Sentences with phrase «planning exhibition center»

The new crown jewel of shrunken sprawl resides on the third floor of the Shanghai Urban Planning Exhibition Center: At more than 6,500 square feet, the stunning depiction of China's most populous city circa 2020 is one of the largest models of its type in the world.

This 4 - star hotel is within close proximity of Shanghai Urban Planning Exhibition Center and Brilliance Shimao International Plaza.

Not exact matches

Originally planned as an exhibition center, with several architectural pieces of industrial design already in place, it turned out to be one of the most horrific places.

Projects include: SHOW, Vanessa Beecroft, Solomon R. Guggenheim Museum, 1998; FISCHERSPOONER: LA, performance, 2001; Keith + Farrah, collaborative exhibition by Keith Edmier and Farrah Fawcett, Los Angeles County Museum of Art and The Andy Warhol Museum, 2003; PLAN B, Rudolf Stingel summer 2004, Grand Central's Vanderbilt Hall and The Walker Art Center; Prada Marfa, Elmgreen & Dragset, Valentine, TX, 2005, permanent.

Exhibitions are also planned for the National Gallery of Denmark in Copenhagen and the Nasher Sculpture Center in Dallas.

Past projects include: SHOW, Vanessa Beecroft, Solomon R. Guggenheim Museum, 1998; FISCHERSPOONER: LA, performance, 2001; Keith + Farrah, collaborative exhibition by Keith Edmier and Farrah Fawcett, Los Angeles County Museum of Art and The Andy Warhol Museum, 2003; PLAN B, Rudolf Stingel summer 2004, Grand Central's Vanderbilt Hall and The Walker Art Center; Prada Marfa, Elmgreen & Dragset, Valentine, TX, 2005, permanent; Greeting Card, Aaron Young, Park Avenue Armory, 2007; Electric Fountain, Noble & Webster, Rockefeller Plaza, 2008; The Whitney Biennial, Park Avenue Armory, 2008.

Recent exhibitions include Harlem: Found Ways, Cooper Gallery at Hutchins Center, Harvard University, Cambridge, MA (2017); Urban Planning: Contemporary Art and the City 1967 - 2017, Contemporary Art Museum St. Louis, MO (2017); Only When It's Dark Enough Can You See The Stars, The Contemporary, Baltimore (2016); Puddle, pothole, portal, SculptureCenter, Queens (2014); Outside the Lines, Contemporary Arts Museum Houston (2014); Fore (2012), The Studio Museum in Harlem, New York, NY (2012); Future Generation Art Prize, the Pinchuk Art Centre, Kiev, Ukraine (2012); and The Ungovernables, New Museum, New York, NY (2012), among others.

Projects include: SHOW, Vanessa Beecroft, Solomon R. Guggenheim Museum, 1998; FISCHERSPOONER: LA, performance, 2001; Keith + Farrah, collaborative exhibition by Keith Edmier and Farrah Fawcett, Los Angeles County Museum of Art and The Andy Warhol Museum, 2003; PLAN B, Rudolf Stingel summer 2004, Grand Central's Vanderbilt Hall and The Walker Art Center; Prada Marfa, Elmgreen & Dragset, Valentine, TX, 2005, permanent; Greeting Card, Aaron Young, Park Avenue Armory, 2007; Electric Fountain, Noble & Webster, Rockefeller Plaza, 2008; The Whitney Biennial, Park Avenue Armory, 2008.

When we meet, though, on a drizzly February morning in east London, he's deep in planning mode for his first major solo show in China, which opens in late March at the slick new Fosun Foundation exhibition space in the Bund Finance Center, Shanghai.

This exhibition in the UB Art Gallery's Second Floor Gallery presents faculty and student research in responsive materials conducted at the Center for Architecture and Situated Technologies at the University at Buffalo School of Architecture and Urban Planning.

Recent exhibitions / projects / events; Kunstraum Bernsteiner, Vienna, Austria; Marianne Boesky Gallery, New York, USA; Hybrid So + Ba Gallery, Tokyo, Japan; BOICE Planning, Tokyo; Japan, Ǻrhus Kunstbygning, Center for Contemporary Art, Ǻrhus, Denmark; Gallery Roentgenwerke, Tokyo, Japan; Thailand 3rd New Media Arts Festival, Bangkok, Thailand; Nicolaj Copenhagen Contemporary Art Center, Denmark; Künstlerhaus Wien, Austria; Suntory Hall, Tokyo, Japan; Fuchu Art Museum, Tokyo, Japan; etc..

