About Blog
Portrait Photographer documenting family joy one amazing client at a time.
About Blog
Portrait Photographer documenting family joy one amazing client at a time.
About Blog
Portrait Photographer documenting family joy one amazing client at a time.
About Blog
Portrait Photographer documenting family joy one amazing client at a time.
About Blog
Portrait Photographer documenting family joy one amazing client at a time.
About Blog
Portrait Photographer documenting family joy one amazing client at a time.
Not exact matches
Favorite New Photo Blog: You Are My Wild - a weekly
portrait project that brings together 14
photographers to
document how they see their children.
A compelling and powerful series of photographs that
document an acclaimed Scottish
photographer's devastating descent into drug addiction are to be given an exclusive first public showing this spring at the Scottish National
Portrait Gallery.
In this German - language - only installment of Hans Ulrich Obrist's Conversation Series, the acclaimed curator - conversationalist speaks with the German Pop Surrealist painter Konrad Klapheck, and includes the German conceptual
photographer Hans - Peter Feldmann — who was there to
document the afternoon's activities with a series of photographic
portraits — in the talk.
Photographer Catherine Opie, who made a name for herself in the 1990s by
documenting the Queer community in San Francisco and Los Angeles offers a self -
portrait taken at the age of nine.
In
portraits, still lifes and photograms, the
photographer documents Atlanta's Ethiopian and Eritrean communities and their daily objects.
August Sander was a German
photographer who spent his life
documenting his fellow countrymen in straightforward, dignified
portraits.
The High also deepened its holdings of work by African
photographers with the addition of three
portraits by South African artist and LGBTQ activist Zanele Muholi (born 1972), four prints by Seydou Keita (Malian, 1921 — 2001) and four photographs by J. D. «Okhai Ojeikere (Nigerian, 1930 — 2014), who is known for his series
documenting the diversity and evolution of Nigerian hairdressing over a 40 - year period.
Rather than doing that, Mexico City - born
photographer Amanda Gutiérrez seeks to
document her surroundings as she ventures through Brooklyn's Sunset Park, focusing both on her «subjective experience as a Mexican woman living and working in New York» and painting a photographic
portrait of the neighborhood's Mexican immigrant community.
One of the major figures of German photography, Thomas Struth is an incomparable contemporary
photographer whose main body of work concentrates on
documenting a wide range of subjects such as urban scenes, rain forests and group, candid
portraits.
Lee does not want to be regarded as a
photographer, at least not one who makes
documents of a specific time and place, such as a photojournalist or a professional
portrait photographer.
While achieving his breakthrough with
portraits and lifestyle photographs,
documenting celebrity culture as well as LGBTQ communities and club culture, since the turn of the millennium the German
photographer has notably created abstract work such as the Freischwimmer series, which is made in the darkroom without a camera.
To bring those faces to light, internationally acclaimed
photographer and San Antonio - native Michael Nye
documented the voices, stories and
portraits of the food insecure for an exhibition entitled Table of Contents: Stories of Hunger and Resilience.
The celebrated artist continues his exploration of colour, while the
photographer displays the self -
portraits that
documented his heroin addiction
In an effort to craft a new
portrait of American Millennials — the generation born after 1982 —
photographer Keliy Anderson - Staley has adopted techniques similar to predecessors such as Weegee (Arthur Fellig) and Diane Arbus, who
documented the youth of their time.
Her ongoing practice betrays a deep debt to the history of landscape and
portrait photography — in particular nineteenth - century
photographers such as Roger Fenton, Timothy O'Sullivan, and Gustave Le Gray, who were concerned as much with the richness of the photograph as a visual or topographic
document as they were with any supposedly independent aesthetic value.