Sentences with phrase «power house museum»

Dionyse has works in the collections of the Museum Contemporary Art and and the Art and Crafts Museum in Ghent, Belgium; the Royal Museum of Contemporary Arts in Brussels, Belgium; the Museum Ariana in Geneva, Switzerland; the Museum of Contemporary Ceramics in Beychne, Czechoslovakia; the Museum of International Ceramics in Faenza, Italy; the Glenbow Museum in Calgary, Alberta, Canada; the National Gallery of Victoria in Melbourne, Australia; the Power House Museum in Sidney, Australia; and the Museum of Contemporary Ceramic Art in Shigaraki, Japan.

He has collaborated with many international artists and his work was featured in the Power House Museum exhibition The 80's are back in 2011.

Also within walking distance is Paddy's Market, The Chinese Gardens, Power House Museum, Sydney Aquarium and Wildlife Park, the Maritime Museum, Imax Theatre, Sydney Convention Centre and Sydney Entertainment Centre and Students and Academics will find they are accommodated very near to the University of Technology (UTS) and not too far from Sydney University if they take out an apartment rental at Chinatown Apartments.

Other places of interest that you could walk to from the Waldorf Apartment Hotel are the Imax Theatre, Chinese Gardens, Sydney Entertainment Centre, Sydney Aquarium and Wildlife Park as well as Maritime and Power House Museums.

Not exact matches

This museum is housed in a former power station and occupies a prime position on the South Bank, with a viewing terrace that affords amazing views over the River Thames and skyline of the City.

His work has been shown at galleries and institutions such as MoMA PS1, Long Island City; Museum of Contemporary Art Denver, Denver; The Power Plant, Toronto; Musée d'art contemporain de Montréal, Montreal; Artists Space, New York; Casey Kaplan Gallery, New York; Flat Time House, London; Drawing Room, London; Spike Island, Bristol; Wiels, Brussels; Salzburger Kunstverein, Salzburg; Badischer Kunstverein, Karlsruhe; and Witte de With, Rotterdam.

Past group shows and screenings include: Rêve du Pierre, curated by Alexandra Fau, Centre Pompidou, Paris (screening)(2016); Night Walk, with Erin Shirreff, deCordova Sculpture Park and Museum, Lincoln, MA (2015); A Night of Philosophy, Ukrainian Institute of America, New York, NY (Screening)(2015); The Daily Show, Bureau, New York NY (2015); The Built Environment: Lower Side in Istanbul, Mixer, Istanbul, Turkey (2014); It Narratives: The Movement of Objects as Information, Franklin Street Works, Stamford, CT, USA (2014); A Tale of Two Islands: Beatrice Gibson with Alex Waterman, and Frank Heath, High Line Art, NY, NY (2014); Two Hours Two Minutes, The Power Plant, Toronto, Canada (2014); Kool - Aid Wino, Franklin Street Works, Stamford, CT, USA (2013); Matter Out of Place, Kitchen, NY, NY (2012); Somebody has stolen our tent, Simon Preston Gallery, NY, NY (2012); The Way Things Go (Part 3), Frutta, Rome, Italy (2012); Single Channel, Soho House, Miami, FL, USA (2011); Forcemeat, Wallspace, NY, NY (2011), and Suddenly: Where We Live Now, Cooley Gallery — Reed College, Portland, OR and Pomona College Museum of Art (2008, 2009).

Last week Maria Baibakova and Artspace threw a gala dinner in celebration of Frieze New York at the stately James A. Burden House on Manhattan's Upper East Side, drawing a high - powered crowd of museum directors, artists, curators, collectors, and members of the fashion and culture elite.

In recent years, they have worked with a collective of performers and musicians in the group My Barbarian, creating projects including «Gods of Canada,» a super-heroic paean to Canadian liberalism commissioned in 2005 by the Power Plant in Toronto, Ontario; «Pagan Rights,» a quirky California dreamscape celebrating opposition to the Christian Right performed in 2005 at the Evidence Room Theater and UCLA Hammer Museum in Los Angeles, Participant, Inc., in New York, and the Drake Hotel in Toronto; «Squirrel Radio Action,» a public radio send - up commissioned in 2005 by Pacific Drift on NPR - affiliate KPCC; «Medieval Morality,» a site - specific play at Los Angeles» MAK Center Schindler House in 2004.

Jahn's work has been presented at The White House, IDEO NY, Lincoln Center, the San Francisco Museum of Modern Art, Museum of Modern Art, Walker Art Center, MIT Museum, The Power Plant (Toronto), ICA Philadelphia, New Museum, San Francisco Asian Art Museum, Studio Museum of Harlem, and more.