2018 Helga Christofferson, Assistant Curator, New Museum Katherine Gressel, Independent artist, curator, and writer Amy Zion, Writer and curator Marina Reyes Franco, Art historian and independent curator, co-founder and director of La Ena Holly Shen, Director of Visual Arts, BAM Will Penrose, Executive director, NURTUREart Mike Tan, Director, Rubber Factory Ryan Wong, Writer and exhibition organizer Helena Anrather, Director, Helena Anrather Gallery Nick Mirzoeff, Visual culture theorist and Professor, NYU Fionn Mead, Writer and curator Bartek Remisko, Associate Director, Green Point Projects, and Co - Founder / Co-Director, Beach64retreat Patrick Jaojoco, Assistant curator, Art in General Jamieson Webster, Psychoanalyst and cultural commentator Alex Sloane, Curatorial Assistant, MoMA PS1 Matthew Abrams, Writer and art historian Natalie Musteata, Ph.D. candidate in Art History, CUNY Graduate Center Park Myers, Curator, writer, co-founder and contributing editor of aCCeSsions Molly Kleiman, Editorial director, Triple Canopy Erin Carroll, Director, Bureau Inc Terri C. Smith, Creative Director, Franklin Street Works Lisa Sigal, Open Sessions Curator, Drawing Center Lisa Cooley, Gallerist Nicola Marie Lees, Director and curator, 80 Washington Square East Galleries Rachel Steinberg, Director, SoHo20 Gallery Jeff Dolven, Editor - at - large, Cabinet Magazine; Professor of poetry and poetics at Princeton University Mari Spirito, Founding Director, Protocinema Will Fenstermaker, Editor of digital content, Metropolitan Museum of Art; Associate editor, Brooklyn Rail Myrto Katsimicha, Curator Amanda Parmer, Independent writer and curator Rosario Guiraldes, Assistant Curator and Open Sessions Curator, Drawing Center Larry Ossei - Mensah, Independent curator and cultural critic Jenny Gerow, Assistant curator, BRIC Francisco Correa Cordero, Owner, Suite 207 Amy Smith - Stewart, Founder, Smith - Stewart; Independent curator, educator, and art advisor Gabriel de Guzman, Curator and Director of Exhibitions, Smack Mellon Manuela Paz, Director of Development and Strategic Planning, Independent Curators International

¬ † As a result of the ongoing renovation of the Miami Beach Convention Center (MBCC) «Äì due to be completed in 2018 «Äì the 2017 show featured a completely redesigned exhibition layout, comprising a new floor plan, 10 percent more exhibition space, wider aisles, a broader range of booth sizes and larger lounge areas.

Direct Expenditures U.S. Biennial (the organization that produces Prospect New Orleans) and the Contemporary Arts Center (a key exhibition venue) reported a combined $ 2,847,497 million in exhibition expenditures in New Orleans, including payments to permanent and temporary staff, contracts with both New Orleans and New York companies for design, promotional services, construction, and event planning.

The National Constitution Center planned a new hybrid performance / exhibition experience in conjunction with Fighting for Democracy, a traveling exhibition about World War II.

This exhibition has been planned in conjunction with Kudo's major retrospective at the Walker Art Center opening October 15, 2008 and will continue our commitment to featuring influential historical artists who are under recognized in the United States.

A plan for the contemporary arts center began to emerge that would include a large gallery and exhibition space, a multidisciplinary artist residency program, and shared art - making facilities amid other programs and events.

«McDonald's broad experiences — from teaching to curatorial — confirmed that she can lead our photography department, build the collection, support research and plan exhibitions,» said Ransom Center Director Thomas F. Staley.

The Nasty Women Art Exhibition, which was held at the Knockdown Center in Queens, New York, raised more than $ 42,000 in proceeds for Planned Parenthood.

