Sentences with phrase «photography gallery after»
The Photography Department launched its fall 2016 lecture series on September 15 with a talk by David Campany, curator of the critically acclaimed exhibition a Handful of Dust, which is on view in the Pratt Photography Gallery after being shown at Le Bal, a contemporary photography museum in Paris.
https://www.pratt.edu/ Not exact matches
Andrew Wyeth paintings just don't move at 24 frames per second, and Edward Hopper in all his warm Americana could show you only the morning after, not the nights before, but you could fill a gallery with Nestor Almendros and Haskell Wexler's photography.
Plus: Arts Council England to investigate benefit of the arts to children Iranian gallery pulls out of Aipad Photography Show, citing travel ban Restored Gainsborough painting returns to view after attack and suspect arrested in connection with artist's murder
The idea for the project, presented by Art Production Fund and Kiehl's, came to Liden after she staged a photography show at New York's Maccarone gallery last spring.
Enjoy a preview of A Matter of Memory: Photography as Object in the Digital Age, with after - hours access to the galleries.
Dramatically presenting the concept to visitors after entering the gallery, the exhibition continues the thematic idea by weaving fine art photography with art mediums of paintings, drawings and more throughout the show.
David Adika, Solo Exhibition, «After The Fact», WIZO Haifa Academy of Design and Education, Photography gallery
Welcoming all mediums into the gallery — renamed 291, after its Fifth Avenue address — he interspersed photography shows with exhibitions of Auguste Rodin's drawings, paintings by Paul Cézanne, and sculpture by Constantin Brancusi.
Curated by Leif Magne Tangen New Nordic Photography, Hasselblad Center, Gothenburg, Sweden Hela Havet Stormar, Group exhibition, Pierogi Leipzig, Germany Trust Me Competition, F - stop: Leipzig Photofestival Westflügel Summer show, Exhibition with Rosemary Hogarth in Schaubühne Lindenfelds Westflügel, Leipzig, Germany 2006 The Things I See When I Close My Eyes, Degree show at The Glasgow School of Art Solo Exhibition, Part One, The Tron Theatre, Glasgow 2005 Wanderlust, Group exhibition after artist in residency, 10 Leipzig HGB students and 10 Glasgow students, Leipzig Werkschau and Glasgow Newberry Gallery Bed, Suites and Carpets, Group show in empty shop on Bell St, Glasgow Nation One, Group show on city screen organized by Nation One, Union St Glasgow 2004 Transition, Group show in Newberry gallery, Gallery Bed, Suites and Carpets, Group show in empty shop on Bell St, Glasgow Nation One, Group show on city screen organized by Nation One, Union St Glasgow 2004 Transition, Group show in Newberry gallery, gallery, Glasgow
Michael Foley opened Foley Gallery in the fall of 2004 after several years of working with notable photography galleries including Fraenkel Gallery, Howard Greenberg Gallery and Yancey Richardson Gallery.
In conjunction with Backdrops, and as part of After Landscape, a photography specialist will give a gallery talk about the history of backdrops in photo studios, and the photographer Vasco Szinetar will give a talk addressing the so - called selfie phenomena, which is undeniably now a chapter within the history of portraiture.
He has also exhibited in group shows including After Party: Collective Dance and Individual Gymnastics, Blindspot Gallery, Hong Kong (2017); New voices: a dslcollection story, Klein Sun Gallery, New York, NY (2016); We - A Community of Chinese Contemporary Artists, K11 Art Museum, Shanghai, China (2016); 28 ° 00 ′ N 120 ° 42 ′ E, How Art Museum, Wenzhou, China (2015); The System of Objects, Mingsheng Art Museum, Shanghai, China (2015); Cinematheque, K11 Art Museum, Shanghai, China (2015); Performance and Imagination: Chinese Photography 1911 - 2014, Stavanger Art Museum, Stavanger, Norway (2014); My Generation: Young Chinese Artists, Tampa Museum of Art & Museum of Fine arts, St. Petersburg, FL (2014); 28 Chinese, Rubell Family Collection / Contemporary Arts Foundation, Miami, FL (2013); Rising Dragon: Contemporary Chinese Photography, San Jose Museum of Art, San Jose, CA (2013); ON / OFF: China's Young Artists in Concept & Practice, Ullens Center for Contemporary Art, Beijing, China (2013); The First «CAFAM Future» exhibition, CAFA Art Museum, Beijing, China (2012); and Reflection of Mind: MoCA Shanghai Envisage III, Museum of Contemporary Art, Shanghai, China (2010).
