Sentences with phrase «pop art movement such»

From the collection of the CU Art Museum in Boulder, pioneers of the American Pop Art movement such as Andy Warhol, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, and James Rosenquist will be featured, while the rest of the exhibition will highlight regional contemporary artists and their perspectives on Pop Art today.

Not exact matches

Women in the Pop Art movement is such an interesting issue and why they were not more visable.

Since then Dine's name has been inextricably linked with the Pop Art movement, but his diverse body of work defies such easy categorization.

Her commitment to truth and dedication to figuration — unfashionable during her lifetime — ensured that her work remained permanently out of kilter with avant - garde movements such as abstract expressionism, pop art and minimalism.

Accompanied by 170 illustrations, including full - color reproductions as well as photographs, drawings, sketches, and notes, the essays situate Andrade's work in the context of movements that surfaced in the United States in the 1960s, such as Minimalism and Pop Art.

Scharf's fun, colorful work is both a nod to the future and a reference to past art historical movements such as Pop and Surrealism.

By pulling from art movements, such as Pop Art, Conceptualism and Art Brut, Ortiz spontaneously blasts both humorous and dramatic Tex - Mex cultural realitiart movements, such as Pop Art, Conceptualism and Art Brut, Ortiz spontaneously blasts both humorous and dramatic Tex - Mex cultural realitiArt, Conceptualism and Art Brut, Ortiz spontaneously blasts both humorous and dramatic Tex - Mex cultural realitiArt Brut, Ortiz spontaneously blasts both humorous and dramatic Tex - Mex cultural realities.

The selection also illustrates some of the art - historical traditions in L.A. such as 1960s Pop art, the Conceptual art of the 1970s, Minimalism with its Finish Fetish, the Light and Space movement, the great and important post-conceptual movements, and not least all the artists with a social and political engagement.

Far Out: Art from the 1960s explores art from a decade that introduced such movements as Pop, Op, Minimalism, Kinetic, Fluxus, and Conceptual Art, while weaving in the social and historical narrative of that tiArt from the 1960s explores art from a decade that introduced such movements as Pop, Op, Minimalism, Kinetic, Fluxus, and Conceptual Art, while weaving in the social and historical narrative of that tiart from a decade that introduced such movements as Pop, Op, Minimalism, Kinetic, Fluxus, and Conceptual Art, while weaving in the social and historical narrative of that tiArt, while weaving in the social and historical narrative of that time.

Marcel Duchamp was a pioneer of the Pop Art movement and a pivotal influence of great artists such as Andy Warhol, Jim Dine, Ed Ruscha and others.

Lichtenstein is a case in point of Leo Steinberg's observation (made at the Museum of Modern Art's pop art symposium) that: «we have here one characteristic of pop art as a movement or a style: to have pushed subject matter to such prominence that formal or aesthetic considerations are temporarily masked out&raquArt's pop art symposium) that: «we have here one characteristic of pop art as a movement or a style: to have pushed subject matter to such prominence that formal or aesthetic considerations are temporarily masked out&raquart symposium) that: «we have here one characteristic of pop art as a movement or a style: to have pushed subject matter to such prominence that formal or aesthetic considerations are temporarily masked out&raquart as a movement or a style: to have pushed subject matter to such prominence that formal or aesthetic considerations are temporarily masked out».

In time, movements such as Pop art, Op art, and Minimalism — and later Conceptual, Performance, and video art — radically reshaped the boundaries of the art world.

Emerging with the New York City graffiti and street art movement of the 1980s, Scharf's imagery draws upon pop icons, media advertising and consumer culture of the 1960s, including TV cartoon characters such as the Flintstones and the Jetsons.

Such works made his name in 1962, when an exhibition of them at the Allan Stone Gallery in New York attracted rave reviews and, to the discomfort of the artist himself, led critics to see him as part of the Pop Art movement.

From Blast to Pop features works by important British avant - garde artists such as Henry Moore, Barbara Hepworth, and William Turnbull and explores the period between two defining movements in English Modernism: Vorticism (England's first abstract art movement) and British Pop art of the late 1950s.

Lurking on the fringes of the 20th - century art world was something sinister, something not necessarily identifiable or easy to fit into a specific movement such as Abstract Expressionism, Pop Art or Minimaliart world was something sinister, something not necessarily identifiable or easy to fit into a specific movement such as Abstract Expressionism, Pop Art or MinimaliArt or Minimalism.

The exhibition also considers ideas that contributed to the development and rejection of later art movements such as cubism, surrealism, pop art, minimalism.

The establishment asserted that the New York school of Abstract Expressionism was the rightful successor to European art movements such as Cubism and Surrealism, and the progenitor of the distinctly American movements of Pop and Minimalism.

