Sentences with phrase «pils in»

These are perfect for relaxing and enjoying some gulasch and a Pils in a centuries - old restaurant.

States which ignore or seek to manipulate PIL in this way are likely (at the very least) to be shamed in the court of public opinion.

Not exact matches

Through Pil Andina's steady growth and local investments, the company has a unique role in helping Bolivia's development.

In effect, Pil Andina is known for its innovative products and technology.

«Second, unlike the position traditionally given to soy products in foreign markets by steering them... into very specific niches, at Pil Andina we have observed that soy products present lower material costs than raw milk, and this will allow us to include consumers with lower incomes.»

Pil Andina was formed after Peruvian business Gloria Group Inc. acquired milk plants in Bolivia and gathered over 6,000 small, local producers to form the country's largest milk supplier.

Check out our newest cooking video below, showing you how to make Spicy Spanish Garlic Shrimp, known as Gambas al pil pil in Spain.

These include other core beers like Normal Pils, Weissenheimer Hefeweizen and Vertex IPA, seasonal beers, its award - winning bourbon - barrel aged Dosvidanya (which won Best in Show at FoBAB in 2015 and Runner - Up Best in Show in 2016, as well as a bronze medal at GABF in 2015), and many, constantly rotating, brewery - exclusive releases from its new 10 - barrel pilot brewhouse, all rounding out its portfolio well beyond sour beers.

In my experience micro suede is easier to get the poop off and doesn't pil up like fleece does, but both work great and wash up nicely.

In addition to these innovations and collaborations, guests can expect to sip favorites from each brand such as Southern Tier's Nu Skool IPA and Pumking alongside classic Victory beers like Golden Monkey and Prima Pils.

In Scott Pil I noticed a Guitar Wolf poster in Steven Stills» apartmenIn Scott Pil I noticed a Guitar Wolf poster in Steven Stills» apartmenin Steven Stills» apartment.

Also, if you have any free time, I am slowly working on a film blog in which I reviewed Scott Pil on blu - ray (wouldn't have been fair if I had reviewed it in theaters since I was blown away), the URL is themarxerreport.blogspot.com

In July 2016, we held our the first - ever PA Educational Leadership Summit with the PA Association of School Administrators, the PA Association of Middle Level Educators and the PA Association for Supervision and Curriculum Development, which members could attend and earn their Act 45 PIL hours.

PA Principals Association has been approved by PDE to provide Act 45 PIL programs in conjunction with its state conference.

Pennsylvania Secretary of Education Ron Tomalis announced that in the 101 school districts where principals completed the Pennsylvania Inspired Leadership (PIL) program, researchers found evidence of achievement at the elementary, middle and high school levels.

Interior roof liner, A, B and C pil - lars and sun visors are all upholstered in anthracite Alcantara ®.

The obvious end - game there would be an M&A transaction with Produce Investments (PIL: LN), which is also in the potato business, with a similar market cap.

[Ideally, Donegal's focused its resources solely on Produce at that point — a possible take - out of Produce Investments (PIL: LN) could then be a great way for MMM to create a second vertical in potatoes].

Local Guides for city sightseeing in Copenhagen, Vilnius, Riga, Tallinn, St. Petersburg, Helsinki, Stockholm; professional Tour Director while touring Visits to Berlin, Warsaw, Rundales Pils Palace, Parnu

No visit to the Costa del Sol would be complete without sampling local specialties such as ajoblanco (a cold soup made from bread, almonds, garlic and olive oil) boquerones (anchovies marinated in vinegar), and gambas al pil - pil (prawns in a sizzling sauce of garlic, chili, and olive oil).

In Panama City, there is La Rana Dorada (The Golden Frog) brewpub, which offers four different flavors of brews at its Casco Viejo location: a pale ale, a premium pils, a blanche / Belgian and a Porter.

Am I the only one who had no problem with Pil» lodium in normal mode?

Since 1992 Olivia Pils has been active in Berlin as musician, artist and organiser in the DIY scene.

Jay DeFeo «The Ripple Effect» Featuring: Trisha Donnelly, Sam Falls, Rachel Harrison, Wyatt Kahn, Ron Nagle, Gay Outlaw, Tobias Pils, R. H. Quaytman, Ugo Rondinone, Bosco Sodi, Oscar Tuazon Curated by Franck Gautherot & Seungduk Kim With the participation of The Jay DeFeo Foundation, Berkeley, California With the support of Friends of Fondation de France In collaboration with Aspen Art Museum, Colorado (June 29 — October 28, 2018) Thanks: Galerie Miguel Abreu, New York; Galerie Anglim Gilbert, San Francisco; Galerie Greene Naftali, New York; Galerie Hannah Hoffman, Los Angeles; Galerie Eva Presenhuber, Zürich & New York; Galerie Carles Taché, Barcelona; Galerie Frank Elbaz, Paris & Dallas

Jordan Nassar's booth at Frieze New York featured in The Guardian, Art News, Document Journal, Vogue, Black Book, The Art Newspaper, Art Pil and Cultured Magazine.