Based in Berlin, Thomas Scheibitz's recent notable exhibitions include ONE - Time Pad originating at MMK, Museum für Modern Kunst, Frankfurt Am Main and traveled to Baltic Center for Contemporary Art, 2012 - 2013 (solo); Thomas Scheibitz: Lineage ONE / Stilleben & Statistics, Jarla Partilager, Berlin, 2011 - 2012 (solo); Thomas Scheibitz: Il flume e le sue fonti / The River and its Source, Collezione Maramotti, Reggio Emilia, Italy, 2011 (solo); Surveyor: An exhibition of human exploration, observation, and construction of the landscape, organized by Curator Heather Pesanti, Albright - Knox Art Gallery, Buffalo, NY, 2011 (group); If Not in This Period Of Time - Contemporary German Painting1998 - 2010, Museu de Arte de São Paulo, Brazil, 2010 - 2011 (group); A moving plan B - chapter ONE, Selected by Thomas Scheibitz, The Drawing Room, London, 2010 (group); Der ungefegte Raum, Galerie im Taxispalais, Innsbruck, Austria, 2010 (solo); among others.

2011 Recent Editions, Pace Prints, New York, USA The Shape of the Problem, Elizabeth Leach Gallery, Portland, OR, USA Plot: Plan: Process, Leslie Tonkonow Artworks + Projects, New York, USA The Women in Our Life: A Fifteen Year Anniversary Exhibition, Cheim & Read, New York, USA Paper A — Z, Sue Scott Gallery, New York, USA The Missing Peace, San Antonio Museum of Art, San Antonio, TX, USA Artists Collect, International Print Center New York, New York, USA One Of A Kind, Pierre Menard Gallery, Cambridge, MA, USA

1985 Drawings 1975 — 1985, Barbara Toll Fine Arts, New York, USA Great American Prints, Dolan Maxwell Gallery, Philadelphia, USA Fabrications, Gallery 400, College of Architecture, Art and Urban Planning, University of Illinois at Chicago, USA A New Beginning: 1968 — 1978, Hudson River Museum, Yonkers, USA With an Eye to Nature, Jeffrey Hoffeld & Co, New York, USA New York Now: Correspondences, Laforet Museum, Tokyo, Japan, traveled to Tochigi Prefectural Museum of Fine Arts, Japan; Tasaki Hall, Espace Media, Kobe, Japan Eighth Anniversary Exhibition1977 — 1985, McIntosh / Drysdale Gallery, Washington, USA New Work on Paper 3, Museum of Modern Art, New York, USA Ten Gallery Artists, Nina Freudenheim Gallery, Buffalo, New York, USA Appropriations: Black and White, Vanguard Gallery, Philadelphia, USA Nine Printmakers and the Working Process, Whitney Museum of American Art, New York (Exhibition traveled to Munich, Germany, Process und Konstruktion) From Organism to Architecture, New York Studio School, USA Jonathan Borofsky, Douglas Huebler, William Leavitt, Pat Steir, William Wegman Drawings, Richard Kuhlenschmidt Gallery, Los Angeles, USA New Expressive Landscape, Sordoni Art Gallery, Wilkes College, Wilkes — Barre, USA Doppelganger, organized by Paul Groot, Aorta, Amsterdam, Netherlands Promenades, Centre d'art Contemporain, Geneva, Switzerland New Art Modernism, San Francisco, USA Contemporary American Prints: Louis Comfort Tiffany Foundation Purchases, Brooklyn Museum, Brooklyn, New York, USA Harry de Jur Playhouse, Henry Street Settlement, New York, The Second Hurricane (Music by Aaron Copeland, Libretto by Edwin Denby, Back drop contributed by Pat Steir) Large Drawings, Bass Museum of Art, City of Miami Beach, USA, traveled to Madison Art Center, Madison, WI; Winnipeg Art Gallery, Winnipeg, Manitoba, Canada; Norman MacKenzie Art Gallery, University of Regina, Regina, Saskatchewan, Canada; Anchorage Historical and Fine Arts Museum, Anchorage, Arkansas; Santa Barbara Museum of Art, Santa Barbara, USA (Exhibition organized and circulated by Independent Curators Incorporated, New York) The Success of Failure, Diane Brown Gallery, New York, USA

«The curatorial studies program offers our students a unique opportunity to learn first - hand what it takes to create a first - class exhibition,» said Spelman President Mary Schmidt Campbell, Ph.D. «It's also a prime example of the College's mission to develop programs and spaces much like the Museum and our planned arts, innovation and entrepreneurship center that harness the power of a liberal arts education.»

In a bold move that continues to look beyond its own holdings, the Nasher Sculpture Center plans to open an exhibition focused on the art of Giuseppe Penone this fall.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

4 years experience working in an artist - centered organization, art gallery, museum, performance venue or other cultural organization on exhibition and performance planning and production

The exhibition will travel to the Pompidou Center in Paris after its New York stint ends on Oct. 19, as planned, Soba said.