Curated by Allison Kemmerer, Curator of Photography and Art after 1950, Addison Gallery of American Art.
As Congress resumed its heated conversation around immigration this week after a brief government shutdown, I was confronted with a powerful visualization of the history of today's immigration debate at «The Immigrants,» a photography exhibition on display at the Howard Greenberg Gallery in New York (on display until Jan. 27).
Featuring 176 works by 53 artists from the Ottoman era, the beginning of the Republic, post 50s that formed the basis of the photography in Turkey, 60s, 70s and today, After Yesterday is curated by Engin Özendes, who had been the director of the İstanbul Modern Photography Gallery since its photography in Turkey, 60s, 70s and today, After Yesterday is curated by Engin Özendes, who had been the director of the İstanbul Modern Photography Gallery since its hotography Gallery since its foundation.
2010 Human Culture: Earth, Wind, Fire and Water, Israel Museum, Jerusalem 2010 Yinka Shonibare, MBE: Sculpture, Photography and Film, Western Michigan University, Michigan, USA 2010 Looking Up, Nouveau Musée National de Monaco, Monaco 2010 Yinka Shonibare MBE, Friedrichswerder Church, Berlin, Germany 2010 Before and After Modernism: Byam Shaw, Rex Vicat Cole, Yinka Shonibare, MBE, Lethaby Gallery, Central Saint Martins College of Art & Design, London, England
He has taken part in numerous group exhibitions, including Light and Landscape, Storm King Art Center, Mountainville, New York, NEON, La material luminosa dell «arte, MACRO, Rome (2012); More Light, Museum De Fundatie, Zwolle (2011); Haunted: Contemporary Photography / Video / Performance, Solomon R. Guggenheim Museum, New York (2010); Making Worlds: 53rd International Art Exhibition, La Biennale di Venezia (2009); 50 Moons of Saturn, Turin Triennial (2008); Refract, Reflect, Project: Light Work from the Collection, Hirshhorn Museum, Washington D.C. (2007); Light Art from Artificial Light, ZKM Karlsruhe and Colour After Klein, Barbican Art Gallery, London (2005).
The exhibition comes to the Center for Creative Photography after opening at the Armory Center for the Arts in Pasadena, California, as part of the celebrated «Pacific Standard Time», an unprecedented collaboration of 70 museums and galleries tracing different histories of Southern Californian art between 1945 and 1980.
At Grand Palais, after FIAC 2016 that gathered many visitors, collectors and experts, Paris Photo 2016 (10-13/11 / 16) confirmed its position as world leading photography fair through dynamic sales, high - quality curatorial projects, a versatile program of signatures and conferences, 153 galleries, 30 book publishers, 1,250 exhibited artists and record breaking attendance.
After the debut at the Metropolitan Museum of Art in New York City in October 2012, the show travels to the National Gallery and then the MFAH, where it is being overseen by Yasufumi Nakamori, MFAH Associate Curator of Photography.
Recent solo shows include KaoRi Through the Looking Glass: Photo - Mad Old Man A 2015.5.25 75th Birthday, Taka Ishii Gallery, Tokyo, Japan (2015); Love on the Left Eye, Taka Ishii Gallery, Tokyo, Japan (2015); Ojo Shashu - Photography for the After Life: Eastern Sky, qARADISE, Shiseido Gallery, Tokyo, Japan; Ojo Shashu - Photography for the After Life: Love Journey, Niigata City Art Museum, Niigata, Japan; Ojo Shashu - Photography for the After Life: Faces, Skyscapes, Roads, Toyota Municipal Museum of Art, Toyota, Japan (2015); Ojo Shashu - Photography for the After Life: Alluring Hell, Foam, Amsterdam, Netherlands (2014).
