Sentences with phrase «photogravures from»

ALFRED STIEGLITZ, «A Wet Day On The Boulevard - Paris», 1894, photogravure from «Picturesque Bits of New York», 1897, 6» x 11 1/8

Not exact matches

It is, instead, a quiet show of representational drawings — 47 in total, with an additional triptych and book of prints made from the drawings via photogravure — all based on sculptures from an eponymous museum of ancient Greek and Roman sculpture in Munich.

Plate from Camera Work XLII / XLIII, published 1913, 1905 — 1913, photogravure on japanese paper.

This exhibition brings together 60 works in a variety of mediums, from printmaking (such as lithograph, etching with aquatint, photogravure, linocut, and screen - print), to wall murals, metal sculpture and shadow puppetry.

ELLEN GALLAGHER, Detail of «Deluxe,» 2004 - 2005 (portfolio of 60 printed objects with aquatint, dry - point, photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and velvet on paper; number 16 from an edition of 20 unique variations).

From the early Foley Artist (1996)-- a celebration of the unseen sound artists of film that scripts an imaginary film entirely through the efforts of two foley artists — to the «bewilderingly intricate» Event for Stage (2015) in which actor Stephen Dillane delivers (in four performances cut into one) scripts given to him, page by page, by the artist, the exhibition examines performance and its relationship to narrative, the imagination and the collective effort of artist and audience in film, theatre, drawing and photogravure.

He has taught photogravure workshops across the country, from Anderson Ranch Arts Center, Maui's Hui No'Eau Visual Arts Center, RISD, Mass Art or Tulane.

Close's photogravure portrait of artist Robert Rauschenberg, «Robert» (1998), appeared in a 2009 exhibition at the Heckscher Museum of Art in Huntington, New York, featuring prints from Universal Limited Art Editions.

Installation view, from left JEREMY OKAI DAVIS, «Makes the Man,» 2012 (acrylic on canvas); NOEL ANDERSON, «Black Past - iche (to be looked at farandaway),» 2014 (fabric dye, collage and digital transfers in custom doubled - sded frame; collage, silkscreen, acrylic and digital transfers on rug); and ELLEN GALLAGHER, «DeLuxe,» 2004 — 5 (portfolio of sixty etchings with photogravure, spitbite, collage, laser - cutting, screenprint, offset lithography, hand painting and Plasticine).

Two paintings and three hand - lettered drawings by Martin Wong A slide show by Matt Wolf Three photographs by David Wojnarowicz Three photogravures by Danh Vo An interview with Marvin Taylor An apparition concerning Liberace A sculpture by Robert Kinmont A stereoscopic photograph by Alfred A. Hart Two paintings and a multiform work by James Benning A photograph and a publication (and errata) by Martin Beck A composite essay by Julie Ault Artifacts and documents from The Downtown Collection An anonymous ledger drawing A crate of personal effects

Among more than 1,640 platinum, palladium, carbon, photogravure, and gelatin silver prints is an extraordinary group of over 300 of Stieglitz's evocative studies of clouds, called Equivalents, made from 1922 to 1937, and over 170 portraits of his friends and colleagues throughout his career.

This series is a suite of photogravure prints etched from copper plate onto Pescia paper.

Khánh H. Lê's polymer photogravure etchings combine family photos with iconic images as well as clippings from fashion magazines to create new per - sonal historical narratives.

From painting, drawing, photogravure and video, «Fields Like Waves» captures the multiple performative dimensions of translating fluid reality into images.

ELLEN GALLAGHER, Detail of «Deluxe,» 2004 - 2005 (portfolio of 60 printed objects with aquatint, dry - point, photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and velvet on paper; Number 12 from an edition of 20 unique variations, plus five artist's proofs and four printer's proofs.).

The exhibition will feature a diverse range of printmaking techniques and mediums from the demanding photogravures of Aaron Siskind to the contemporary digital prints of Victoria Crayhon.

In the early and mid - 80's he created series of captions that explored classical aesthetics from many angles, using new techniques and scale, such as Polaroids, photogravure, platinum, dye transfer prints and Cibachrome.

From left, Artists Jacob Lawrence (1941), Horace Pippin (1940), and Romare Bearden (1944) by CARL VAN VECHTEN, printed 1983 (photogravure); Richard Benson (Printer).

CATHERINE OPIE Untitled from the O Portfolio, 1999 photogravure 18.5 x 14 in 46.9 x 35.5 cm.

Close also crosses artistic boundaries by taking works from daguerreotypes and presenting them in a variety of media including colossal tapestries and photogravures.

Installation view of «Africans in America», from left to right: Odili Donald Odita, Highway, 2015, Acrylic latex on laminated panel 245 x 122 cm, © Odili Donald Odita; Julie Mehretu, Epigraph, Damascus, 2016, 6 panels; Photogravure, sugar lift aquatint, spit bite aquatint, openbite Hahnemühle Bütten 350 gr.

Installation view of «Africans in America», from left to right: Odili Donald Odita, Highway, 2015, Acrylic latex on laminated panel 245 x 122 cm © Odili Donald Odita; Julie Mehretu, Epigraph, Damascus, 2016, 6 panels; Photogravure, sugar lift aquatint, spit bite aquatint, openbite Hahnemühle Bütten 350 gr.Paper each 217 x 87 cm; Frame total size 248 x 574 cm, Edition of 16, © Julie Mehretu; Stan Douglas, Capoeira, 1974, 2012, Digital C - print mounted on Dibond aluminum, Image: 142.2 x 213.4 cm, Framed: 149.9 x 221 x 6.4 cm, Edition of 5

While the photogravures of Mazátlan insist on a more gestural relation to the image, abstracting it from its origin, the Looking for Langston photographs are presented both in their original form as silver gelatin works printed on Ilford paper and as large scale works where Julien has used both digital and analogue techniques to create an immersive, cinematic experience.