Sentences with phrase «portrait of a dying man»
Mr. Henderson's «Self - Portrait of a Dying Man» came out at the beginning of the month on Amazon.
https://www.nytimes.com/ Not exact matches
[4 stars] Captain Underpants: The First Epic Movie (07.15 / 06.02 / 07.24) Thor: Ragnarok (10.24 / 11.03 / 10.24) The Greatest Showman (12.09 / 12.20 / 12.26) Wonderstruck (10.06 / 10.20 / TBA) I Am Not a Witch (10.03 / TBA / 10.20) Lady Bird (10.14 / 11.03 / 02.16.18) The Post (12.21 / 12.22 / 01.19.18) Coco (01.13.18 / 11.22 / 01.19.18) The Ritual (10.02 / direct to Netflix / 10.13) Icarus (02.27.17 / direct to Netflix / direct to Netflix) Bushwick (10.25 / 08.25 / 08.25) Film Stars Don't Die in Liverpool (10.11 / 12.29 / 11.17) Spider - Man: Homecoming (07.05 / 07.07 / 07.05) Another Mother's Son (02.21 / TBA / 03.24) Oscar Nominated Animated Shorts (89th Academy Awards)(02.20 / 02.08 / direct to VOD) Personal Shopper (10.09.16 / 03.10 / 03.17) The Survivalist (04.19.16 / 05.19 / 02.12.16) God Knows Where I Am (04.07 / 03.31 / 04.14) The Salesman (01.31 / 01.27 / 03.17) Raw (04.04 / 03.01 / 04.07) The Beguiled (06.20 / 06.23 / 07.14) The Party (10.09 / 02.16.18 / 10.13) Step (07.21 / 08.04 / 08.11) God's Own Country (08.07 / 10.27 / 09.01) Menashe (12.11 / 07.28 / 12.08) The Divine Order (10.14 / 10.27 / 03.08.17) Borg vs McEnroe (09.11 / 04.13.18 / 09.22) My Pure Land (09.12 / TBA / 09.15) The Unknown Girl (12.02.16 / 08.25 / 12.02.16) Pecking Order (08.24 / direct to VOD / 09.29) Jane (11.12 / 10.20 / 11.24) Good Time (10.05 / 08.11 / 11.17) The Commune (05.28 / 05.19 / 07.29.16) Lost in London (04.30 / TBA / 05.05) The Fencer (Miekkailija)(11.30 / 07.21 / 12.24.16) The Great Wall (02.16 / 02.17 / 02.16) The Chamber (01.18 / 02.23.18 / 03.10) Motherland (10.15 / 09.08 / TBA) The Light of the Moon (10.31 / 11.01 / TBA) Bombshell: The Hedy Lamarr Story (11.18 / 11.24 / 03.09) Victoria & Abdul (09.12 / 09.22 / 09.15) Wind River (07.20 / 08.04 / 09.08) Urban Hymn (08.01.16 / 05.12 / 09.30.16) The Women's Balcony (Ismach Hatani)(07.06 / 05.26 / TBA) Pilgrimage (07.28 / 08.11 / direct to VOD) Megan Leavey (aka Rex)(06.19 / 06.09 / direct to VOD) Final Portrait (08.18 / 03.23.18 / 08.18) Finding Kim (05.29 / 05.31 / TBA) Through the Wall (aka The Wedding Plan)(05.28 / 05.12 / 12.16.16) The Zookeeper's Wife (04.22 / 03.31 / 04.21) Dolores (09.09 / 09.01 / TBA) Queen of the Desert (04.03 / 04.07 / direct to VOD) Catfight (02.22 / 03.03 / 03.10) Viceroy's House (02.17 / 09.01 / 03.03) Birthright: A War Story (07.21 / 07.14 / direct to VOD)
FIRST PLACE / NARRATIVE The Peculiar Abilities of Mr. Mahler, Paul Philipp, director FIRST PLACE / ANIMATION Negative Space, Max Porter & Ru Kuwahata, co-directors FIRST PLACE / NONFICTION Breaking the Cycle, Josephine Jackson & Vincent Augusto, co-directors FIRST PLACE / EXPERIMENTAL Gray Umbrella, Mohammad Poustindouz, director STUDENT AWARD It's Just a Gun, Brian Robau, director TEXAS AWARD Bodies of Water, David Lykes Keenan, director Jury Prize — Guan Xi, Dora Wu, director Jury Prize — The Driver is Red, Randall Christopher, director Jury Prize — The Modern Lives, Bill Plympton, director Performance Award — Michael Laskin, A Real Adventure Cinematography Award — Wasteland, Jakub Michnikowski, director Honorable Mention, Narrative — Counterfeit Kunkoo, Reema Sengupta, director Honorable Mention, Narrative — Mrs McCutcheon, John Sheedy, director Honorable Mention, Narrative — Hope Dies Last, Ben Price, director Honorable Mention, Narrative — Passion Gap, Matt Portman & Jason Donald, co-directors Honorable Mention, Narrative — Seven, James Morgan, director Honorable Mention, Nonfiction — Hunger for Truth: The Rhea Clyman Story, Andrew Tkach, director Honorable Mention, Nonfiction — Uncle Jessie White - Portrait of a Delta Blues Man in Detroit, Stashu Kybartas, director Honorable Mention, Experimental — Strangers, Eve Duhamel, director Honorable Mention, Student Film — The Chocolate Soldier, Jackson Smith, director Honorable Mention, Texas — Underneath, Christopher Grissom, director Honorable Mention, Texas — Aberration, Andy Pollack, director
Bardem, an Oscar winner for «No Country for Old Men,» shared the Cannes best - actor prize, earning his honor for Mexican director Alejandro Gonzalez Inarritu's «Biutiful,» a grim portrait of a dying father supporting his family with a variety of criminal rackets in Barcelona.
