Sentences with phrase «photography group as»

Not exact matches

Among Graham's most important group of works is a series of photographs of upside - down trees, which both summon up the origins of photography itself, conjuring up the inverted and reversed images created by the early camera obscuras, as well as draw attention to the process of rationalisation whereby we frame and define our vision of the world.

The group used media, such as television adverts, Disney films, press articles, image bank photography to social media, to stimulate debate about the particular issue being explored.

You are welcome to use Photography Passions solely as a dating site, since it has all the major features found on mainstream dating sites (e.g. photo personals, groups, chat, webcam video, email, forums, etc.).

About Blog The Street photography in the world group offers itself as a reference point and meeting place for those who wish to get in touch with street photography in the world and want to share their passion.

Modules involve anything that supports the school or other student groups, such as photography, helping put together the yearbook, or distributing tools.

All Acting Vs. Writing Advertising Apps For Writers Art Author Collectives Banning Books Blogging Blog Tours Book Cover Design Book Marketing Booksellers Branding Character Development Character - Driven Fiction Christian Erotica Clichés In Writing Co-Authoring Construction Coping With Anxiety Coping With Rejection Letters Copyright Copyright Infringement Copywriting Creating A Business Plan Dealing With Fear Defining Success Depression Developing Setting Drug & / or Alcohol Abuse Editing Vs. Writing Editors Education Entrepreneurial Skills Ethical Issues In Fiction Evoking Emotion Expat Writers Fame Fantasy Finding Inspiration Finding Your Voice Follow Your Dreams For Aspiring Writers For Indie Authors Gender Issues Genre Getting Published Ghostwriting Grief Handling Critique Historical Fiction Horror Stories In Publishing Interdisciplinary Art Karma Lit Killing Off Characters Learning From Mistakes LGBT LGBT Literature Literary Adaptations Literary Journals Lyrics Mailing Lists Marketing Memoir Metaphysical Lit Multicultural Fiction Music Music Vs. Writing Nonfiction Nonfiction To Fiction Nurturing Creativity Packaging Advice Perfectionism Photography Playwriting Plotting Poetry Political Art Pornography Protagonist Development Public Speaking Publishing Religion Research Romance Novels Self - doubt Selfpublishing Setting Goals Social Effects Of Fiction Social Media Social Networking Spiritual Lit Staying Motivated Stereotypes Success Taking Care Of Yourself Taking Risks Target Audience Thrillers Time Management Time Travel Traditional Publishing Trilogy Trust Your Instincts Truth In Fiction Twitter For Writers Typesetting Websites Work / Life Balance Writer Quirks Writer's Block Writers» Conference Writer's Life Writing Advice Writing A Series Writing As Therapy Writing Book Reviews Writing Craft Writing Dialects Writing Erotica Writing For A Living Writing For Children Writing (General) Writing Groups Writing In A Foreign Language Writing Playlists Writing Sequels Writing Vs. Medicine Writing Workshops Writing Yourself Into Your Characters Youth Arts Youth Education

She started this project as her final photography project as a student at the School of the Art Institute, and now she's taking more photos for an art opening in which ticket proceeds will benefit an animal rescue group.

Be sure to follow her photography, Facebook / Instagram pages to see some of her behind - the - scenes work with our group as well as our «EVENTS» page to learn when she'll be hosting pet photography fundraising events!

About two years ago we created the group as a platform to help our readers share their photography from all over the world.

One of our recurring posts — as you may have noticed springing up at the beginning of each month — is the winning photograph chosen from our travel photography group at Flickr.

The sun goes down very early here and once it does it gets dark quickly so make sure to leave enough time for family and group photography as well as your own personal photography after the ceremony.

Thursday - Venice Art Crawl 6-10/11 pm depends on venue most venues near beach + boardwalk AKFF picks: Dogtown Artists United at 72 Windward - always cutting edge art, music and surprises 6:30 - 10:30 pm After checking out Dogtown - and do get there early as it will reach capacity fast head over to 1320 Main Studios for a photography group show from 7pm - 12:30 am with libations and appetizers.

In the late nineteen - sixties, a group of artists made a name for themselves in the United States by using photography as a basis for painting everyday scenes and objects with extraordinary realism.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

Mr. Liebling, who became known as a member of the Photo League, a group of socially minded photographers that disbanded in 1951, dug deeply into his subjects, using still photography almost like film, to explore a condition rather than an instant.

1984 Group Show, Sonnabend Gallery, New York, NY 1983 Whitney Biennial, Whitney Museum of American Art, New York, NY 1982 Color as Form, International Museum of Photography, George Eastman House, Rochester, NY Beyond Photography, The Fabricated Image, Delahunty Gallery, New York.

On view are Illustrations by early modernist Arthur Dove and others, a genre group by John Rogers, experimental photography by Martina Lopez, abstract work by James Rosenquist as well as works by Alonzo Chappel, François Girardon, George Grosz, Daniel Ridgeway Knight, Henry Varnum Poor, Adolf Schreyer, and others.