The basic facts of the narrative, which centers around Hitler's grand plan to purify German culture of Modernist, Bolshevist and Jewish influence, are well known, and it culminated in the infamous 1937 «Degenerate Art» exhibition in Munich.

1969 0 Objects, 0 Painters, 0 Sculptors, 4 Artists..., Seth Siegelaub at McLendon Building, New York, US One Month Exhibition, Seth Siegelaub Contemporary Art, New York, US Op Losse Schroeven / Situaties en Cryptostructuren (Square Pegs in Round Holes), Stedelijk Museum, Amsterdam, NL (Verborgene Strukuren), Folkwang Museum, Essen, DE When Attitudes Become Form, Live in Your Head, Kunsthalle Bern, Bern, CH; Museum Haus Lange, Krefeld, DE 18» 6» x 6» 9» x 11» 2 1/2» x 47» x 11 3/16» x 29» 8 1/2» x 31» 9 3/16», San Francisco Art Institute, San Francisco, California, US; traveled to Simon Fraser Center for Communication and the Arts, Simon Fraser University, Vancouver, CA No. 7, Art Workers Federation Benefit, organised by Lucy Lippard, Paula Cooper Gallery, New York, US May - June 1969, Center for Communication and the Arts, Simon Fraser University, Vancouver, CA Language III, Dwan Gallery, New York, US July, August, September 1969, Seth Siegelaub Contemporary Art, New York, US Conception, Perception, Eugenia Butler Gallery, Los Angeles, California, US 0 - 9, Issue # 6, New York, US Wall Show - Part 1, Ace Gallery, Los Angeles, California, US When Attitudes Become Form, Institute for Contemporary Art, London, UK Place and Process, Edmonton Art Gallery, Edmonton, CA; Kineticism Press, New York, US 557,087, Seattle Museum of Art, Seattle, Washington D.C., US Prospect 69, Stadtische Kunsthalle Düsseldorf, Düsseldorf, DE Project Class, Nova Scotia College of Art and Design, Halifax, CA Konzeption / Conception, Stadtisches Museum Leverkusen, Schloss Morsbroich, DE Groups, The Visual Arts Gallery, School of Visual Arts, New York, US Pläne und Projekte als Kunst (Plans and Projects as Art), Kunsthalle Bern, Bern, CH Art Without Space, WBAI - FM, New York, US Art in Process IV, Finch College Museum of Art, New York, US Mail Exhibition, Nova Scotia College of Art and Design, Halifax, CA

Pertaining to the development, planning, and maintenance of exhibitions, the exhibition records include correspondence, loan agreements, installation layouts and photographs, and publicity for exhibitions at the main museum, travel - only shows, and exhibitions at the Whitney's past branches: Downtown, Equitable Center, Fairfield County, and Philip Morris (Altria).

News Briefs: Woodruff Arts Center breaks fund - raising record and High Museum plans Ronald Lockett exhibition

, Paris Notes on our equilibrium, CAB, Curated by Eléonore de Sadeleer and Evelyn Simons, Brussels Exhibition Fellows — Final Projects: Group XLII, MAK Center for Art and Architecture, Los Angeles 2016 That Time, Cycle Music and Art Festival, Curated by Eva Wilson, Kópavogur, Iceland Deep Inside, Moscow International Biennale for Young Art, curated by Nadim Samman, Moscow PLAN B, NRW - Forum, Dusseldorf Hybrid Modus, Skulptur Bredelar, Bredelar Night Tales, Nuit Blanche, Cinéma des Beaux Arts, Monaco (Movie Screening) In Space No One Can Hear you Laugh, curated by Clarissa Tempestini, Bonelli Gallery, Milan Art & Nature.

This exhibition documents internationally recognized artist, designer and builder Randy Shull's creative process in the planning, design and construction of two contemporary art museum and research environments for the Black Mountain College Museum + Arts Center in downtown Asheville, NC.

Director and Chief Curator of the Portland Art Museum, Brian Ferriso is responsible for leading all aspects of the institution, including seven curatorial divisions, exhibitions, acquisitions, collections, education and public programs, the Northwest Film Center, financial and strategic planning, human resources, Board of Trustees, and government and community relations.