- The Jerome Project (2015) by Titus Kaphar combines the portraits of three young black men whose tragic deaths prompted a national conversation around racial profiling, policing, and gun violence: Trayvon Martin (died February 26, 2012), Michael Brown (died August 9, 2014), and Tamir Rice (died November 22, 2014), which outlines the subjects» faces in white chalk on Asphalt - coated roofing paper.
Weiblichkeit im Surrealismus, Kunsthalle Bielefeld, Bielefeld, Germany The Promisse of Photography, Schim Kunsthalle, Frankfurt, Germany Collaboration with Parkett, 1984 to Now, The Museum of Modern Art, NYC, NY, USA Audit, Casino Luxembourg, Luxembourg 24 h International Biennale of Graphic Arts, Ljubljana, Slovenia World Without End: Aspects of 20th Century Photography, Art Gallery of New South Wales, Sydney, Australia Melodrama, Tate Gallery, Liverpool, UK Trauma, Hayward Gallery in collaboration with Dundee Contemporary Arts, London, UK Australian Art and Society 1901 - 2001, National Gallery of Australia, Australia 2000 12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia Deep Distance - Die Entfiernung der Fotografie, Kunsthalle Basel, Switzerland Veronica's Revenge, Contemporary Perspectives on Photography, Museum of Contemporary Art, Sydney, Australia Photography Now, Contemporary Art Center, New Orleans, USA Flight Patterns, Museum for Conternporary Art, Los Angeles, USA Behind ihe Scenes, The Museum of Contemporay Photography, Chicago, USA Presumed Innocent, capc Musée d'Art contemporain de Bordeaux, France Artist Films, Kunstverein München, Munich, Germany 1999 Konstruksjon eller virkelighet, Lillehammer Kunstmuseurn, Lillenhammer, Norway La Casa, il Corpo, Il Cuore, Museum für Moderne Kunst, Stiftung Kunst, Vienna, Austria Wohin kein Auge reicht, Deichtorhallen, Hamburg, Germany Das Versprechen der Photographie (The Promise ofPholography), Selections from the DG Bank Collection, PS 1 Contemporary Art Centre, New York Kunstwelten im Dialog, Museum Ludwig, Köln, Germany Nuevas Visiones, Nuevas Pasiones, Fundación Marcelino Botin, Santander, Spain 1998 Family Viewing, Museum of Contemporary Art, Los Angeles, USA Portraits, Paul Morris Gallery, New York, USA Echolot, Museum Fridericianum, Kassel, Germany Die Nerven enden an den Fingerspitzen, Die Sammlungen Wilhelm Schurmann, Kunsthaus Hamburg, Germany Strange Days: Guinness Contemporary Art Exhibition, Art Gallery of New South Wales, Sydney, Australia Nature of Man, Lund Konsthall, Lund, Sweden «Roteiros» x 7 XXVI Bienal de São Paulo, São Paulo, Brazil Life is a bitch, De Appel Foundation, Amsterdam, Netherlands Pusan International Contemporary Art Festival, Pusan, Korea Fleeting Portraits, Neue Gesellschaft für bildende Kunst, Berlin, Germany 1997 Venice Biennale, Venice, Italy Site Santa Fe, Santa Fe, New Mexico, USA 1996 Fundacao Bienal de São Paula, São Paulo, Brazil» Campo 6», The Spiral Village, Museum of Modem Art, Torino, Italy Jurassic Technologies Revenant, 10 th Biennale of Sydney, Australia Prospect 96, Schirn Kunsthalle, Frankfurt, Germany 1995 Antipodean Currents, The Guggenheim Museum (Soho), New York, USA»95 Kwangiu Biennale, Kwangju, Korea
The transformation of these visual documents into works of art similarly denies the ideology of a progressive teleology inherent in modernist art history.3 Andrews» portraits of men who have died of AIDS or AIDS related causes, appear at a distance to be «shot» out of a fax machine, they are however, the result of a process of scratching into tablets layered with beeswax and graphite requiring hours of labour to complete.