Of course, the manic
pixie dream girl who comes to life is an affectation, too, but in the screenplay by Zoe Kazan, Ruby Sparks (played by Kazan) turns out to be a multi-layered woman, with a personality all her own, which is not always to Calvin's liking.
Not exact matches
The Manic
Pixie Dream Girl is really a muse
who exists to be the inspiration for the troubled, tortured man.
The Manic
Pixie Dream Girl is a cute, bubbly, young (usually white) woman
who has recently entered the life of our brooding hero to teach him how to loosen up and enjoy life.
Many other cultural critics have since picked up on the trope of the Manic
Pixie Dream Girl, including Anita Sarkeesian
who explored the issue in her Tropes vs. Women: # 1 The Manic
Pixie Dream Girl video where she concludes the such characters have little of their own purpose or autonomy:
But really, she's the antithetical example of a Manic
Pixie Dream Girl, the tired movie trope of the quirky, cute girl who solely exists to fulfill the dreams and desires of her male love interest, the protagon
Girl, the tired movie trope of the quirky, cute
girl who solely exists to fulfill the dreams and desires of her male love interest, the protagon
girl who solely exists to fulfill the
dreams and desires of her male love interest, the protagonist.
The term Manic
Pixie Dream Girl (or MPDG, for those
who like short - hand) has been floating around for years.
Doris is an eccentric character to say the least, almost like what the typical Manic
Pixie Dream Girl would look like four decades later when it stops being cute and starts being a little sad, but Showalter and Field make sure that her quirks are a part of
who she is, rather than being the things that define her.
In Elizabethtown, Kirsten Dunst plays the archetypal Manic
Pixie Dream Girl, a flirty, flighty chatterbox stewardess
who razzles and dazzles brooding sensitive guy Orlando Bloom.
Margot becomes the very enigmatic vision of the Manic
Pixie Dream Girl, a perfect angel to a Richie
who knows not and cares not her flaws.
The character is a manic
pixie dream girl (Mackenzie Davis)
who wheels into Marlo (Charlize Theron)'s life, attempting to free her from the stress and burdens of motherhood.
Ben finds Hanna (Jess Weixler),
who seems to be the usual movie manic
pixie dream girl, but (1) Weixler, an exceptionally appealing and talented actress, makes her more than that, and (2) that is what writer Jason Filiatrault and director Jason James want us to think so they can surprise us with a twist of that tired concept at the end.
And there are plentiful delights to be found in the eclectic supporting cast, from Wasikowska's fragile love interest, adeptly staying this side of manic
pixie dream girl territory, to return appearances from all the principles of «Submarine» (it's impossible to dislike a film in which Paddy Considine essentially plays Doctor
Who), to J. Mascis, of all people, as a janitor.
Mercifully far too subdued to ever be confused for a manic
pixie dream girl — a trope that Jacobs,
who continues to improve everything she's in, just defenestrated in the Netflix series «Love» — Nicky is never meant to be the solution to all of Dean's problems, but it's inevitable that she'll be forced into that role.
Tom Hollander steals the few scenes he's in as the bitter playwright
who serves as Tim's first roommate, while Lydia Wilson is borderline cringe - inducing as Tim's Manic
Pixie Dream Girl sister.
On the surface, Kazan,
who also wrote the film, has scripted a somewhat clever takedown of the «manic
pixie dream girl» phenomenon, highlighting the implausibility of male expectations in a similar manner to how Weird Science looked at the fantasy of the buxom bombshell back in the»80s.
An article in today's New York Times Sunday Styles section got me thinking about the indie - film phenomenon of the Manic
Pixie Dream Girl: a young woman
who's beautiful and quirky and perfect in the eyes of the lovestruck, mixed - up guy
who falls for her.
Is she just a pint - size version of the Manic
Pixie Dream Girl, the kind of cute female character, best epitomized by Zooey Deschanel,
who exists as nothing more than an emotional delivery system — whether of support or rejection — for male characters?
Tom Grendel lives a quiet life - writing in his notebooks, mowing lawns for his elderly neighbors, and pining for Willow, a
girl next door
who rejects the «manic -
pixie -
dream» label.