Featuring art from the KAWS's personal collection, McCormick's presentation looks at how outré historical figures such as Peter Saul, H. C. Westermann, Martin Wong, Keith Haring, and movements like the Hairy Who in Chicago and postwar Japanese pop have inspired and informed KAWS's own personal iconography and style.

The video subjects range from important works such as the Mona Lisa, and the oeuvre of masters such as Cézanne, to art movements like Pop art and Modernism.

After the World War II, new movements such as Abstract Expressionism, Neo-Dada, Pop - Art, New Realism, Minimalism, Op Art sprang up to reflect changing values and creative priorities.

Villareal's works reinterpret fundamental components of such twentieth - century art movements as pop, minimalism, conceptual, and post-painterly abstraction while responding to the ingenuity and imagination that defines technology in the twenty - first century.

Cárdenas's sculptures are recognizable within the context of concurrent post-war movements such as Nouveau Réalisme in France, Pop Art in the United States, and the Nul Group in the Netherlands, while also drawing from his Latin American heritage.

He is associated with several art movements and groups, such as Pop Art, Conceptual Art, and the Fluxus groart movements and groups, such as Pop Art, Conceptual Art, and the Fluxus groArt, Conceptual Art, and the Fluxus groArt, and the Fluxus group.

Playful, rigorous, and spontaneous, his works are rich in their connection to art movements, such as abstract expressionism and pop art, while pulsating in a distinct maximalist style all their own.

Featuring over one hundred works by important British avant - garde artists such as Henry Moore, Barbara Hepworth and William Turnbull, the show explored the period between two defining movements in English Modernism: Vorticism, England's first abstract art movement, and British Pop art of the late 1950s.

The museum's major holdings are California - based, highlighting such movements as early and mid-century modernism, Bay Area Figuration, assemblage, California Light and Space, Pop Art, Minimalism, and installation aArt, Minimalism, and installation artart.

He also applauds Mr. Karpman, describing him as «an avid, astute and passionate collector of advanced post-war international contemporary art: Mr. Karpman has broad - ranging interests in the art of recent times that encompass a divergent melange of international and Canadian artists of consequence, such as Anish Kapoor, Joseph Beuys and the Fluxus movement, the challenging, ground - breaking work of Feminist legend, Carolee Sncheemann, American Joan Jonas, the minimalist art of Richard Serra, pop artist Robert Rauschenberg and generations of Canadian artists.

Not only were the great collections that changed hands in the 19th and 20th centuries lost by the Corcoran to institutions in other cities and later to the National Gallery and the Smithsonian, but seminal movements in American art, such as the emergence in the 1950s and»60s of abstract expressionism, pop art and even the Washington Color School (which started in its own back yard!)

These works were both influenced by surrealism and a harbinger of Pop Art and, as such, form an art historic bridge between movemenArt and, as such, form an art historic bridge between movemenart historic bridge between movements.

The influence of these three artists on later modern art movements, such as «Pop Art» and «Conceptual Art», is considerabart movements, such as «Pop Art» and «Conceptual Art», is considerabArt» and «Conceptual Art», is considerabArt», is considerable.

During the 1940s and 50s, for instance, important works by Ernst Ludwig Kirchner and Henri Matisse were added to the collection; also during the 50s, the museum acquired a series of works by the Russian Suprematist Kasimir Malevich, as well as design works by De Stijl, the Bauhaus Design School and related design movements such as Russian Constructivism, as well as Kinetic art, the COBRA group, and Pop art.

Neo-Dada went on to influence a whole generation of 20th century artists, as well as contemporary art movements such as Fluxus (1960s), Pop Art (c.1955 - 70), Nouveau Realisme (1960s), and Minimalism, as well as new creative forms like installation and conceptual aart movements such as Fluxus (1960s), Pop Art (c.1955 - 70), Nouveau Realisme (1960s), and Minimalism, as well as new creative forms like installation and conceptual aArt (c.1955 - 70), Nouveau Realisme (1960s), and Minimalism, as well as new creative forms like installation and conceptual artart.

His writings also influenced the development of Pop Art, while his use of the media as an instrument of art anticipated contemporary art movements like Fluxus, as well as new creative forms such as Performance Art and even ConceptualiArt, while his use of the media as an instrument of art anticipated contemporary art movements like Fluxus, as well as new creative forms such as Performance Art and even Conceptualiart anticipated contemporary art movements like Fluxus, as well as new creative forms such as Performance Art and even Conceptualiart movements like Fluxus, as well as new creative forms such as Performance Art and even ConceptualiArt and even Conceptualism.

