Sentences with phrase «photography presents images»

The Southeast Museum of Photography presents Images of Florida's Forests byStuart Rome on view through March 19, 2012.

Not exact matches

Without language, one would not be able to make individual entities or forms stand apart and present themselves as distinguishable from the whole panorama of perceptual awareness (as is the case for certain tribes which, lacking the language for photography, can not distinguish the images on a photograph).

Loving thoughts, spoken words, body language, physical touch, momentary interactions with others, acts of mercy and kindness, creating and sharing images of Love through song, art, photography and all creative forms, giving others attention, being fully present and listening to others, affirming the spiritual identity of others, are all expressions of Love.

* Images sources ---LCB- left -RCB-: Valentine's outfit with balloons via Lace and Locks / / Tablescape via Glitter Guide / / -LCB- right -RCB-: 3 - Tier Cake via The Knot / Photography by Heather Saunders / / Strawberry Bavarois via Style Me Pretty / / Wrapped presents via Boxwood Clippings

In this photography project that began in 2013, the Big Apple is presented in a series of haunting and cinematic images as seen in the nighttime facades and storefronts of buildings that boast neon marquees and signage, eerily preserved in all of their nostalgic and kitschy glory, to undeniably sleek and contemporary exteriors with more daring architectural design.

Presenting images from 2010 to 2017, the show at the Ground Floor Project in London, charts a movement in which the body is captured in extraordinary gestures and poses, tracing a new aesthetic in fashion photography that originated in 2010 and continues to develop today.

Masterfully recreating a photograph whilst allowing the process of its painterly making to remain visible, Richter heightens the tension between painting and photography, abstraction and figuration, truth and fiction — presenting to us an image that is conceptually subversive as it is utterly magnificent.

The Artist's Museum begins with this impulse to collect and connect, bringing together large - scale installations, photography, film, and videos that employ artworks from the past as material in the present, animating existing artworks, images, and histories to reveal art's unexpected relationships and affinities.

In 2011, for instance, Pryde produced It's Not My Body, a series of digitally retouched scans of a fetus that superimposed an MRI scan onto desert - like landscapes and introduced psychedelic colors, constructing final images that were stylistically fluent with certain tendencies present in fashion photography.

The works that brought her to international attention, the series Ground and Field, presented photographic blurs caused by focusing the camera on an unoccupied foreground; these lushly colored images tested connections between the descriptive clarity of photography and the haze of memory.

MAY 5 - MAY 20, 2007 Umeå Academy of Fine Arts presents an exhibition under the title Projekt ´07 Painting, drawing, digital images, photography and wall tapestries are blended with audio and video works.

He organized award - winning exhibitions and publications including solo presentations by Lynda Benglis, Judith Godwin, Jane Hammond, Joseph Marioni, Rashaad Newsome, Chuck Ramirez, and Sandy Skoglund, among other artists, as well as American Art Since 1945: In a New Light; New Image Sculpture; Andy Warhol: Fame and Misfortune; Beauty Reigns: A Baroque Sensibility in Recent Painting; Made in Germany: Contemporary Art from the Rubell Family Collection; Telling Tales: Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American Art.

«The Power of Pictures: Early Soviet Photography and Film» at the Frist Center presents images, films, and movie posters...

Presented by Scotiabank, organized by the Ryerson Image Centre, and a primary exhibition of the Scotiabank CONTACT Photography Festival.

Beginning in the 1800s, at a time when photography was inherently experimental, such venture into abstraction, as present in de Molard's fragile, golden images of William the Conqueror's Normandy Castle, was an unusual attempt.

«New Photography 2010 presents four artists — Roe Ethridge, Elad Lassry, Alex Prager, and Amanda Ross - Ho — whose photographs mine the inexhaustible reservoir of images found in print media and cinema.

Cosmococas (1973) was among his most striking projects of writing and photography at the time, presented as the pages of a notebook containing his odes to various types of cocaine and slide shows with images devoted to the drug.

