Sentences with phrase «photography assistants»
Photography assistants: Simon Roberts, Huan Nguyen, Maru Teppei.
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Photographed by Thanassis Krikis Styled by Marilena Karagianni Model: Romana at D Models Hair and make - up artist: Hara Papanikolaou Photography assistants: Marios Gavogiannis and Katerina Goritsa Styling assistants: Georgia Kleisoura and Vassiliki Pappa Local Production: 10 am
is a recipe developer, photography assistant, and baker from Vancouver, British Columbia.
She's a great little photography assistant too!
Digital Technician: Dimitri Ramazankhani; Photography Assistant: Luis Einhauser
Hair By Tamara Mcnaughton For Leonor Greyl; Makeup By Georgi Sandev for Nars Cosmetics; photography assistant: Ben Grieme; Fashion Assistant: Ryann Foulke; Donald Judd: © Judd Foundation Archives; Fifth Floor: Annabelle D'huart © Judd Foundation Archives.
Artwork by Katherine Bernhardt: photograph by Caitlin Cronenberg; digital technician: Al Quintero; photography assistant: Jeffrey Glaab; painting by Katherine Bernhardt.
Written and directed by Alexandre Vogler / Actress: Marcela Maria / Photography: Lula Carvalho / Soundtrack: Guilherme Vaz / Edited by: Renato Martins / Sound editing by: Ricardo Cutz / Photography assistant: Pedro Von Kruger
First working as a graphic designer, then a photography assistant to Eikoh Hosoe Moriyama became an independent photographer in 1964, publishing two bodies of work in 1968 and 1972: Nippon Gekijo Shashincho (Japan Theatre Photo Album) and Shashin yo Sayounara (Farewell Photography); the work revealed other perspectives of daily urban life and the city.
We've set up a white card and our trusty photography assistant Spawn out in the garden on a weathered bench, framed against a backdrop of green hosta leaves and an old fence — with the goal of this arrangement to show the white as a true reference point and the rest of the photo to show how a shifting white balance can really affect the overall color balance of your photos.
A well - written cover letter sample for Photography Assistant should focus on the following job skills:
Hope you find the above two photography assistant cover letter samples helpful in drafting an appealing cover letter.
I am confident that my photography skills and eye towards detailing in photography will surely make me an eligible candidature to work with you as a photography assistant.
Subject: Application for the position of photography assistant Reference: Advertisement in Mallon Fashion Magazine
As a skilled, ambitious, and detail - driven professional with rigorous training and education in photography, coupled with key experience supporting photographers in managing shooting sessions for a variety of clients, I am well positioned to make a significant impact as your next Photography Assistant.
Examples of Photography Assistant duties include maintaining equipment, securing locations, carrying props, setting up lighting, holding reflectors, changing lenses, filing photographs, preparing invoices, taking phone calls, and welcoming clients.
A good Photography Assistant is the one able to anticipate the photographer's needs and provide excellent customer service.
I am confident that my photography skills and eye towards detailing in photography will surely make me an eligible candidate to work with you as a photography assistant.
Competencies, sometimes called success factors and key characteristics, are as important (as far as photography assistant cover letters are concerned) as skills are.
Employers look for entire packages when they look at photography assistant resumes.
Your advertisement for a photography assistant says that you are looking for someone who can think out of the box.
While working as a photography assistant for Yellow Entertainment, I brought the following value to the company:
Tags for this Online Resume: office clerical creative art photography assistant, office, clerical, creative, art, assistant, photography
Not exact matches
On Location Crew Production Company: Acres New York Producer: Dom Tunon Director: Paul Hairston Director of Photography: Matthew Ballard Assistant Camera: Quentin Rodriguez Story Producer: Francisco Ellias Line Producer: Susan De Palma Producers: Ines and Camilla Mongil Sound: Margarita Aponte DIT: Maria Fernanda Beltran Transport: Willie Ramirez Photographer: Erinn Springer
Photography: Nate Gordon, George G. Washington (Deputy Editors); Erick Rasco (Deputy Editor, Technology); Claire Bourgeois, Miriam Marseu, Marguerite Schropp Lucarelli, Jeffrey Weig (Picture Editors); Linda Bonenfant, Cristina Scalet, Kari Stein (Associate Editors); Carlos Miguel Saavedra (Assistant Editor); Daniel Jimenez
The «Player of the Team «award was earned by Blues defensemen and assistant captain Chris Larson for his goals in both games (and impeccable photography skills).