The major group exhibition Believe not every spirit, but try the spirits takes as its departure point the art of forgotten Victorian - era Spiritualist Georgiana Houghton (1814 - 1884), and features contemporary and historical painting, sculpture, video and photography that both explore and adopt Spiritualist practices and methodologies.

As Group Publisher, she is responsible for expanding Phaidon's Art, Photography, Fashion, and Children's publishing programs, as well as overseeing the design and production departmentAs Group Publisher, she is responsible for expanding Phaidon's Art, Photography, Fashion, and Children's publishing programs, as well as overseeing the design and production departmentas well as overseeing the design and production departmentas overseeing the design and production departments.

Her work has also been included in various group exhibitions, including «Amazement Park: Stan, Sara and Johannes VanDerBeek» at the Tang Museum, Saratoga Springs, NY (2009 — 10), as well as the annual exhibition «New Photography» at the Museum of Modern Art, New York (2009).

Indeed, at the Arles Photography Festival this year in an illuminating group show, Typology, Taxonomy and Serial Photography, their work was contrasted to that of Karl Blossfeldt, who once said «the plant must be valued as a totally artistic and architectural structure».

Her work is currently featured in a host of group shows and exhibitions on photography, including art - historical shows such as Real Worlds: Brassai, Arbus, Goldin at the MOCA in Los Angeles.

Starting in the mid-1950s, Giacomelli began to win photographic prizes and exhibit in group shows many of which focused on post-war humanistic photography, such as the exhibition entitled, «What is Man?»

The selection includes paintings, drawings, sculptures, as well as photography, installation and architecture, from the studios of a select group of NYC artists including Dana Adams, Helene, Awad Wahba, Vicky Barranguet, Mati Bracha, Braden Burgon, March Chadwick, Paul Ching - Bor, Lorin Cole, John De Soto, Anne De Villemejane, Hollie Heller, Chizuru Morii Kaplan, Michael Katz, William King, Louise Laffaille, JJ Li, Carole McClintock, Hugh Millar, Todd Monaghan, Lindsey Nobel, Fabienne Ricard, Simon Rigg, Bolek Ryzinski, Liz Schneider - Cohen, Shane Townley, Preeti Varma and Norbert Waysberg.

Moreover, it adds to the group of works by younger photographers who explore the ways three - dimensional forms can be captured through photography, such as Roe Ethridge, Erin Shirreff, and Sara VanDerBeek, many of whom consider Lawler a key figure in the development of their practices.

Goddess Clap Back: Hip Hop Feminism in Art is a group exhibition highlighting Hip Hop Feminism as an emerging motif of contemporary artists working with performance, photography, video, collage, sculpture and sound.

British artist Tom Hunter uses photography to comment on the contemporary social realities of specific sub-cultural groups, predominately in East London, such as squatters and travelers, among whom he lives and works.

Seror's work has been included in group exhibitions such as Don Juan, Vienna Kunsthalle (2006); Jeugen von heute, Schirn Kunsthalle Frankfurt (2006); Balance and Power: Performance and Surveillance in Video Art, curated by Michael Rush, Rose Art Museum at Brandeis University (2005); In Focus: Themes in Photography, Albright Knox Art Gallery, Buffalo (2005); typ0, Moderna Museet, Stockholm (2004); Strangers: First ICP Triennial of Photography and Video (2003).

An extraordinary group of 19 Diane Arbus photographs from the 1960s through 1970 represents photography as the first medium in which images were created by means of technology.

Works on view are varied, including pioneering x-rays and aerial views, artifacts of early photojournalism, and recent examples of conceptual art all grouped in arrangements to emphasize the range of possibilities offered by photography as a medium.

The collection includes works by artists associated with the loosely knit group known as the «Pictures Generation,» such as Cindy Sherman and John Baldessari, who appropriated images from the mainstream media, as well as several members of the Düsseldorf school of photography.

His work has been included in group exhibitions such as «New Photography,» the Museum of Modern Art, New York (2009), «Dirt on Delight,» Institute of Contemporary Art, Philadelphia and the Walker Art Center, Minneapolis (2009), and the Moscow Biennial (2007).

As one of the most prolific artists worldwide, his photography has been exhibited internationally in both individual and group exhibitions, with works residing in many significant public and private collections including the Tate Modern and San Francisco Museum of Modern Art.

Alexander Alland A plan for the use of photography as a means of combating enemy propaganda among our national, racial, and religious groups, 1942 11 1/2 x 9 inches Presentation folder containing 48 original gelatin silver prints and clippings from newspapers and magazines

(Toronto, ON)-- Today the Aimia AGO Photography Prize, Canada's leading contemporary photography award, announced its most diverse long list to date, as submitted by a group of international Photography Prize, Canada's leading contemporary photography award, announced its most diverse long list to date, as submitted by a group of international photography award, announced its most diverse long list to date, as submitted by a group of international nominators.