The most significant of the often loosely defined movements of early contemporary art included pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings of the international op art movement in the paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images of color - field painting in the work of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction of conceptual art by Sol LeWitt and others; the hard - edged hyperreality of photorealism in works by Richard Estes and others; the spontaneity and multimedia components of happenings; and the monumentality and environmental consciousness of land art by artists such as Robert Smithson.

They include works by famous Pop Artists, such as Andy Warhol, Jim Dine or Robert Indiana, and artists of the U.S. Post-War and Abstract Art movements, such as Sam Francis or Joan Mitchell.

This multimedia event and discussion seeks to explore the linguistic turn art has taken since the 1960s when language became a primary material for artists in such movements as Pop, Fluxus, Minimalism and Conceptualism.

Like Dine, he was associated with the Pop Art movement but disagreed with being labeled as such.

sculpture has assumed a central position in contemporary art and has followed the patterns of the various postmodern art movements, for example, the three - dimensional pop icons of Claes Oldenburg, Koons's purposely banal, often erotic figures, and the minimalist constructions of such artists as Carl Andre, Donald Judd, and Robert Morris.

In fact, Kusama dealt with pop art, minimalism, and feminist art movements before they were popular, making her an influence on contemporaries such as Andy Warhol and Claes Oldenburg.

Associated for a short time with the emergence of pop art in Britain, Kitaj had the distinction of naming his own movement, the «School of London,» which included such illustrious neighbors as Francis Bacon, Frank Auerbach, Leon Kossoff, David Hockney, Michael Andrews, and Lucian Freud.

Whether it's Andy Warhol, Roy Lichtenstein, or Robert Rauschenberg, no other conceptual movement in modern twentieth - century art history has been such a crucial influence on our ideas of aesthetics, design, and the American way of life as Pop Aart history has been such a crucial influence on our ideas of aesthetics, design, and the American way of life as Pop ArtArt.

Encompassing the engaged and the conformist, references to celebrity and mass - culture, every media available and being completely democratic in terms of iconography, and definitely containing some inherent traits of pop art, it's safe to state that Urban Art is the perfect mirror of postmodernism, and as such, it's a movement in its own rigart, it's safe to state that Urban Art is the perfect mirror of postmodernism, and as such, it's a movement in its own rigArt is the perfect mirror of postmodernism, and as such, it's a movement in its own right.

Celebrating various movements, themes and styles incorporating exhibition classics such as Abstract Expressionism, Colour Field painting, Pop art and Minimalism.

Drawing upon historical movements such as baroque, pop art, and abstract expressionism, while referencing contemporary developments in graffiti and photo - realism, the duo create intricately layered canvases in which linear narrative falls prey to the chaos of our image saturated times.

Works on view trace the development of César's oeuvre through his accumulated language of breakthroughs, which placed him not only within Nouveau Réalisme with which he is most often associated, but also in league with such postwar art movements as Arte Povera, Neo-Dada, and Pop Aart movements as Arte Povera, Neo-Dada, and Pop ArtArt.

Drawing upon historical movements such as baroque, pop art, and abstract...

Scharf's fun, colorful work is both a nod to the future and a reference to past art historical movements such as Pop and...

He exerted a significant influence on American art during the 1950s, notably on the work of pioneer performer Allan Kaprow (1927 - 2006), pop artists Jasper Johns (b. 1930) and Robert Rauschenberg (1925 - 2008), the abstract expressionist Robert Motherwell (1915 - 91) and the dancer Merce Cunningham (1919 - 2009), and heralded such movements as Neo-Dada, European Fluxus and methods like junk art.

Now established as one of the best galleries of contemporary art in Europe, the permanent collection of the Guggenheim Museum Bilbao encompasses works by the foremost artists of the last four decades of the 20th century, augmented by items from the Solomon R. Guggenheim Foundation, including major exemplars of modern art movements like Abstract Expressionism and American Pop - Art, as well as contemporary movements such as Minimalism, Post-Minimalism, Arte Povera and Conceptual aart in Europe, the permanent collection of the Guggenheim Museum Bilbao encompasses works by the foremost artists of the last four decades of the 20th century, augmented by items from the Solomon R. Guggenheim Foundation, including major exemplars of modern art movements like Abstract Expressionism and American Pop - Art, as well as contemporary movements such as Minimalism, Post-Minimalism, Arte Povera and Conceptual aart movements like Abstract Expressionism and American Pop - Art, as well as contemporary movements such as Minimalism, Post-Minimalism, Arte Povera and Conceptual aArt, as well as contemporary movements such as Minimalism, Post-Minimalism, Arte Povera and Conceptual artart.