(Alfred Loisy, La Morale
humaine, p. 251.)
But this will not be the only kind of map that Genethon and its companion laboratory, the Centre d'Etude du Polymorphisme
Humaine (CEPH), have produced.
Scientists at the Laboratoire Éthologie Animale et
Humaine (CNRS / Université de Rennes 1), working in collaboration with a neonatologist from Brest University Hospital, observed the effect of preterm babies» clothing on their behavior.
Fardet, A. INRA, UMR 1019 Nutrition
Humaine, Saint - Genès - Champanelle, France.
An American version of Jean Renoir's version of Emile Zola's novel La Bete
Humaine, Fritz Lang's Human Desire is a tragic reminder that jealousy is a self - fulfilling prophecy.
Lang's version of Zola's La Bête
Humaine is, like all his best»50s work, as cold, hard and steely grey as the railway tracks which here mark out the action.
Gallant Journey (William Wellman, 1946) / Buffalo Bill (William Wellman, 1944) Starman (John Carpenter, 1984) / Prince of Darkness (John Carpenter, 1987) La pyramide
humaine (Jean Rouch, 1961) / Horendi (Jean Rouch, 1972) Les aventures de Robert Macaire (Jean Epstein, 1925) / Pasteur (Jean Epstein, 1922) Trás - os - Montes (António Reis & Margarida Cordeiro, 1976) / Jaime (António Reis, 1974) Shadow of a Doubt (Alfred Hitchcock, 1943) / Murder!
As Michael Atkinson has written for Criterion, «Without its iconic precedent, there would have been no Humphrey Bogart, no John Garfield, no Robert Mitchum, no Randolph Scott, no Jean - Paul Belmondo (or Breathless or Pierrot le fou), no Jean - Pierre Melville or Alain Delon, no Steve McQueen...» Soon after Pépé, Renoir's antiwar masterpiece Grand Illusion hit, and it was an even bigger smash, cementing Gabin's superstar status; in this and all of his most successful roles (La bête
humaine, Le jour se lève), Gabin played some form of working - class social outcast, and he always provided audiences with a strong point of identification.
«La Bete
Humaine» was one of Renoir's biggest hits and remains an all - time classic of French cinema.
8 a.m. (5 a.m.): «La Bete
Humaine» (France: Jean Renoir, 1938).
We adopted Nitro (formerly Arthur) from the Guelph
Humaine Society at the beginning of February and we could not be happier to give him a loving forever home.
In «La Condition
Humaine» Karen Carson pushes the conceptual boundaries of image / text juxtaposition by offering large banner - like paintings with kitschy type situated above and below loosely rendered yet enigmatic faces.
Hallmarked at once by expressionism and realism, Alice Neel's œuvre translates the paradoxical personality of its maker, who wanted to paint individuals from all social classes and create a visual history of her time — a Comédie
Humaine.
He also experimented with lithography, sculpture, and engraving, as well as designed stage sets for the Paris Opera's ballet, in addition to working on a number of book illustration projects, including Jean Cocteau's La Voix
Humaine.
Among the 37 works in the show were Torse from 1931, Concrétion
humaine from 1933, Evocation
humaine from 1950 - 60, and Grande Personnage from 1957.
Center: Concrétion
humaine sur coupe, 1947/96 Bronze, Ed.
Painters of the Ecole de Paris, the centre of the avant garde, were still using easels, skirting around the edges of the condition
humaine with a modest form of existentialism, or otherwise just copying Picasso.
Tanya Bonakdar Gallery, Tomás Saraceno, aluminium cloud of 7 modules (2012) The Pace Gallery, Kiki Smith, Blue Moon III (2011); Roberto Matta, Interrogation
humaine (ca. 1957), Alexander Calder, Crinkly with a Red Disc (maquette)(1973)
Distance to zero is a group exhibition about the «condition
humaine»: the fate of mankind.
ARC Gallery, Chicago, La Comédie
Humaine, 1994.
These works all deal with la condition
humaine: human failings.
• La Condition
Humaine (1933) National Gallery of Art, Washington DC.
Despentes succeeds in emphasizing the obscurantism, social crisis, and loss of humanity of the current times, inventing a new version of Balzac's La comédie
humaine.
Group exhibitions include; CO-WORKERS — Musée d'Art Moderne, Paris; Projections — 53rd New York Film Festival; Äppärät — Marfa Ballroom, Texas; Inhuman — Fridericianum, Kassel [all 2015]; La Voix
Humaine — Kunstverein Munich; and TTTT — Jerwood Visual Arts Foundation, London [both 2014].
The only solution to it, the big challenge in life right now is to learn to integrate all these, the practical and the enjoyable, the technological and
the humaine, people with themselvs and each other.