Next to that his work was exhibited in several group exhibitions, such as in the Museum Valkhof in Nijmegen in 2011, the New York Photo Festival in 2010, the Fotomuseum Den Haag in 2008, the National Center of Photography in St. Petersburg in 2007 and the Maison Europeenne de la Photographie in Paris in 2006, amongst others.

The group show features innovative photography from artists on the new edge of LGBTQ art such as Josef Jasso, Michael Palladino, Brooke Mason and Franz Szony.

Thematic group exhibitions include Audible Imagery: Sound and Photography; The Furtive Gaze, works by artists who use the camera as an instrument of surveillance; Camera / Action: Performance and Photography; and Anticipation, exploring strategies of slowness and suspense in time - based art.

Prior to that, Fogle was a curator at the Walker Art Center in Minneapolis from 1994 to 2005, where he initiated a series of exhibitions with emerging artists as well as a number of group exhibitions, including: Andy Warhol / Supernova: Stars, Deaths, and Disasters, 1962 — 1964 (2005); The Last Picture Show: Artists Using Photography 1960 — 1982 (2003) which traveled to the Hammer; Painting at the Edge of the World (2001); and solo exhibitions with Catherine Opie and Julie Mehretu.

He has participated in notable group exhibitions, such as the 2012 Sydney Biennale; Staging Action: Performance in Photography Since 1960, Museum of Modern Art, New York, and Framed, Indianapolis Museum of Art, Indiana (both 2011); SITE Santa Fe Biennale and The Original Copy: Photography of Sculpture, 1839 to Today, Museum of Modern Art, New York (both 2010); the 51st Venice Biennale (2005); and New Photography, Museum of Modern Art, New York (2005).

In COSPlayers (2004), a work comprised of video and photography, the artist embedded in Chinese cosplay communities, groups of young people that gather to dress up as imaginary Japanese anime characters.

His work has been included in group exhibitions at venues such as Ashdod Art Museum, The Shpilman Institute for Photography in Tel Aviv, and Kristinehamns Konstmuseum in Sweden.

Playful, interactive exhibition of knitted sculpture, psychedelic video, sly photography, crisp audio works by American, Canadian, Italian artists Staging the coldest season as a playground for imagination, The Warehouse Gallery presents Embracing Winter, a group exhibition featuring knitted sculpture, psychedelic video, interactive displays, sly photography, and crisp audio and book works by American, Canadian and Italian artists.

Wilke has also participated in a large number of significant group exhibitions including the forthcoming exhibition Virginia Woolf: an exhibition based on her writing, Tate St Ives (2018); Delirious: Art at the Limits of Reason, 1950 - 1980, Met Breuer, New York (2017); Body Talk, Rose Art Museum, Waltham (2017); Feminist Avant - Garde of the 1970s, ZKM, Karlsruhe (2017), travelling to Stavanger Art Museum, Norway and The Brno House of Arts, Brno (2018); I Remember Not Remembering, Scottsdale Museum of Contemporary Art (2017); The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw (2017); Performing for the Camera, Tate Modern, London (2016); Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth & Schimmel, Los Angeles (2016); Americana: Formalizing Craft, Perez Art Museum, Miami (2013); Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary (2013); Human Nature, Los Angeles County Museum of Art (2012); Naked Before the Camera, Metropolitan Museum of Art, New York (2012); Elles: Women Artists from the Centre Pompidou, Seattle Art Museum (2012); The Body as Protest, Albertina Museum, Vienna (2012); Ourselves, Australian Centre for Contemporary Art, Melbourne (2012); The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York and elles@centrepompidou, Centre Pompidou, Paris (2010).

He has participated in notable group exhibitions, such as the 2012 Sydney Biennale; Staging Action: Performance in Photography Since 1960, MoMA, New York, and Framed, Indianapolis Museum of Art, Indiana (both 2011); SITE Santa Fe Biennale and The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York (both 2010); the 51st Venice Biennale (2005); and New Photography, MoMA, New York (2005).

For all the memories, Jones parallels the contemporary erasure of differences between photography and other media, high tech or low, as with Anne Collier and what a group show called «Strange Magic.»

One of the newer pioneers in this quest is Letha Wilson, whose work surrealistically combining photography with architectural elements (sometimes printing the images on concrete) gained avid attention when she was included in several well - received group shows last year, such as «What Is a Photograph» at the ICP and «Ain'tings» at Robert Blumenthal Gallery.

Muholi's visit to UCLan coincides with her participation to the group exhibition Residual: Traces of the Black Body, curated by Christine Eyene at New Art Exchange, Nottingham, as part of FORMAT International Photography Festival 2015.

Artist, curator and writer, Matthew Deleget has described Hill as being «on the leading edge of a group of contemporary artists who are working with new abstraction, issues of painting, and pushing those in really compelling and interesting new directions, particularly through the filter and through the lens of photography and digital media.»

This notion unites the group of artists in the exhibition, all of whom have highly process - oriented practices in media such as installation, painting, photography, sculpture and video, dwelling on ideas of production and meditation.