Installation view of «Self
Portrait as Charcoal on Paper» by Zatorski + Zatorski, in the Summer Exhibition 2016
Not exact matches
As well as outlining the best materials for portrait drawing with charcoal, Peter will guide you through two complete studies with a method that can be applied to any portrait you desir
As well
as outlining the best materials for portrait drawing with charcoal, Peter will guide you through two complete studies with a method that can be applied to any portrait you desir
as outlining the best materials for
portrait drawing with
charcoal, Peter will guide you through two complete studies with a method that can be applied to any
portrait you desire!
At the time of the artist's birth — just under 50 years ago — his parents were not counted
as Australian citizens, hence the defiant text - based installation «not an animal or a plant» in the ground floor gallery which showcases fine
charcoal portraits on paper of members of his family who lived under that regime.
Using the abstract technique of dot painting
as a means to a figurative end, Boyd paints
portraits and landscapes in oils, watercolor, or
charcoal, before overlaying the painted surface with dots of archival glue.
From Joyce Pensato's The Other Donald (2016), a
charcoal caricature of Trump
as Donald Duck, to Dana Schutz's sinister
portrait of Trump Descending an Escalator (2017) facing Rachel Harrison's more jocular Trump piñata sculpture (Untitled, 2015).
Frank Auerbach, Early Works 1954 — 1978, curated by independent curator and art historian Catherine Lampert, will feature eighteen works from private collections, oil paintings and
charcoal drawings, some not seen for over thirty years, including
portraits of some of the artist's principle sitters, such
as close friend and fellow artist Leon Kossoff, the model Juliet Yardley Mills (J.Y.M.), and Estella Olivia West (E.O.W.), Auerbach's lover until 1973.
In A Matter of Fact at San Francisco's Museum of the African Diaspora, Toyin Ojih Odutola presents an elaborately conceived and completely imaginary history of the UmuEze Amara clan,
as chronicled in a series of
portrait drawings in pastel,
charcoal, and pencil.
«Whitfield Lovell creates meticulously rendered, life - sized,
charcoal portraits on such wooden objects
as sections of walls, fences, or barrels,... read more... «Whitfield Lovell receives a MacArthur genius grant»