Sentences with phrase «piero di»

Philbrook Museum of Art (Tulsa) Founded in 1939 and renowned for its holdings of Native American and African artifacts, its collection also includes Renaissance works by Piero di Cosimo, Gentile da Fabriano, and others; 19th - century paintings by William - Adolphe Bouguereau, Camille Corot, Thomas Moran and William Merritt Chase.

Nearly all of them refer to works of art from the past, ranging from Botticelli and Piero di Cosimo to Mondrian, Balthus, Florine Stettheimer, and — perhaps most unlikely in this strategically inconsistent list — Lucian Freud.

«Haworth's rigorous structure recalls late - medieval, early - Renaissance compositions - think of Piero di Cosimo, for instance....

Highlights of the Musee des Beaux - Arts de Strasbourg include works by Italians Giotto di Bondone, Carlo Crivelli, Piero di Cosimo, Cima da Conegliano, Correggio, Guercino, Canaletto; Flemish and Dutch painters like Hans Memling, Gerard David, Maarten van Heemskerck, Pieter de Hooch; and French artists including Philippe de Champaigne, Nicolas de Largillière, Simon Vouet, Philip James de Loutherbourg, and Theodore Chasseriau.

Piero di Cosimo in Washington and Florence; the Impressionists» super-dealer Durand - Ruel; Captain Tripe documenting South India and Burma; and Jacob Lawrence's 60 - picture story

Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings

The high point of the exhibition is provided by the Florentine Piero di Cosimo (1462 — 1521).

From Ohio, the Toledo Museum shows art history's grappling with humanity and nature in such figures as El Greco, Piero di Cosimo, and Jacopo Bassano, while Spain and St. John the Divine set aside «Time to Hope.»

While Spain and St. John the Divine set aside «Time to Hope» once more, the Toledo Museum shows art history's grappling with humanity and nature in such figures as El Greco, Piero di Cosimo, and Jacopo Bassano.

Not exact matches

secondly, age does nt rili matter (ibra, del piero, totti, di natale, tevez, heck!!

The announcement comes from Giuseppe Della Porta, IFOM President, Gabriele Galateri di Genola, IEO President, Piero Sierra, FIRC President, Pier Paolo Di Fiore, IFOM Scientific Director, Pier Giuseppe Pelicci, Chairman of the Experimental Oncology at IEO, and Umberto Veronesi, IEO Scientific Director.

The «Piero Rotta» Youth Hostel is an excellent base to discover the secrets of the Duomo and the masterpieces of the Pinacoteca di Brera.

Tracks and locations include Nürburgring Nordschleife and Nürburgring GP — Strecke, Germany; Ulster Grand Prix Circuit — Dundrod and International North West 200, Northern Ireland; Autodromo Nazionale Monza, Pista South Milano — Ottobiano, Castelletto Circuit, Autodromo di Franciacorta — Daniel Bonara, Autodromo Vallelunga «Piero Taruffi», Autodromo Enzo e Dino Ferrari Imola, Stelvio National Park and Milan, Italy; Macau; Donington Park 2014 track variations and North Wales, Great Britain; Road America, Sierra Nevada and Miami, USA; Circuit de Nevers Magny - Cours and French Riviera, France; Circuito de Almeria, Spain; Potrero de los Funes Circuit, Argentina; Sportsland Sugo and Kanto Temples, Japan; Hellenic Towers, Greece; Viking Valley, Norway; and Eastern Mountains, Indonesia.

The primary eye / hand candy is Campo di Grano (Wheat Field, 2003), a large floor - installation by Italian artist Piero Gilardi, an Arte Povera «dissident» now in his seventies.

While Burri's works were displayed in a gallery adjacent to Piero's, a direct comparison with the frescoes of Luca Signorelli was possible at a study day at the Oratorio di San Crescentino in Morra, also near Città di Castello.

Piero Manzoni was born Count Meroni Manzoni di Chiosca e Poggiolo, in Soncino, (a village in the Po Valley of Cremona).

In the Duke's apartment — along with the wooden studiolo of Federico, and magnificent inlaid wood panels by Giuliano and Benedetto da Maiano, and Baccio Pontelli — also the enigmatic Flagellation of Christ and the Madonna di Senigallia by Piero della Francesca, and the portraits of Federico da Montefeltro and his son Guidobaldo by Pedro Berruguete are on view.

Traveled to: The Corcoran Gallery of Art, Washington, D.C., February 5 — April 10, 1994; Santa Monica Museum of Art, July 7 — September 5, 1994; Forum for Contemporary Art, St. Louis, September 30 — November 12, 1994; America Center, Paris, December 1994 — January 1995 (Catalogue) Personal Imagery, Chicago / New York, Phyllis Kind Gallery, New York, September 18 — October 30, 1993 Art Works: The Education Project, International Center of Photography, New York, July 2 — September 26, 1993 (Catalogue) 46th International Art Exhibition, La Biennale di Venezia, Venice, June 13 — October 10, 1993 Heads and Portraits: Drawings from Piero de Cosimo to Jasper Johns, Jason McCoy, Inc., New York, May 6 — June 12, 1993 (Catalogue) First Sightings: Recent Modern & Contemporary Acquisitions, Denver Art Museum, April — November 1993 Yale Collects Yale, Yale University Art Gallery, New Haven, Connecticut, April 30 — July 31, 1993 (Catalogue) Up Close: Contemporary Art from the Mallin Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, April 2 — June 3, 1993 Contemporary Realist Watercolor, Sewall Art Gallery, Rice University, Houston, February 25 — April 10, 1993 Artists by Artists, Forum Gallery, New York, February 4 — March 14, 1993 The Artist as Subject: Paul Cadmus, Midtown Payson Galleries, New York, February 4 — March 6, 1993 A New Installation of Photography from the Collection and Recent Acquisitions, Museum of Modern Art, New York, February 3, 1993 Photoplay, Works from the Chase Manhattan Collection, Center for the Arts, Miami, January 1993.

The artists invited to this third exhibition are: Jonathan Baldock, Piero Golia, Magali Reus (dutch fellow at the American Academy in Rome), Claudia Wieser (fellow at the Accademia Tedesca di Roma Casa Baldi).

Meroni Manzoni di Chiosca e Poggiolo, better known as Piero Manzoni (July 13, 1933 — February 6, 1963) was an Italian artist best known for his ironic approach to avant - garde art.

Fifty years on from its foundations, MAXXI is devoting a major retrospective to the group: SUPERSTUDIO 50 an exhibition conceived by Adolfo Natalini, Cristiano Toraldo di Francia and Gian Piero Frassinelli, together with the curator Gabriele Mastrigli.

A floor sculpture by historical Arte Povera artist Piero Gilardi, Bosco di Casterino, (2011; $ 34,000), hadn't yet sold by the third day, nor had American painter Thomas Downing's 1965 untitled canvas priced at $ 130,000.