Her energetic works suggest Andy Warhol's
Pop icons transformed by the gestures of Abstract Expressionism and action painting, à la Robert Rauschenberg's Erased de Kooning (1953).
Not exact matches
Elia Kazan's A Face in the Crowd (1957) showed how a down - home country boy (Andy Griffith in his film debut as Larry «Lonesome» Rhodes) could be
transformed into a
pop television show
icon and political megalomaniac.
«Whether it's a
pop culture
icon like Donkey Kong, an innovator and true original like Portal, or a game like Wii Sports that
transformed millions of living rooms into interactive zones for all ages, they're among the most influential games of all time.»
Cole's work is generally discussed in the context of postmodern eclecticism, combining references and appropriation ranging from African and African American imagery, to Dada's readymades and Surrealism's
transformed objects, and
icons of American
pop culture or African and Asian masks, into highly original and witty assemblages.
Pop artists cared little about creating unique art objects; they preferred to borrow their subject matter and techniques from the mass media, often
transforming widely familiar photographs,
icons, and styles into ironic visual artifacts.
Utilizing the female face as a blank slate, Lichtenstein re-filters her features through his abstracted translation of commercial motifs — in essence
transforming the remnants of the figure into a Roy Lichtenstein
pop icon.