For its 36th Edition, The Photography Show features 86 fine art photography galleries presenting images ranging from 19th century photographs to modern and contemporary photographs plus photo - based art, video andPhotography Show features 86 fine art photography galleries presenting images ranging from 19th century photographs to modern and contemporary photographs plus photo - based art, video andphotography galleries presenting images ranging from 19th century photographs to modern and contemporary photographs plus photo - based art, video and new media.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

Constructing Realities: Photography, Film, Video, and the Internet follows six artists from the 1960s through the present as they create new images using the ever - widening range of technological media available today to create six entirely diverse landscapes of the real.

Artist: Isaac Tin Wei Lin Exhibition title: Chromatic Intercession Venue: Adams and Ollman, Portland, US Date: July 16 — August 15, 2015 Photography: images courtesy of the artist and Adams and Ollman, Portland June 3, 2015, Portland, OR: Adams and Ollman is pleased to present a solo exhibition of twodimensional works by Philadelphiabased artist Isaac Tin Wei Lin.

The Queens Museum will present her most ambitious work to date, The Wandering Lake (2009 - 2017), a project that redefines the role of artist, image, object and performance in the construction of narratives through an exhibition that integrates video projection, photography, sculpture, publication, and performance as one expansive body of work.

Artists: James Castle, Austin Eddy, John O'Reilly, Blair Saxon - Hill, Timmy Straw Exhibition title: The World Is Not The Earth Venue: Adams and Ollman, Portland, US Date: April 18 — May 30, 2015 Photography: images courtesy of the artists and Adams and Ollman March 18, 2015, Portland, OR: Adams and Ollman is pleased to present The World Is Not The Earth, a group exhibition featuring James Castle, Austin Eddy, John O'Reilly, Blair SaxonHill and Timmy Straw.

Drawn from a collection of photojournalism and documentary photography, many of the images have appeared in the press — but here they are presented as works of art in their right.

PHOTOFAIRS, International Art Fairs Dedicated to Photography With destinations in Shanghai and San Francisco, PHOTOFAIRS is dedicated to presenting fine art photography and moving image from leading international galleries and thePhotography With destinations in Shanghai and San Francisco, PHOTOFAIRS is dedicated to presenting fine art photography and moving image from leading international galleries and thephotography and moving image from leading international galleries and their artists.

Three Evidentiary Claims examines the relationship between images and objects, and presents a set of possibilities for how we might talk, think, and read these distinct and hybrid mediums of photography and sculpture.

In a gallery adjacent to Performing Images, the Smart Museum presents the concurrent exhibitionInspired by the Opera: Contemporary Chinese Photography and Video (February 13 — June 15, 2014).

Through each of the artists» engagement with the formal and conceptual properties of the medium, they challenge the notion that photography presents a faithful representation of reality and incite us to look more closely at how images are manipulated, styled and filtered to create fictions that we, the public are too - often ready to accept.

Photography as an art form is defined by its pastness, as soon as an image is made it records its begins marking its transit swiftly away from present tense.

Bringing together still and moving images, objects and iconic works of art, The Western: An Epic in Art and Film will be the first exhibition to consider The Western and its attendant myths in the context of approximately 160 paintings, photography, prose and film from the mid-1800s to the present.

Pratt Institute's Department of Film / Video and Photography will present a solo show of two bodies of work by artist Fred Camper titled «Figments,» that feature digitally altered images of increasingly low resolutions based on original single photographs.

Her 2012 exhibition, Observation Point, investigates the self - imposed bounds of photography, presenting images of the sun, thereby breaking a cardinal rule of the medium while illustrating the haunting beauty of an elusive subject, as well as abstract photography more generally.

It will be presented by 25 high - contrast black and white photographs, which are from editorial images of the 90's for VOGUE, HARPER»S BAZAAR, INTERVIEW and many other international magazines, to his personal work inspired by modern dance, landscapes, early German and East European cinema and photography.