Verging on the Absurd examines the use of the absurd and surreal in contemporary art with works by artists Suzanne Mooney, Pil & Galia Kollectiv, Francesco Pedraglio, Heather Phillipson and Samara Scott.

An artist talk by duo Pil & Galia Kollectiv who are currently showing in PROJECT 02: Verging on the Absurd, the second in our new series of displays showcasing work by our Artist Members and guest artists.

An artist talk by duo Pil & Galia Kollectiv who are currently showing in PROJECT 02: Verging on the Absurd, the second in our new series of displays showcasing work by our Artist...

Chinati Foundation artist in residence Tobias Pils is showing new work at the John Chamberlain Building in downtown Marfa.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsenin Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownsenIn the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsenin issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Spike Island has developed the second retreat in the year - long Syllabus programme led by Pil and Galia Kollectiv.

Widely recognized in Europe for his erratic paintings that maneuver around abstraction and representation, Pils creates large scale paintings bursting with energetic brushstrokes and mysterious narratives.

One of the main techniques in Sumukhwa is Gong - pil meaning a meticulous brush craftsmanship.

Tobias Pils: It is a body of work I had nearly finished when we decided to show them in New York.

PILproject (PIL) sets out to delve forward into the political value of its growing memes collection, following from the previous incarnation in 2015, hosted at the Cass Faculty of Art, Architecture and Design.

PILproject (PIL) sets out to delve into the political value of its growing meme collection following on from the previous incarnation in 2015, hosted at the Cass Faculty of Art, Architecture and Design.

Traveling to Russia and contacting several local artist groups and galleries in the Moscow area, the PIL team conducted interviews with these parties to attain a first - hand account of this new Internet legislation and its implications on the artistic practice.

PIL Project has recently been granted in Step Beyond to develop a research project in the Russia's new internet content law.

In 2001 I wrote an article about the likely increase in cases before the English courts where parties sought to invoke public international law (PIL), (see 151 NLJ 787, p 787In 2001 I wrote an article about the likely increase in cases before the English courts where parties sought to invoke public international law (PIL), (see 151 NLJ 787, p 787in cases before the English courts where parties sought to invoke public international law (PIL), (see 151 NLJ 787, p 787).

The three dominant themes in 2008 cases where PIL was invoked were as follows: UK / EU law implementation of UNSC resolutions concerning freezing of alleged terrorist assets (sanctions cases); the acts / omissions of UK authorities in Iraq / Afghanistan viewed in the context of PIL and provisions of the European Convention on Human Rights (ECHR) and Human Rights Act 1998 (Iraq / Afghanistan related cases); and state / diplomatic immunity in the context of civil proceedings and / or attempts to enforce arbitration awards against assets of State entities in the UK (Civil immunity cases).

Before our courts, we have seen PIL being invoked to seek to prevent the UK authorities from intervening in Iraq, as well as to justify criminal damage to air - base property.

At the domestic level, we have seen a large number of cases in which PIL issues have been considered.

However, despite the increase in awareness and use of PIL, PIL has also been the object of strong criticism, as being more often abused by states (which are its essential subjects) as opposed to being adhered to.

Moreover, PIL has underpinned stories on the front page of most newspapers since the intervention in Iraq, which took place in March 2003.

PIL has been under a cloud since the Ministry of Defence (MoD) sent a dossier outlining alleged misconduct to the Solicitors Regulation Authority (SRA) in February last year.

In June this year the SRA decided that Shiner and John Dickinson from PIL had a case to answer and referred the matter to the Solicitors Disciplinary Tribunal (SDT).

The expression «PIL» has been considered in a few judgements of the Supreme Court of India.

Frequently covers the public international law arguments arising in relation to English or EU law such as the Law of the Sea or sanctions but also extends to independent PIL issues in fields such as WTO and sovereign debt issues.

The PIL A, B and C panels will undertake cases involving public international law in international courts and in the courts of England and Wales.

It effectively replaces the existing law laid down in the Private International Law (Miscellaneous Provisions) Act 1995 (PIL (MP) A 1995).