Sentences with phrase «photography gallery as»

The program culminates in an individual thesis exhibition at the Pratt Photography Gallery as well as a larger group show in the Pratt Manhattan Gallery.

Kat has won many awards for her art including Gold for Best of the Best East End Artist in 2016 and 2017 and The Award of Excellence by Juror Karen Marks, Director of Manhattan's Howard Greenberg Gallery, one of the world's leading photography galleries as well as Juror Dr. Naomi Rosenblum, eminent photographic historian and Juror Jennifer McGregor, Director of Arts and Senior Curator at Wave Hill Cultural Center.

Not exact matches

The plan also calls for education and community uses such as cooking schools, art galleries, music recording studios, and photography labs.

Some of our patients and their human friends spend a substantial amount of time in our waiting areas; with this in mind the CCAH provides artwork for the enjoyment of our visitors such as a photography collection, art gallery, exhibit of collectables, sculptures and a tranquil garden.

Jackson Hole is known as a home to some of the nation's best wildlife and nature artwork and photography, housed in private galleries around the town square.

The museum is also an art gallery, and as such its collections include fine arts along with special artefacts relating to Maori culture, and ranges of displays on social history and photography.

This is the largest art gallery in the Maldives and forms the epicentre of the country's art scene, with numerous exhibitions of local as well as international artists that create everything from conceptual art to photography to be displayed on the museum.

And as we can see in today's 69 strong photo gallery, thanks to our friends at Hendra Surf Photography that Uluwatu has also been smoking through some nice waves.

Already by the mid-1960s, painting had lost its authority as the dominant artistic medium and instead galleries had begun to show much more heterogeneous experimental and sometimes politically and socially provocative work in new media (film, video, and photography), as well as confrontational live art and other kinds of participatory and performance - based approaches.

The gallery owners responses to questions about «How To Work With Galleries» was helpful, but as an award winning fine art photographic artist, I would like more detailed information about how to find and approach successful galleries to represent the art of photography.

The other has been as a fine artist, which has seen his installation art, sculpture, painting and photography exhibited at galleries and museums around the world.

The gallery represents nationally and internationally known contemporary artists working in diverse media — including painting, drawing, photography, and sculpture, as well as important estates and foundations.

Because photography's brief history lends itself to examination backward, forward, and sideways in time, the gallery has presented exhibitions by artists as diverse as Bernd & Hilla Becher, Walker Evans, Eugene Atget, Edward Weston, Diane Arbus, Sol LeWitt, and Hiroshi Sugimoto.

Blue Mountain Gallery presents biOcular, an exhibition by Anne Diggory that includes hybrid works combining photography and painting in urban and Adirondack landscapes as well as the clutter of everyday living.

Reviewed internationally, her photography is in many private collections, as well as the J. Paul Getty Museum, Smithsonian Museum of American History and the Corcoran Gallery of Art.

Once she stood for a sea change in contemporary art, as new media entered the galleries, as women gave the idea of self - expression a political dimension, and as irony or staged photography became the new norm.

The Swedish Photography presented from a gallery that is based in Berlin was notable as is in SP - Arte in their second year bringing together many young and important emerging artists «We would like to show Brazilians important references from the Swedish photographers like Inka Lindergard and Niclas Holmström, and we are very enthusiastic with the public response» say Dorotheé the project director.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

As an independent curator, he has presented exhibitions in Brazil and abroad, such as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014As an independent curator, he has presented exhibitions in Brazil and abroad, such as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014).

Before joining the Joan Mitchell Foundation, Heather worked as the Registrar of Richard Gray Gallery, the Collection Manager for the Department of Photography at the Art Institute of Chicago, and Associate Registrar for Collections at the Solomon R. Guggenheim Museum.

While the gallery continues to represent the likes of Dalí, Magritte, Miró, Picasso, Mondrian and Matisse, it also showcases the results of its recent acquisition programme, which has focused on photography, performance and film, as well as the work of a broader range of international and female artists.

1984 Group Show, Sonnabend Gallery, New York, NY 1983 Whitney Biennial, Whitney Museum of American Art, New York, NY 1982 Color as Form, International Museum of Photography, George Eastman House, Rochester, NY Beyond Photography, The Fabricated Image, Delahunty Gallery, New York.

As part of the citywide In Focus / Enfoque: Contemporary Photography in Mexico exhibition, we wanted to make sure our members were aware that The New Gallery of Modern Art will be presenting Phyllis Galembo: Mexico this fall.

Previously, he served as Senior Curator of Photography and Media Arts at the Corcoran Gallery of Art in Washington D.C., and as Executive Director of The Richard Avedon Foundation in New York.

His works have been exhibited around the world, in prestigious institutions and galleries, with solo exhibitions such as William Klein + Daido Moriyama, Tate Modern (London, 2012); On the Road, The National Museum of Art, Osaka (2011); Daido Retrospective 1965 - 2005 / Daido Hawaii, at the Tokyo Metropolitan Museum of Photography (2008), Centro Andaluz de Arte Contemporaneo, Sevilla (2007), Foam (Amsterdam, 2006), Fondation Cartier pour l'art contemporain (Paris, 2003), Fotomuseum Winterthur (Winterthur, 2000), San Francisco MOMA (1999, saw ell as the Metropolitan Museum, New York).