Small institutions in North Dakota, South Carolina, and Wyoming each received $ 1,000 for such purposes, among them the State Historical Society of North Dakota (for «House & Home,» about the American Dream and the representational power of objects, communities, and buildings); the Upcountry History Museum at Furman University (for «Spirited, Prohibition in America,» about the temperance movement and 1920s America); and Washakie Museum in Worland, Wyoming (for «Power of Children: Making a Difference,» about the stories of Anne Frank, Ruby Bridges, and Ryan Whpower of objects, communities, and buildings); the Upcountry History Museum at Furman University (for «Spirited, Prohibition in America,» about the temperance movement and 1920s America); and Washakie Museum in Worland, Wyoming (for «Power of Children: Making a Difference,» about the stories of Anne Frank, Ruby Bridges, and Ryan WhPower of Children: Making a Difference,» about the stories of Anne Frank, Ruby Bridges, and Ryan White).

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Karsh - Masson Gallery (2000: Ottawa); The Dress Show, Leonard and Ellen Bina Art Gallery (2003: Montréal); Super Phat Nish, Art Gallery of Southwestern Manitoba (2006: Brandon); Playing Tricks, American Indian Community House Gallery (2006: New York); m ∂ ntu» c — little spirits, little powers», Nordamerika Native Museum (2010: Zurich); Changing Hands 3 — Art Without Reservations, Museum of Art and Design (2012 - 2014: New York); Mnemonic Manifestations, Latcham Gallery, (2015: Stouffville); Native Fashion Now: North American Native Style (2016 — 2017: Peabody Essex Museum, Massachusetts and various US venues), Every.

His work has been shown at galleries and institutions such as MoMA PS1, Long Island City, NY, Museum of Contemporary Art Denver, Denver, CO, The Power Plant, Toronto, ON, Musée d'art contemporain de Montréal, Montreal, QC, Artists Space, New York, NY, Casey Kaplan Gallery, New York, NY, Flat Time House, London, UK, Drawing Room, London, UK, Spike Island, Bristol, UK, Wiels, Brussels, BE, Salzburger Kunstverein, Salzburg, Badischer Kunstverein, Karlsruhe, and Witte de With, Rotterdam.

Exhibitions include Inverleith House, Edinburgh (2004); «Robert Therrien: Table and Six Chairs,» Public Art Fund, New York (2005); «A New Installation by Robert Therrien,» Albright - Knox Art Gallery, Buffalo, NY (2006); Museum of Contemporary Art, San Diego (2007); «Robert Therrien: Works on Paper,» Kunstmuseum Basel, Switzerland (2008); «Robert Therrien: Drawings,» Scottish National Gallery of Art, Edinburgh (2010); De Pont Museum, Tilburg, The Netherlands (2011); «Robert Therrien: Selections from the Broad Collection and the Los Angeles County Museum of Art,» LACMA, Los Angeles (2011); Albright Knox - Art Gallery, Buffalo, NY (2013); «Artist Rooms: Robert Therrien,» Tate Modern, London (2009, traveled to National Galleries of Scotland, Edinburgh; Tate Liverpool, UK; Metropolitan Arts Center, Belfast, Ireland; and Paxton House, Berwick - upon - Tweed, UK, through 2015); The Contemporary Austin, TX (2015); «Robert Therrien: The Power of the Image,» Denver Art Museum, CO (2016); and «Robert Therrien: Works 1975 — 1995,» Parasol unit foundation for contemporary art, London (2016).

My artwork and curatorial projects have been seen in Canada, the United States and Europe, including at the following institutions: the Power Plant, Gallery 44, Gallery TPW, Convenience Gallery, Toronto; Galerie VU, Quebec City; Dazibao, Montreal; Presentation House, Vancouver; the Winnipeg Art Gallery, Winnipeg; the Canadian Centre for Contemporary Photography, Ottawa; Jack Shainman Gallery, New York; Rotterdam Fotobienalle, Rotterdam; Sprengel Museum, Hanover; Neuer Berliner Kunstverein, Berlin; the Photographers Gallery, London; the Museum of Modern Art, Oxford; Moderna Museet, Stockholm and others.

The Moderna museum Malmö, opened in 2009, is housed inside a former Power station, dating to early - 20th century, with a very interesting expansion designed by Swedish practice Tham & Videgård Arkitekter: the extension looks like a large red - coloured box, clad in perforated steel panels.