Some popular options including blogging, photography, graphic design, being a virtual assistant, phone support, or social media work.
Why Doctors, Nurses, and Other Medical Professionals Are Choosing to Birth at... Image courtesy of Erin Wrightsman, Nurture Nature Photography It's one of the best kept secrets in the medical profession these days: an increasing number of doctors, nurses, physician's assistants, and other medical professionals are choosing to birth at home.
MFA Candidate, Graduate Research Assistant, School of Film and Photography, Montana State University
Model: Tuomas Holopainen Make up: Suzana Reich Assistant: Kristina Paich Styling, photography, post production: me
Director James Gunn's creative team also includes director of photography Henry Braham («The Legend of Tarzan,» «The Golden Compass»); production designer Scott Chambliss («Star Trek,» «Tomorrowland»); editors Fred Raskin («The Hateful Eight,» «Guardians of the Galaxy») and Craig Wood («Guardians of the Galaxy,» «Pirates of the Caribbean: At World's End»); composer Tyler Bates («Guardians of the Galaxy,» «John Wick»); three time Oscar ® - nominated costume designer Judianna Makovsky («Captain America: Civil War,» «Harry Potter and the Sorcerer's Stone»); Oscar ® - nominated visual effects supervisor Chris Townsend («Avengers: Age of Ultron,» «Iron Man 3»); stunt coordinator Tommy Harper («Pirates of the Caribbean: Dead Men Tell No Tales,» «Captain America: The Winter Soldier»); co-producer / first assistant director Lars Winther («Captain America: Civil War,» «Captain America: The Winter Soldier»); and six - time Oscar ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War,» «The Avengers»).
On the production side there is Executive Producer Rae Sanchini, Producer John Landau, Second Unit Director Steve Quale, First Assistant Director Josh McLaglen, Camera Operator / Steadicam Jimmy Muro, Director of Photography Russell Carpenter, Costume Designer Deborah Scott, 4 - Ward / VFX Supervisor Robert Skotak, Art Director Martin Laing, Production Designer Peter Lamont, Unit Production Manager Kevin De La Noy, Digital Domain - VFX Supervisor Rob Legato and Stunt Coordinator Simon Crane.
Release Date: 9 March 2010 Up In The Air releases to DVD and Blu - ray with the following bonus extras: - Commentary by writer / director Jason Reitman, director of photography Eric Steelberg and first assistant director Jason Blumenfeld.
Amy Vincent («Hustle & Flow,» «Eve's Bayou») worked her way up from an intern at Warner Bros. the old - fashioned way, from loader to camera assistant to director of photography.
The Blu - ray's extras begin with an audio commentary by director / screenwriter Jason Reitman, director of photography Eric Steelberg, and first assistant director / co-producer Jason Blumenfeld.
«Character Chronicles» (23:11 with «Play All» option, HD) include «Liam Neeson: When a Plan Comes Together,» «Bradley Cooper: Fully Automatic,» «On Set with Rampage Jackson,» «On Set with Sharlto Copley,» and «The B - Team,» with interview clips of Carnahan, Neeson, Cooper, Jackson, Copley, Bray, assistant to Mr. Carnahan Evan Nicholas, camera operator Klemens Becker, Biel, Terry Chen, and director of photography Mauro Fiore.
Taken together, these segments run 59 minutes, 12 seconds and feature Mann, former Chicago police officer Chuck Adamson, author / Chicago historian Richard Lindberg, actor / former Chicago police officer Dennis Farina, LAPD technical advisor Tom Elfmont, first assistant director Michael Waxman, author Eddie Bunker, LA Sheriff's Department technical advisor Rey Verdugo, producer Art Linson, second unit director Ami Canaan Mann, casting director Bonnie Timmerman, director of photography Dante Spinotti, executive producer Pieter Jan Brugge, technical weapons trainers Mick Gould and Andy McNab, sound mixer Chris Jenkins, production designer Neil Spisak, musician Moby, composer Elliot Goldenthal, and actors Al Pacino, Jon Voight, Robert De Niro (circa 1995), Val Kilmer, Dennis Haysbert, Tom Sizemore, Amy Brenneman, Mykelti Williamson, Tom Noonan, Ashley Judd, Danny Trejo and Diane Venora.
