogether images by two British Surrealists, Eileen Agar and Paul Nash.

The exhibition features large black - and - white photographic images of collages, «photostat projections,» produced by Romare Bearden in 1964, including «Evening 9: 10 461 Lenox Avenue.»

Co-organized by the ICA and Bergen Kunsthall, Nashashibi's first major survey also features a new film commission (comprising candid and staged scenes shot in London parks) and two photographic / collage works.

These emerging and mid-career artists use different approaches to the medium to unravel violent stereotypes inherently tied to photographic representations of Black men, and the works assembled for this exhibition are a well - rounded example of how collage, found objects and re-assemblage are being used by Black artists in contemporary art.

In «Physicalism: The Recombine» (a series of six photographic collages from 2006) bodybuilders squeeze muscles rigid for the camera, their heads replaced by polymorphic candles; and in The Masturbators (a video installation from 2009), brawny pornographic models pound disconsolately and often without climax at their erect cocks.

During this time he attracted attention for his photographic art as well as a number of collages he made, reminiscent of similar works by Neo-Dada artists Jasper Johns (b. 1930) and Robert Rauschenberg (1925 - 2008).

The film is accompanied by 18 photographic portraits of poets, rappers, thinkers, and artists whose work contributed materially to the artist's concept of a «Dionysian» writing, manifesting in the film as a dark, shape - shifting wordplay that collages the tragic and ludic.