The Robert Mapplethorpe Photography Gallery, named after the renowned American photographer, is supported by a very generous donation from The Robert Mapplethorpe Foundation.
2005» [prologue] Reclaiming Europe from a new feminist perspective», Cornerhouse, Manchester UK «Art out of Place», Norwich Castle Museum and Art gallery, Norwich, UK «Double Check Re-Framing Space in Photography: The other Parallel Histories», Camera Austria, Kunsthaus Graz, Austria 2004 «Your Heart is No Match for My Love», The Soap Factory, The Walker Art Center, Minneapolis, USA «Show Us What You're Made Of», The Premises, Johannesburg, SA «After Hours» and «In / Out», Hisk, Antwerp, Belgium 2003 «Something About Love», Casino, Luxembourg, Luxembourg «Intimate / Inanimate Moments», The Process Room, Irish Museum of Modern Art, Dublin, Ireland 2001 «Fluid», Wolverhampton Art Gallery, UK «Juncture», The Granary, Cape Town, South Africa; Studio Voltaire, London «Body: Rest and Motion», Oudtshoorn Festival, South Africa 2000 Two - person exhibition with Moshekwa Langa at the Goodman Gallery, Johannesburg, Southgallery, Norwich, UK «Double Check Re-Framing Space in Photography: The other Parallel Histories», Camera Austria, Kunsthaus Graz, Austria 2004 «Your Heart is No Match for My Love», The Soap Factory, The Walker Art Center, Minneapolis, USA «Show Us What You're Made Of», The Premises, Johannesburg, SA «After Hours» and «In / Out», Hisk, Antwerp, Belgium 2003 «Something About Love», Casino, Luxembourg, Luxembourg «Intimate / Inanimate Moments», The Process Room, Irish Museum of Modern Art, Dublin, Ireland 2001 «Fluid», Wolverhampton Art Gallery, UK «Juncture», The Granary, Cape Town, South Africa; Studio Voltaire, London «Body: Rest and Motion», Oudtshoorn Festival, South Africa 2000 Two - person exhibition with Moshekwa Langa at the Goodman Gallery, Johannesburg, SouthGallery, UK «Juncture», The Granary, Cape Town, South Africa; Studio Voltaire, London «Body: Rest and Motion», Oudtshoorn Festival, South Africa 2000 Two - person exhibition with Moshekwa Langa at the Goodman Gallery, Johannesburg, SouthGallery, Johannesburg, South Africa
Photography Professor Kristine Thompson Curates After Life at the Luckman Gallery in Los Angeles
Named after the legendary, quarterly photographic journal published in New York by Alfred Stieglitz from 1903 to 1917, the gallery opened its doors in 1997 and has a well - earned reputation for presenting the work of many photography greats: Man Ray, Irving Penn, Peter Lindbergh, Peter Beard, Richard Avedon, Diane Arbus and Helmut Newton, but also for exhibiting young, up - and - coming artists.
In time, however, his reputation was restored after several exhibitions at New York's Howard Greenberg Gallery in the 1990s, when his work experienced a new surge of popularity and his colour photography, in particular, garnered wide acclaim.
His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).
