Sentences with phrase «pop art quality»

The use of candy - colored backgrounds — first introduced in Animals, his 2012 exhibition at the gallery — and the slick, poster - style production and presentation give the show a Pop art quality, making the already irresistible images all the more inviting.

Not exact matches

Lorenzo is visually defined by only a few colors, taking place in front of a black background, but looks gorgeous on the small screen; John Henry is a particularly vibrant piece of pop art, with an almost mural-esque quality.

The series» monster and equipment design has always been high - quality, but the cartoonish presentation of Stories simplifies the art style without losing any of its flair — while also diving further into saturated hues to make everything on screen pop.

5 Storr, whose essay is full of perceptive comments about Drexler's work (as when he notes how the «vernacular» quality of her colors evokes «sideshow signage») is certainly correct in making the connection between Drexler and her abstract contemporaries, but we shouldn't let the existence of such strong affinities (whether with Pop or with abstract styles) distract us from the distinctive qualities of Drexler's art, especially when it comes to materials and process.

Galerie Fluegel - Roncak is focused on Pop Art and Contemporary Art with high quality works by Andy Warhol, Keith Haring, Roy Lichtenstein, Julian Opie, James Rosenquist, Alex Katz, Damien Hirst, Jeff Koons, Tracey Emin, Heiner Meyer, Ed Ruscha or Mel Ramos.

Mark Rothko committed suicide in 1970, by which time younger groups of American artists had rejected the painterly qualities and the passion of expressionism in favour of a cooler approach, either pop art figuration or, in a less than resonant umbrella title coined by the critic Clement Greenberg, post-painterly abstraction.

Using repetition, scale and aesthetical qualities and production methods adopted from 1960's Pop Art, Kel adopts a variety of media, to reflect his personal point of view, formed over 10 years of working in the fast food industry.

The artist's handling of materials provides a precise physical evolutionary link between the painterly qualities of Abstract Expressionism and iconographical, subject - driven early Pop art.

Normally in the art world, pop - ups are reserved for more emerging artists, but at ArtCircle museum quality shows are staged in the world's most exclusive art destinations (think Mayfair or Manhattan) for a limited amount of time.

In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in art.

Unlike his Pop Art predecessors however, whose work still retains a kind of optimistic freshness of the postwar era in which they were created, Prince's joke paintings display a sarcastic quality that is more suited to the postmodern world.

This is the kind of exhibition that made the ICA famous 50 years ago: it has a classic quality that reminds you these galleries saw the birth of pop art.

But the former has a cartoonish quality, an air of Pop Art, while the latter is photorealistic, like an old black and white snapshot — and is vaguely foreboding, the high - contrast tones suggesting an oncoming storm, the expression of the boy, buried in sand, more than a little uncomfortable.

Biography: An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, Edward Avedisian was among the leading figures to emerge in the New York art world in the 196Art with the cool, more analytical qualities of Color Field painting, Edward Avedisian was among the leading figures to emerge in the New York art world in the 196art world in the 1960s.

Taking from Pop Art's exploration of commodities and the anthropomorphic qualities of goods, Craig - Martin's acrylic paintings take mass - produced objects from the consumerist age as subject matter, depicting these quotidian items in graphical lurid colours and outlined in black line drawing.

Whether he is placing multimillion - dollar bids at auction for publishing magnate S.I. Newhouse or record industry mogul David Geffen; brokering a $ 40 - million deal to buy 50 Abstract Expressionist and Pop art works given to Richard Weisman by his parents, the late Los Angeles collectors Frederick and Marcia Weisman; joining forces in a joint gallery operation with Leo Castelli, the dean of New York contemporary art dealers; staging museum - quality historical exhibitions; luring hot artists such as Salle, Philip Taaffe and Chris Burden to his stable or simply hiring staff, Gagosian is in the news.

At VFA our Boca Raton gallery continues to acquire and feature some of the finest quality Pop Art prints and originals that can be found in South Florida.

Our passion leads us to regularly buy and sell the finest quality of Pop Art lithographs, sculptures, paintings and unique objects available, so our inventory changes frequently.

When Murray first began making her raucous, eccentrically shaped, often multi-part paintings, during the decade under review, their burgeoning, layered shapes, sci - fi images, and, often, high - key color, made them read at once as affronts to the reductive qualities of minimalism and as aesthetic challenges to the mass - culture quotations of Pop art.

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