They aimed to re-establish aesthetic principles, rather than continue with a spontaneous socio -
political iconography.
Merging mid-century abstraction with
political iconography, her works both compliment and critique a history of feminist art.
Known for paintings that merged the gestures of mid-century abstraction with
the political iconography of 20th - century radical graphics, I continue my ongoing interrogation of Modernism with a significantly expanded visual lexicon.
Perhaps this is why American artists and bohemians have so often taken to
the political iconography of far - flung regimes, in ways both romantic and ironic.
There's Value In The Struggle: How Dark Souls Made Me A Better Student A Little Less Violence Wont Hurt Anyone New IP's Don't Deserve Collectors Editions Augmenting Politics: On Mankind Divided and the Use of
Political Iconography in Games The Games I'm Thankful For The Good Ol' Days are Still Ahead of Us The Challenge of Difficulty Fun Isn't Everything Video Games Represented by Metal Sub-Genres The Games I'm Thankful For 2017
Not exact matches
This exhibition seeks to correlate directly with How to Read El Pato Pascual: Disney's Latin America and Latin America's Disney at MAK Center for Art and Architecture at the Schindler House and The Luckman Fine Arts Complex at Cal State L.A., through the idea of creating identity and using
iconography as
political and cultural tools to represent the experiences of the people who have most suffered from corporate imperialism.
For his first solo exhibition in Europe, Los Angeles - based artist Awol Erizku has charted a new direction away from photography toward new sculptures and paintings that incorporate historic
iconography,
political symbols, references to urban surrounds, including graffiti, and titles that pay homage Africa American literature and black sports heroes.
His grand metal sculptures and large - scale narrative paintings are informed by popular
iconography of
political, social and historical realities, cultural myths and the Candi reliefs at Sukuh Temple.
Indonesian artist, Entang Wiharso's grand metal sculpture, Double Happiness # 2 (2013), is informed by popular
iconography of
political, social and historical realities, and cultural myths.
Comprising approximately twenty major large - scale works from the 1950s and 1960s, the show explores how Tàpies developed the language and signature
iconography — informed by the
political upheavals of his native Spain — that shaped his practice throughout his career.
Adam Helms, a Brooklyn - based artist, uses historical photographic portraits and western
iconography to investigate archetypes of social and
political identity.
The section features nine solo presentations of women artists working at the extreme edges of feminist practice during the 1970s and «80s, all sharing a focus on explicit sexual
iconography combined with radical
political agency.
Specifically, King's large - scale digital prints and sculptures refer to
political ideologies that have been undermined through this fluidity and systemization of
iconography.
Originally from Tennessee, Jenkins references
iconography of corporate America and current social and
political issues through a comical yet sophisticated lens.
Known for his innovative adaptions of traditional Haitian
iconography, which he engages in order to address contemporary social and
political conditions, Duval - Carrié is presenting a series of large - scale paintings and sculptures.
In his earliest works, he experimented with different media on paper, mixing collage and drawing techniques to explore the role of
iconography in communication and to comment upon socio -
political situations in contemporary India.
Passuntino's landscapes may reference specific
iconography and geographic locations, however, these whimsical worlds are composed largely from his vivid imagination.Climbing the Corporate Ladder is a surreal landscape with a socio -
political theme.
Collectives like Spiral and AfriCOBRA mined African American history and culture and incorporated contemporary techniques of painting, printmaking, and fashion design to create a unique
iconography for this vital
political era.
Foulkes incorporates references to dada - surrealist
iconography and the popular imagery of Walt Disney (Mickey Mouse is a recurrent figure in his works), and highlights with great ferocity the moral and
political decline of the United States.
Her installations and public projects often employ the
iconography of social movements and their residual documents to inter - rogate contemporary
political engagement and social dialogue.
The exhibition's goal is to shed light on the dialogue taking place between the diverse mediums, practices and
iconography through a selection of artists who push boundaries beyond contemporary Chinese
Political Pop and Cynical Realism and combine inspiration from Eastern and Western traditions.
Her work, which criticizes the
political situation in India, is based not only on an
iconography typical of the subcontinent's culture, but also on Western artistic and literary tradition.
In Reproduction, artists use the
iconography of popular reproducible media to make a
political or institutional critique like Uwe Wittwer's Family After Gainsborough, Negative.
On Proyectos Monclova's booth, the Mexican collective Tercerunquinto are painting Mexican
political campaign murals directly onto the walls and there's more hard - hitting
political work in a new series from Santiago Sierra on Milan's Prometeogallery di Ida Pisani, together with a never before seen installation by Manuel Ocampo on Tyler Rollins Fine Art which, in the Filipino artist's inimitable style, draws on religious
iconography to reflect on current global events.
Motifs taken from advertising, religious
iconography, club flyers, trade union banners, prog rock and
political propaganda all vie for our attention.
They both use dramatic religious and mythological
iconography to delve inside the psychological worlds of people who suffer from tragic events (the socio -
political dimension of human experience in Jerome's Jewish inspired paintings) and physical abnormalities (the transgression of cultural constructions of perversity in Joel - Peter's Catholic inspired photographs).
Continuing to combine Meso - American
iconography, art historical references and pop culture imagery, Enrique Chagoya's new work explores the representation of history and boldly comments on the current global
political climate.
Her work uproots
political and religious
iconography to dismantle cultural tropes; take, for example, the animation SpiNN, 2003, which abstracts the hairstyles of gopis (female devotees of Krishna) into a flock of small black silhouettes that swirl around the screen like a murmuration of starlings.
New section: Sex Work Curated by Alison M. Gingeras, Sex Work: Feminist Art & Radical Politics features nine solo presentations of women artists working at the extreme edges of feminist practice during the 1970s and «80s, all sharing a focus on explicit sexual
iconography combined with radical
political agency.
Betye Saar's The Liberation of Aunt Jemima: Cocktail combines the
iconography of the Black Power Movement,
political violence, and aspirational middle - class American culture.
In these pieces, the artist tackled genres like the still life, the portrait, figurative representation, landscape, interiors, historical painting,
political propaganda, religious
iconography, and the appropriation of elements from popular culture and art history.
The retrospective is composed by approximately a hundred works, large format paintings among them, reflecting Golub's figurative style and his interest on Greco - roman themes and
iconography with a potent
political imaginary, charged with symbolism to portray power and
political relations in the human body.