To inaugurate Galerie Lelong's fall season, multidisciplinary artist Jane Hammond will present her latest body of work, the «dazzle paintings» — a stunning combination of painting and photography in which the artist infuses the still image with a sense of flow, interactivity, and mutability.

These 1970's students added modern technical ability to the 1920's German school of New Objectivity as promoted by their mutual teachers Bernd and Hiller Becher who bland images of water towers and coal bunkers demystified photography into something more present and banal.

Jeff Rich (M.F.A., photography, 2008; B.F.A., film and video, 2000) presents images from his long - term photo essay «Watershed,» consisting of three chapters: the French Broad River, the Tennessee River and the Mississippi River.

In installation, photography and video, the authoritative fixity of representational media is betrayed as those bodies presumed to be contained — as ghosts, as pop culture signifiers one step removed from the referent — return to haunt the image as desiring bodies, as spectres, as present absences that make even the quotidian an uncertain experience.

The show will be drawn from one of the world's greatest private collections of photography and will present an unrivalled selection of classic modernist images from the 1920s to the 1950s.

Presenting an intriguing mix of real and imaginary images the exhibition doesn't try to present a collective portrait of adolescence, but rather brings together the work of various internationally known photography artists dealing with a variety of related issues revolving around the three central themes of youths as a social group, adolescence as a particularly tormented stage, and the self - presentation emblematic of the digital image and Internet culture.

The same straightforwardness is found in his photography: un-staged, unedited images are presented through the framework of the photographic lens, turning a corner of a real life environment into a surreal experience.

The exhibition brings together a series of Umbrico's works from 1989 to the present, reflecting on photography's relationship to light and the complex changes that digital technology has brought to photographic image production.

In today's hyper - visual world the concept of image fatigue is familiar and often debated, and it's something that Foam, whose mission statement is «All about photography», challenges with the variety of its programmes, exhibitions, publications and events: «We present diverse forms of photography and we usually have four exhibitions at a time in our museum.»

Focusing on photography, the exhibition presents over 190 images by 74 photographers, revealing a story of American history from the early 20th century and the role the photographs made in inciting social reform.

This exhibition will provide a seamless journey through his landmark fashion and commercial photography from the 90's, presenting classic images of celebrities such as Lily Cole, Kurt Cobain and Vivienne Westwood, as well as more recent landscapes and family portraits..

NYU's Grey Art Gallery Presents Rare Glimpse of Portrait Photography From the Arab World A Project by Walid Raad and Akram Zaatari — Arab Image Foundation January 11 — April 2, 2005 [DOWNLOAD FULL RELEASE] New York City, October 25, 2004.

«The Shape of Things: Photographs from Robert B. Menschel presents a compact history of photography, from its inception to the early 21st century, in 100 images.

Finding Prospect in Myth features photography, painting, sculpture, archival images, and mixed - media works by nine artists who investigate how culture and environment affect our lives through the interplay between the past, present, and future.

«Who Shot Sports: A Photographic History, 1843 to the Present is the most comprehensive survey of the art of sports photography ever produced, highlighting the aesthetic, cultural, and historical significance of these images and artists in the history of sports.

Pratt Institute's Department of Film / Video and Photography will present a solo show of two bodies of work by artist Fred Camper titled «Figments,» that feature digitally altered images of increasingly low resolutions based on original...

2014 - Present Santa Fe University of Art & Design - international workshop instructor in architectural photography and design thinking 2010 - Present Kate Joyce Studios, Chicago, IL - owner, architectural photography, commissions, image licensing 2006 - 2009 Hedrich Blessing Photographers, Chicago, IL — apprenticeship and staff photographer 2006 O'Keeffe Art and Leadership Program for Girls, Santa Fe, NM - photography art teacher 2005 - 2006 Lewis Hine Documentary Initiative, Center for Documentary Studies, Durham, NC — program coordinator 2004 Diketso Eseng Dipuo Community Development Trust, Bloemfontein, South Africa — documentary projects specialist EDUCATION