Sentences with phrase «photogravure aquatint»
Photogravure aquatint.
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It includes lithographs, engravings, aquatints, photogravures, and woodcuts created by artists of the late eighteenth, nineteenth, and early twentieth centuries.
Richard Hamilton Berlin Interior, 1979 Photogravure, engraving, hard - ground etching, roulette, aquatint and burnishing on Rives paper Paper: 56.3 x 75.6 cm (unframed) 22 1/8 x 29 3/4 in (unframed) Edition of 100 Image courtesy Richard Hamilton Estate and Alan Cristea Gallery
This exhibition brings together 60 works in a variety of mediums, from printmaking (such as lithograph, etching with aquatint, photogravure, linocut, and screen - print), to wall murals, metal sculpture and shadow puppetry.
ELLEN GALLAGHER, Detail of «Deluxe,» 2004 - 2005 (portfolio of 60 printed objects with aquatint, dry - point, photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and velvet on paper; number 16 from an edition of 20 unique variations).
Penzance Eclipse, 1999 Photogravure and aquatint; 10 1/2 × 8 inches Collection of SMoCA, Segura Publishing Company Archive, Museum Purchase 2000.006.02.a - b © James Turrell Photo: Tim Lanterman
Like many of Isca Greenfield - Sanders» paintings, this photogravure and aquatint print, which borders on abstraction, depicts a serene, idyllic scene — a woman wading out into a florescent blue body of water.
Artists working in the Crown Point studio bring their unique approaches to the medium, using hard ground etching, drypoint, sugar lift aquatint, and photogravure to name a few techniques.
The artists share tangential connections in their subject matter and utilize the processes of etching, aquatint, and photogravure.
ELLEN GALLAGHER, Detail of «Deluxe,» 2004 - 2005 (portfolio of 60 printed objects with aquatint, dry - point, photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and velvet on paper; Number 12 from an edition of 20 unique variations, plus five artist's proofs and four printer's proofs.).
Etching and aquatint on photogravure Hahnemühle bright white paper.
Almond depicts tropical vegetation in rural Africa in his photogravures, while Ofili expresses elements of waterfalls and flora on the Caribbean island of Trinidad in his spit bite aquatints.
Portfolio of sixty photogravure, etching, aquatint, and drypoints with lithography, screenprint, embossing, tattoo - machine engraving, laser cutting, and chine colle; Some with additions of Plasticine, paper collage, enamel, varnish, gouache, pencil, oil, polymer, watercolor, pomade, velvet, glitter, crystals, foil paper, gold leaf, toy eyeballs, and imitation ice cubes
Photogravure with aquatint in colors with hand - shaped plasticine elements, on multilayered paper
© Nancy Graves Foundation, Inc. / Licensed by VAGA, New York, NY Direct gravure etching with aquatint, drypoint and burnishing on Arches Cover white paper with photogravure on Arches Text Wove paper
Ellen Gallagher (b. 1965) Deluxe A portfolio of 60 printed objects with aquatint, dry - point, photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and velvet on paper each: 13 x 10 1/2 in.
Installation view of «Africans in America», from left to right: Odili Donald Odita, Highway, 2015, Acrylic latex on laminated panel 245 x 122 cm, © Odili Donald Odita; Julie Mehretu, Epigraph, Damascus, 2016, 6 panels; Photogravure, sugar lift aquatint, spit bite aquatint, openbite Hahnemühle Bütten 350 gr.
Installation view of «Africans in America», from left to right: Odili Donald Odita, Highway, 2015, Acrylic latex on laminated panel 245 x 122 cm © Odili Donald Odita; Julie Mehretu, Epigraph, Damascus, 2016, 6 panels; Photogravure, sugar lift aquatint, spit bite aquatint, openbite Hahnemühle Bütten 350 gr.Paper each 217 x 87 cm; Frame total size 248 x 574 cm, Edition of 16, © Julie Mehretu; Stan Douglas, Capoeira, 1974, 2012, Digital C - print mounted on Dibond aluminum, Image: 142.2 x 213.4 cm, Framed: 149.9 x 221 x 6.4 cm, Edition of 5
Jasper Johns Untitled 2010 Spitbite, aquatint, softground etching, drypoint and photogravure 19 x 21 1/2 inches Edition 38 of 50 (LBFA # 5300.38)