2011 Contr - Addiction: The Silent Art of Observing Outside 11: Artist as an Outsider, Commissioned site - specific installation, Cuckoo Farm Studios, Essex, UK Finding Lost Time at Bank Street Arts, Group Show, Sheffield, UK Dialogue in Motion Video Art Installation at the First International Lomography Festival in Kiev, Ukraine 1956 and ever after Solo Show, Digby Gallery Mercury Theatre, Colchester, UK Finding Lost Time at Edge Hill University, Group Show, UK Finding Lost Time Multimedia Slide Slam at the Format International Photography Festival, Derby, UK Finding Lost Time at Botanic Gardens Museum, Group Show, Southport, UK Potential Group show, Colchester Slack Space, Colchester, UK
Select group exhibitions featuring her work include Selections from the Permanent Collection: Catherine Opie and Sterling Ruby, Museum of Contemporary Art, Los Angeles (2017); Breaking News, Getty Museum, Los Angeles (2016 - 2017); A Slow Succession with Many Interruptions, San Francisco Museum of Modern Art, CA (2016 - 2017); Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York (2016); Who Shot Sports: A Photographic History, Brooklyn Museum, NY (2016); Perfect Likeness: Photography and Composition, Hammer Museum, Los Angeles (2015); Residue: The Persistence of the Real, Vancouver Art Gallery, Canada (2015); America Is Hard to See, Whitney Museum of American Art, New York (2015); Storylines: Contemporary Art at the Guggenheim, Solomon R. Guggenheim Museum, New York (2015); Unbound: Contemporary Art After Frida Kahlo, Museum of Contemporary Art Chicago (2014); and Role Models: Feminine Identity in Contemporary American Photography, National Museum of Women in the Arts, Washington, DC (2008).
«Me and Benjamin,» Galerie Xippas, Paris, France, November 14, 2014 — January 10, 2015 «Concrete Infinity,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, September 20, 2014 — February 15, 2015 «Exposure: An Exhibition of Contemporary Photography,» Robert and Elaine Stein Galleries, Wright State University, Dayton, Ohio, September 2 — October 12, 2014 «After Our Bodies Meet: From Resistance to Potentiality,» The Leslie + Lohman Museum of Gay and Lesbian Art, June 5 — August 3, 2014, New York, NY «The Douglas Nielsen Collection,» Center for Creative Photography, Tucson, AZ, August 9, 2014 «Game Changer,» Boulder Museum of Contemporary Art, Boulder, CO, July 17 — Septermber 14, 2014 «Fan the Flames,» Art Gallery of Ontario, Toronto, Ontario, June 18 — September 14, 2014 «The Heart of Los Angeles,» Union Station, Los Angeles, CA, April 30, 2014 - 2015 «Pace Gems: Selections from the Linda Pace Foundation Permanent Collection,» Linda Pace Foundation, San Antonio, TX, April 18 — September 13, 2014 «Not For All My Little Words,» Marc Straus, New York, NY, March 30 — April 27, 2014
His work has been presented at Aargauer Kunsthaus, Switzerland (Cinema mon amour, 2017); Hayward Gallery, London (off - site exhibition The Infinite Mix: Sound and Image in Contemporary Video, 2016 - 2017); Audain Art Museum, Whistler (Intersections: Contemporary Artist Films, 2016); The Institute of Contemporary Art at the University of Pennsylvania, Philadelphia (The Freedom Principle: Experiments in Art and Music, 1965 to Now, 2016); Museum der Moderne Salzburg, Austria (Art / Histories, 2014); Bildmuseet, Umeå, Sweden (Theatrical Fields, 2013); Museum of Contemporary Art, Chicago (Think First, Shoot Later: Photography from the MCA Collection and The Way of the Shovel: Art as Archaeology, both 2013); The Museum of Modern Art, New York (XL: 19 New Acquisitions in Photography, 2013); Museum of Contemporary Art, Los Angeles, (Blues for Smoke, 2012, travelling to Whitney Museum of American Art, New York and Wexner Center for the Arts, Columbus, Ohio); Walker Art Center, Minneapolis (The Living Years: Art after 1989, 2012); ZKM / Museum für Neue Kunst, Karlsruhe (Fast Forward 2: The Power of Motion, 2010); and the Solomon R. Guggenheim Museum, New York (Haunted: Contemporary Photography / Video / Performance, 2010).