The one - hour, 24 - minute, 49 - second piece includes comments from Ramis, Chase, Hall, Barron, Simmons, production assistant Trevor Albert, location managers Sam Mercer and Bill Borden, studio executive Mark Canton, first AD Robert P. Cohen, casting director Susan Arnold, animal trainer Jules Sylvester, director of photography Victor J. Kemper, stunt coordinator Dick Ziker, and actors Jane Krakowski, Beverly D'Angelo, Christie Brinkley, Eugene Levy, Christopher Jackson, Miriam Flynn, Mickey Jones, John Diehl, and James Keach.
Interviewed in these featurettes are Nolan, producer Emma Thomas, Leonardo DiCaprio, production designer Guy Hendrix Dyas, special effects supervisor Chris Corbould, stunt coordinator Tom Struthers, visual effects supervisor Paul Franklin, editor Lee Smith, director of photography Wally Pfister, special effects coordinator Scott Fisher, first assistant director Nilo Otero, Joseph Gordon - Levitt, co-producer Jordan Goldberg, and composer Hans Zimmer.
They provide notes from author / artist Frank Miller, writer / director Zack Snyder, producers Gianni Nunnari, Bernie Goldmann, Deborah Snyder and Mark Canton, editor Bill Hoy, historians Bettany Hughes and Victor Davis Hanson, creature effects Mark Rappaport, DC Comics group editor Bob Schreck, production designer Jim Bissel, VFX supervisor Chris Watts, composer Tyler Bates, screenwriter Kurt Johnstad, director of photography Larry Fong, creature and special makeup effects supervisor Shaun Smith, assistant stunt coordinator / fight choreographer Chad Stahelski, stunt coordinator Damon Caro, comic book creator Neal Adams, DC Comics president / publisher Paul Levitz, and actors Gerard Butler, Lena Headey, Dominic West, Vincent Regan, David Wenham, and Rodrigo Santoro.
Also coming before the camera are 1st A.D. / executive producer Josh McLaglen, director of photography Dean Semler, camera operator Andrew Rowlands, stunt coordinator / 2nd unit director Jack Gill, script supervisor Diane Durant, transportation captain Tom McGoldrick, editor Dean Zimmerman, director's assistant Regina Taufen, and production assistant Alex Betuel; we also get glimpses of actors Steve Carell, Tina Fey, Common, and Jimmi Simpson at work and play.
Feature - length audio commentary with director Robert Zemeckis, director of Photography Don Burgess, visual effects supervisor Ken Ralston and assistant Carey Villegas, and sound designer Randy Thom.
Tire au flanc (1928) France Production Company: Néo - Film Producer: Pierre Braunberger Distribution: Armor - Film, Editions Pierre Braunberger Screenplay: Jean Renoir, André Cerf, Claude Heymann, from the play by André Mouézy - Eon, A. Sylvane Intertitles: André Rigaud Photography: Jean Bachelet Production Design: Erik Aaes Assistant Directors: André Cerf, Lola Markovitch Cast: Georges Pomiès (Jean Dubois d'Ombelles), Michel Simon (Joseph), Fridette Faton (Georgette), Félix Oudart (Colonel Brochard), Jean Storm (Lieutenant Daumel), Manuel Rabinovitch dit Raaby (adjutant), Kinny Dorlay (Lily), Maryanne (Madame Blandin), Zellas (Muflot), Jeanne Helbing (Solange), Catherine Hessling (girl), André Cerf (soldier), Max Dalban (soldier)
On purge bébé (1931) France Production Company / Distribution: Braunberger - Richebé Production Manager: Charles David Assistant Directors: Claude Heymann, Pierre Schwab Screenplay: Jean Renoir, Pierre Prévert, from the play by Georges Feydeau Photography: Théodore Sparkhul, Roger Hubert Production Design: Gabriel Scognamillo Music: Paul Misraki Sound: D. F. Scanlon, Bugnon Editor: Jean Mamy Cast: Jacques Louvigny (Bastien Follavoine), Marguerite Pierry (Julie Follavoine), Sacha Tarride (Toto), Michel Simon (Chouilloux), Olga Valéry (Madame Chouilloux), Fernandel (Horace Truchet)