2015 Phlogiston, Museum of Fine Arts, Split, HR To be part of Universe, 7th International Contemporary Art Biennale of Melle, Melle, FR Leonardo da Vinci's Leicester Codex and the Power of Observation, Steele Gallery, Phoenix Art Museum, Phoenix, AZ; Minneapolis Institute of Arts, Minnesota, US The Line, The House Mill, London, UK Heartbreak Hotel, Vanhaerents Art Collection at the Zuecca Project Space, Venice, IT Proportio, Axel & May Vervoodt Foundation, Palazzo Fortuny, Venice, IT Silent Life (1979), Laurre Roynette Gallery, Paris, FR Swimming Pool, Espace Croix - Baragnon, Toulouse, FR Legacy, Nobel Museum, Stockholm, Sweden, SE Masterpiece, De Nieuwe Kerk, Amsterdam, NL Mixed Emotions / Gemengde Gevoelens, AGB MAC, Cultureel Centrum, Mechelen, BE Belle Haleine - The Scent of Art, Museum Tinguely, Basel, CH White, MOCA, Jacksonville, US

His work has been included in group and solo shows, including the University of Mississippi Museum, Power House, Memphis, Frist Center for Visual Arts, Nashville, Cheekwood Museum of Art, Nashville, and American Academy in Rome.

Founded in 2000 and situated in the former Bankside Power Station, the museum is now Britain's new national centre of contemporary art, having taken over responsibility for the modernist component previously housed at the Tate gallery at Millbank.

Clients include Schinkel Pavillon (Berlin), Vancouver Art Gallery, The Vinyl Factory UK, Burnaby Art Gallery, Walter Phillips Gallery at the Banff Centre for Arts and Creativity, SFU Galleries, Simon Fraser University, Morris and Helen Belkin Gallery, White Columns (New York), Hauser & Wirth (Zürich), Lisson Gallery (London), The Power Plant (Toronto), University of British Columbia, Art Gallery of Alberta, Illingworth Kerr Gallery, Ikon Gallery (Birmingham), Presentation House Gallery, Charles H. Scott Gallery, Or Gallery, Museu Picasso (Barcelona), Seattle Art Museum, Institute of Contemporary Art (Boston), University of California (Berkeley), and The Museum of Modern Art (New York).

The structure that housed the former Aspen Art Museum on North Mill Street was originally built in 1888 for the Hunter Creek Power Plant.

At the moment, I am writing an essay for the catalogue to Patricia Cronin's (FAAR» 07) upcoming exhibition at the Centrale Montemartini in Rome, which houses antiquities from the collection of the Capitoline Museums in a former power station.

SELECTED COLLECTIONS Bailey - Boushay House, AIDS Housing of Washington, Seattle, WA Berkeley Art Museum & Pacific Film Archive, University of California, Berkeley, CA Bonneville Power Administration, Portland, OR Cheney Cowles Museum, Spokane, WA City of Tacoma, Department of Cultural Resources, WA Crocker Art Museum, Sacramento, CA Davis Wright Tremaine Attorneys, Seattle, WA Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY Harvard University, Fogg Art Museum, Cambridge, MA Hillis Clark Martin and Peterson Attorneys, Seattle, WA Honolulu Museum of Art, Hononlulu, HI Microsoft Corporation, Redmond, WA Museum of Fine Arts, Boston, MA Museum of Fine Arts, Houston, TX Neuberger and Berman, New York, NY New York Public Library, New York, NY Pacific First Federal Savings Bank, Seattle, WA Perkins Coie, Seattle, WA Philadelphia Museum of Art, Philadelphia, PA Portland Art Museum, Gilkey Print Center, Portland, OR SAFECO Corporation, Seattle, WA Saintsbury Winery, Napa, CA Seattle Art Museum, Seattle Arts Commission, Surrogate Hostess, Seattle, WA Tacoma Art Museum, Tacoma, WA University of Washington Medical Center, Seattle, WA Washington State Arts Commission, Olympia, WA Washington State University, Pullman, WA Whatcom Museum, Bellingham, WA