Nayar's photography has been acquired by The Guggenheim for their permanent collection as well as by the Cincinnati Art Museum, Ohio; Queensland Art Gallery, Australia, and deCordova Sculpture Park and Museum, Lincoln, Massachusetts.

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Her works are represented in several collections such as The National Museum for Photography, Denmark, The George Eastman House, Rochester, USA, Artotheque de Caen, France, Manchester City Gallery, Great Britain and at AROS, Aarhus Kunstmuseum, Denmark.

In the side gallery we get a sense of Larner's found object based installation as well as her photography, which appear to be interrelated.

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In addition to recent solo photography shows at the Martina Johnston Gallery in Berkeley and the SOFA Gallery in Austin, his artist book ALL THE BUILDINGS ON BURNET ROAD (2010) was exhibited at the Gagosian Gallery and the Brandhorst Museum as part of the exhibit Ed Ruscha & Co..

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His photography has been displayed in galleries such as Ashawagh Hall, Southampton Cultural Center, Water Mill Museum, East End Arts, Southold Historical Museum, Remsenburg Academy, Quogue Library, and Guild Hall.

The public galleries also offer comprehensive exhibitions such as the Bass Museum, which has an acclaimed show by Isaac Julien and MOCA, where there is an exhibition of photography by Bruce Webber and sculptures by Jonathan Messe.

The gallery was established 2005 by Martin Asbæk (b. 1975) and focuses on contemporary Scandinavian as well as international art by well - established and up - coming artists who work in a wide range of media; painting, drawing, sculpture, photography, video, embroidery.

Since, his work has been shown extensively in international photography zines, gallery exhibitions, and websites, as well as presented as a solo program at the Museum of Arts and Design (NYC) in 2011.

Fountain Street Gallery opens its international juried show, SPACE INVADERS, featuring work by forty - two artists who utilize an array of media including paint, fibers, graphite, video, and photography, as they explore the world around them.

Image credit: Copyright Alex Katz; Courtesy Timothy Taylor Gallery, London 4 November — 13 December 2009 Jerwood Space, 171 Union Street, London, SE1 0LN Passing Thoughts and Making Plans is an exhibition that brings together artists who use photography as part of their thought process; as a tool for working out, following and shaping ideas that will develop into a finished work.

John Stezeker's collage work was shown at The Whitechapel Gallery & was also shown at The Saatchi Gallery recently as part of Out of Focus: Photography.

He has curated numerous exhibitions for art institutions including the Addison Gallery of American Art, the Museum of Contemporary Photography, the Wadsworth Atheneum, the Weatherspoon Art Museum and the Hyde Park Art Center, where he has served as a board member since 2000 and the Chair of the Exhibitions Committee since 2008.

Dennis Hopper's The Lost Album, a collection of the late actor's poignant black - and - white photography on view now at L.A.'s Kohn Gallery through September 1, was made possible by two key actors: his Rebel Without a Causecostar James Dean, who encouraged him to try his hand behind the camera (albeit as a director), and his first wife, Brooke Hayward, who bought him a Nikon mirror flex in 1961.

Opening: «A Cool Breeze» at Howard Greenberg Gallery Founded in 1981, Howard Greenberg Gallery calls itself the first to display photojournalism and «street photography,» before these genres were widely recognized as fine art.

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Representing the panel of experts who chose Richard Long as the Whitechapel Gallery Art Icon 2015, Director of The Art Fund Stephen Deuchar read a citation in praise of his pioneering work as an artist who has transformed sculpture, performance and photography.

Since 2005 the gallery opened a new space to represent and exhibit solely international established artists as well as emerging talents, to advise and and build local and international private and corporate art collections, focusing on contemporary photography, painting and sculpture.

The Photography Gallery features exhibitions from the NCMA's burgeoning contemporary photography collection as well as special exhibitions featuring the work of national and international phoPhotography Gallery features exhibitions from the NCMA's burgeoning contemporary photography collection as well as special exhibitions featuring the work of national and international phophotography collection as well as special exhibitions featuring the work of national and international photographers.

Since its founding in 1990, the Danziger Gallery has established itself as one of the leading photography venues in the world, known for the originality and diversity of its programming, its representation of established photographers, and the influence of its new discoveries.

Here, Burgin continued his reorientation of photography from floor to wall, but rather than transform his pictures into precious prints, matted and framed, Burgin fixed his images to the gallery as a series of posters, pasting them straight to the wall (although not, as with Possession, out in the streets).

Additionally, Epstein and Tate Museum curator Simon Baker will discuss Epstein's photography as a part of the Prix Pictet Conversations on Photography, at Whitechapel Gallery in London on Saturday, May 12 photography as a part of the Prix Pictet Conversations on Photography, at Whitechapel Gallery in London on Saturday, May 12 Photography, at Whitechapel Gallery in London on Saturday, May 12 at 4:30 pm.

Join us as Robert Mann, director of the Robert Mann Gallery, NYC, discusses the photography of Aaron Siskind.