La Grande illusion (1937) France Production Company: RAC (Frank Rollmer, Alexandre and Albert Pinkéwitch) Distribution: Réalisation d'Art Cinématographique Production Manager: Raymond Blondy Assistant Director: Jacques Becker Screenplay: Jean Renoir, Charles Spaak Technical Consultant: Carl Koch Photography: Christian Matras, assistants: Claude Renoir Jr., Jean Bourgoin, Bourreaud Stills: Sam Lévin Production Design: Eugène Lourié Sound: Joseph de Bretagne Music: Joseph Kosma Editor: Marguerite Renoir, assistant Marthe Huguet; 1958, restoration for re-release, Renée Lichtig Cast: Jean Gabin (Lt. Maréchal), Pierre Fresnay (Captain de Boeldieu), Erich von Stroheim (Captain von Rauffenstein), Marcel Dalio (Rosenthal), Julien Carette (Traquet), Dita Parlo (Elsa), Gaston Modot (Engineer), Jean Dasté (Teacher), Sylvain Itkine (Demolder), Jacques Becker (EnglishAssistant Director: Jacques Becker Screenplay: Jean Renoir, Charles Spaak Technical Consultant: Carl Koch Photography: Christian Matras, assistants: Claude Renoir Jr., Jean Bourgoin, Bourreaud Stills: Sam Lévin Production Design: Eugène Lourié Sound: Joseph de Bretagne Music: Joseph Kosma Editor: Marguerite Renoir, assistant Marthe Huguet; 1958, restoration for re-release, Renée Lichtig Cast: Jean Gabin (Lt. Maréchal), Pierre Fresnay (Captain de Boeldieu), Erich von Stroheim (Captain von Rauffenstein), Marcel Dalio (Rosenthal), Julien Carette (Traquet), Dita Parlo (Elsa), Gaston Modot (Engineer), Jean Dasté (Teacher), Sylvain Itkine (Demolder), Jacques Becker (Englishassistant Marthe Huguet; 1958, restoration for re-release, Renée Lichtig Cast: Jean Gabin (Lt. Maréchal), Pierre Fresnay (Captain de Boeldieu), Erich von Stroheim (Captain von Rauffenstein), Marcel Dalio (Rosenthal), Julien Carette (Traquet), Dita Parlo (Elsa), Gaston Modot (Engineer), Jean Dasté (Teacher), Sylvain Itkine (Demolder), Jacques Becker (English officer)
Distribution: United Artists Producers: Robert Hakim, David L. Loew Assistant Director: Robert Aldrich Screenplay: Jean Renoir, Hugo Butler, from the novel Hold Autumn in Your Hand by George Sessions Perry Photography: Lucien Andriot Production Design: Eugène Lourié Sound: Frank Webster Music: Werner Janssen Editor: Gregg Tallas Cast: Zachary Scott (Sam Tucker), Betty Field (Nora Tucker), Beulah Bondi (Grandma), J. Carrol Naish (Devers), Percy Kilbride (Harmie Jenkins), Norman Lloyd (Finlay), Charles Kemper (Tim)
La Petite marchande d'allumettes (The Little Match Girl)(1928) France Producers: Jean Renoir, Jean Tedesco Distribution: Films SOFAR Screenplay: Jean Renoir, from stories by Hans Christian Andersen Photography: Jean Bachelet Production Design: Erik Aaes Assistant Directors: Claude Heymann, Simone Hamiguet Cast: Catherine Hessling (Karen), Jean Storm (Young Man / Wooden Soldier), Manuel Raaby (Policeman / Death), Aimée Tedesco dit Amy Wells (Mechanical Doll) With synchronized music arranged by Manuel Rosenthal and Michael Grant.
Le Petit chaperon rouge (Little Red Riding Hood)(1929) France Director: Alberto Cavalcanti, Producer: Jean Renoir Screenplay: Jean Renoir, Alberto Cavalcanti, from the story by Charles Perrault Photography: Marcel Lucien, René Ribault; Camera Operator: Jimmy Rogers; Assistant: Eli Lotar Editor: Marguerite Houlé Assistant Directors: Pierre Prévert and André Cerf Cast: Catherine Hessling (Little Red Riding Hood), Jean Renoir (the Wolf), André Cerf (Notary), Pierre Prévert (a little girl and other parts), Pablo Quevado (Young Man), Marcel la Montagne (Farmer), Odette Talazac (Farmer's Wife), William Aguet (old Englishwoman), Aimée Tedesco dit Amy Wells (newspaper seller)
The audio commentary track includes Director Jason Reitman, Director of Photography Eric Steelberg, and First Assistant Director / Associate Producer Jason A. Blumenfeld, it provides basic plot and production information.
Each camera led to a monitor in the back of the van, where the filmmaker Jonathan Glazer sat with his first assistant director, his director of photography, his sound recordist, and two digital imaging technicians.