2012 — 2013 OS, Whitney Museum of American Art, New York, USA (solo) 2009 Museum Ludwig, Cologne 2009 Galleria Gió Marconi, Milan 2008 Portikus, Frankfurt am Main 2008 Galerie Chantal Crousel, Paris 2008 LAXART, Los Angeles (GuytonWalker) 2008 Carte Blanche III: «Gedichte der Fakten «-- Arbeiten aus der Sammlung Arend und Brigitte Oetker, Galerie für Zeitgenössische Kunst, Leipzig, Germany 2008 Wade Guyton and Kelley Walker, MAMbo, Bologna, Italy (solo) 2007 Friedrich Petzel Gallery New York, USA (solo) 2007 Galerie Francesca Pia, Zurich, Switzerland (solo) 2007 Wade Guyton: Objects are much more familiar, Power House, Memphis, USA (solo) 2007 Degree Zero, Richard Telles Fine Art, Los Angeles, USA 2007 DUMP, Postmodern Sculpture in the dissolved field, Nasjonalmuseet for Kunst, Arktitektur og Design, Oslo 2007 For the people of Paris, Sutton Lane, Paris, France 2007 The Lath Picture Show, Friedrich Petzel Gallery, New York, USA 2007 Very abstract and hyper figurative, Thomas Dane Gallery, London, UK 2007 Galerie Gisela Capitain, Cologne, Germany (solo) 2006 Paintings, Westlondonprojects, London, UK (solo) 2006 MAMBO, (Guyton / Walker collaboration), Bologna, Italy (solo) 2006 La Salle de Bains, Wade Guyton, Lyon, France (solo) 2006 U Stencil, Hard Hat Editions, Geneva, Switzerland (solo) 2006 Color, Power & Style, Friedrich Petzel Gallery, New York, USA (solo) 2006 Haubrokshows, Berlin, Germany (solo) 2006 Carpenter Center, Harvard University, Empire Strikes Back (GuytonWalker collaboration), Cambridge, Massachusetts, USA (solo) 2006 Casey Kaplan gallery, Pose & Sculpture (cur.

2011 Air de Paris, Paris 2010 Paintings, Franco Noero Gallery, Torino, Italy Pattern and Degradation, Gavin Brown's enterprise & Maccarone, New York 2009 Look What I've Done: Rob Pruitt Works 1989 2009, Carlson, London, UK Franco Noero Gallery, Torino, Italy Rob Pruitt Presents the First Annual Art Awards, Guggenheim Museum, New York, NY 2008 Master Artist - in - Residence Exhibition, Atlantic Center for the Arts, New Smyrna Beach, Florida American Academy in Rome, Italy Power House, Memphis, TN American Academy in Rome, Italy œiPhotos, Gavin Brown's enterprise, New York 2007 Rob Pruitt's Flea Market, Frieze Art Fair, London, UK 2006 Gavin Brown's enterprise, New York 2004 Paris in Tokyo, Gallery Side 2, Tokyo 2004 Paris in Rome, Roma Roma Roma, Rome, Italy 2003 Surreal Estate, Gavin Brown's enterprise, New York (with Jonathan Horowitz) 2002 Air de Paris, Paris, France Consortium, Dijon, France 2001 Franco Noero Gallery, Torino, Italy 2001 Pandas and Bamboo, Gavin Brown's enterprise, Corp., NY 2001 101 Art Ideas You Can Do Yourselfï, Contemporary Art Center, Cincinnati, OH 2000 Flea Market, Gavin Brown's enterprise, New York, NY 2000 «Psychic Predictions For The New Millennium & Things To Do With Lemons», Cabinet Gallery, London, UK 1999 «101 Art Ideas You Can Do Yourself», Gavin Brown's enterprise, New York, NY 1993 Galleria Il Capricorno, Venice, Italy 1993 Mulier & Mulier, Knokke, Belgium 1992 Leo Casteli Gallery, New York, NY 1992 Galerie Rachel Lehmann, Lausanne, Switzerland 1991 APAC, Centre d'art Contemporian, Nevers, France 1991 Stuart Regen Gallery, Los Angeles, CA 1991 Esther Schipper, Koln, Germany 1991 Daniel Buchholz, Koln, Germany 1990 303 Gallery, New York, NY

He has exhibited widely at such galleries as Marlborough Gallery, Jack Shainman Gallery, Marianne Boesky Gallery, The New Museum, New York, USA; Galerie Laroche / Joncas, Galerie Yves LeRoux, Montréal; The Apartment, Presentation House, Vancouver; and The Power Plant, Art Metropole, Mercer Union, The Japan Foundation, Toronto, Canada.

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

Visitors enter the Tate Modern through the great void of Turbine Hall, the former engine house of the power station the museum used to be.

It may not have D.C.'s museums or a «House of Cards» power scene, but does the nation's capital have an annual Pork Roll Festival?