1997 The Uncommon Book, Sun Valley Center for the Arts and Humanities, Sun Valley, ID The Oregon Biennial, curated by Katherine Kanjo, traveling group exhibition: Portland Art Museum, Portland, OR; Schneider Museum of Art, Ashland, OR; University of Oregon Museum, Eugene, Oregon; Hallie Brown Ford Museum of Art, Salem, OR State of the Nations, Plan B Evolving Arts, Santa Fe, NM

As this exhibition opens, the Menil is furthering its plan to establish a Drawing Institute and Study Center with a location near the museum to be announced.

SELECTED GROUP EXHIBITIONS 2016 About Face, Fine Arts Gallery, University of Arkansas, Fayetteville, AR Open Sessions 7: Hibernating Plan, Drawing Center, New York, NY A Stand of Pine in a Tilled Field: 21 Years at PDX, PDX CONTEMPORARY ART, Portland, OR

The planning of this exhibition has been supported by The Pew Center for Arts & Heritage.

«The Gang: Photographs by Catherine Opie,» Walker Art Gallery, Liverpool, UK, October 4, 2014 — February 15, 2015 «Only Miss the Sun when it Starts to Snow,» Peder Lund, Oslo, Norway, June 21 — September 13, 2014» 2013 «In and Around LA,» Julius Shulman Institute, Los Angeles, CA, February 16 — March 24, 2013 «Catherine Opie,» Regen Projects, Los Angeles, CA, February 22 — March 28, 2013 2012 «Twelve Miles to the Horizon: Sunrises and Sunsets,» Long Beach Museum of Art, CA, October 5, 2012 - March 24, 2013 «BROADWAY BILLBOARD: Catherine Opie, Untitled (Stump Fire # 4),» Socrates Sculpture Park, New York, NY, September 9, 2012 - March 31, 2013 «Catherine Opie: High School Football,» Mitchell - Innes & Nash, New York, NY, March 10 — April 14, 2012 2011 «Catherine Opie,» Stephen Friedman Gallery, London, UK, November 23, 2011 — January 28, 2012 «Catherine Opie: New Zealand; Zero to Something,» projectspace B431, Elam School of Fine Arts, New Zealand, August 9 — 13, 2011 «Catherine Opie: Empty and Full,» Institute of Contemporary Art, Boston, MA, April 12 — September 5, 2011; catalogue «Catherine Opie: Football Landscapes,» Peder Lund, Oslo, Norway, January 15 — February 26, 2011 2010 «Catherine Opie,» Portland Art Museum, Portland, OR, October 23, 2010 — February 6, 2011 «Catherine Opie: Figure and Landscape,» Los Angeles County Museum of Art, Los Angeles, CA, July 25 — October 17, 2010 «Catherine Opie: High School Football Players,» Sabine Knust Galerie Maximilian Verlag, Munich, Germany, May 20 — June 10, 2010 «Venezia / Venice,» Studio Guenzani, Milan, Italy, May 19 — July 30, 2010 «Catherine Opie: Twelve Miles to the Horizon,» Regen Projects II, Los Angeles, CA, April 24 — May 22, 2010 «Catherine Opie: Girlfriends,» Gladstone Gallery, New York, NY, March 19 — April 24, 2010 2008 «Catherine Opie The Blue of Distance: Photographs from Alaska,» Stephen Friedman Gallery, London, UK, October 14 — November 14, 2008 «Catherine Opie: American Photographer,» Guggenheim Museum, New York, September 26, 2008 — January 7, 2009; catalogue «Catherine Opie,» Regen Projects, Los Angeles, CA, April 10 — May 17, 2008 2006 «1999 & In and Around Home,» Aldrich Museum, Ridgefield, CT, January 22 — May 14, 2006; traveled to The Orange County Museum of Art, CA, June 4 — September 3, 2006; Cleveland Museum of Contemporary Art, OH, September 29 — December 30, 2006; Weatherspoon Art Museum, Greensboro, NC, February 11 — April 29, 2007; catalogue «Catherine Opie: Chicago,» Museum of Contemporary Art Chicago, Chicago, IL, May 20 — October 15, 2006 «Catherine Opie: American Cities,» Gladstone Gallery, New York, NY, September 8 — October 14, 2006 2004 «Catherine Opie: Children,» Studio Guenzani, Milan, Italy, October 27 — December 4, 2004 «Catherine Opie: Surfers,» Gorney, Bravin & Lee, New York, NY, March 13 — April 10, 2004 «Catherine Opie: Surfers,» Stephen Friedman Gallery, London, UK, January 22 — February 21, 2004 «Catherine Opie: Surfers,» Regen Projects, Los Angeles, CA, January 10 — February 14, 2004 2002 «Catherine Opie: Icehouses,» Studio Guenzani, Milan, Italy, October 2 — November 6, 2002 «Catherine Opie: Icehouses,» Regen Projects, Los Angeles, CA, May 11 — June 15, 2002 «Catherine Opie: Skyways and Icehouses,» Walker Art Center, Minneapolis, MN, April 28 — July 21, 2002; catalogue 2001 «Wall Street,» Stephen Friedman Gallery, London, UK, November 30, 2001 — January 19, 2002 «1999,» Galeria Presenca, Porto, Portugal, November 10 — December 20, 2001 «Wall Street 2000 - 2001,» presented by Antik in cooperation with Gorney, Bravin & Lee, New York, NY, November 3 — December 10, 2001 2000 «Catherine Opie: In between here and there,» curated by Rochelle Steiner, The Saint Louis Art Museum, St. Louis, MO, October 6 — November 26, 2000 «Catherine Opie,» The Photographers» Gallery, London, UK, August 9 — September 24, 2000; traveled to the Museum of Contemporary Art, Chicago, IL, November 18, 2000 — February 18, 2001; catalogue «Catherine Opie: Large Format Polaroids,» Thread Waxing Space, New York, NY, May 12 — June 10, 2000 «Catherine Opie,» Artpace, San Antonio, TX, April 6 — July 2, 2000 «Catherine Opie,» Partobject Gallery, Carrboro, NC, April 1 — May 27, 2000 «Catherine Opie,» Gorney Bravin + Lee, New York, NY, March 18 — April 15, 2000 «Catherine Opie,» Susan Inglett, New York, NY, February 24 — April 1, 2000 1999 «Catherine Opie: A Survey,» Woodstreet Galleries, Pittsburgh, PA, September 3 — October 16, 1999 «Domestic,» Regen Projects, Los Angeles, CA, April 17 — May 22, 1999 1998 «Mini-Malls,» Jay Gorney Modern Art, New York, NY, March 21 — April 25, 1998 1997 «Catherine Opie,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, October 5, 1997 — February 8, 1998 «Houses and Landscapes,» Ginza Art Space, Shiseido, Tokyo, Japan, February 25 — March 31, 1997 «Portraits and Houses,» Susanne Hilberry Gallery, Birmingham, MI, 1997 1996 «Houses and Landscapes,» Regen Projects, Los Angeles, CA, April 27 — June 1, 1996 «Houses and Freeways,» Jay Gorney Modern Art, New York, NY, February 24 — March 30 «Freeways,» Feigen Gallery, Chicago, IL, 1996 1995 «Portraits,» enterprise, New York, NY, 1995 «Portraits,» Parco, Tokyo, Japan, 1995 «Portraits,» Galeria Massimo De Carlo, Milan, Italy, 1995 «Portraits and Freeways,» Richard Foncke Galerie, Ghent, Belgium, 1995 1994 «Portraits,» Regen Projects, Los Angeles, CA, June 4 — July 2, 1994 «Portraits,» Kiki Gallery, San Francisco, CA, 1994 «L.A. Freeways,» Jack Hanley Gallery, San Francisco, CA, November 19 — December 13, 1994 1991 «Being and Having,» 494 Gallery, New York, NY, 1991 1990 «A Long Way from Paris: Photographs from MacArthur Park, Metro Rail, and Their Surroundings,» Beyond Baroque, Venice, CA, 1990 1989 «Master Plan,» United States Post Office, Valencia, CA, 1989 «Master Plan,» Mills College, Oakland, CA, 1989 Selected Group Exhibitions:

The exhibition, curated by Mary - Kay Lombino, the Emily Hargroves Fisher ’57 and Richard B. Fisher Curator and Assistant Director for Strategic Planning at the Frances Lehman Loeb Art Center, will be on view through March 27.

Notable exceptions include 2012's Aleghiero Boetti: Game Plan, which travelled from the Tate Modern to the Museum of Modern Art; the Nasher Sculpture Center's 2015 exhibition Giuseppe Penone: Being the River, Repeating the Forest; and 2017's Marisa Merz: The Sky is a Great Place, which travelled from the Met Breuer in New York to Los Angeles's Hammer Museum.