Sentences with phrase «precisionist painting»

During the 1930s, Sheeler concentrated mostly on his Precisionist painting.

The premier exhibition is a rotating group survey of New Precisionist painting... see more

This will be the first exhibition to explore the «cool» in American art in the early 20th century, from early experiments in abstraction by artists like Georgia O'Keeffe, Arthur Dove and Paul Strand to the strict, clean precisionist paintings of Charles Sheeler and Charles Demuth.

This is the first exhibition to explore the «cool» in American art in the early 20th century, from early experiments in abstraction by artists like Georgia O'Keeffe, Arthur Dove and Paul Strand to the strict, clean precisionist paintings of Charles Sheeler and Charles Demuth.

From experiments in abstraction to precisionist paintings, this major exhibition explores the cool in early 20th - century American Art.

To cite but a few: Among the works unfamiliar to me were I. Rice Pereira's «Boat Composite,» a large, vivid yet grisaille canvas from 1932 that dominates a gallery of Precisionist paintings and photographs with its bold scale and paint handling, learning from Fernand Léger while presaging the great late works of Stuart Davis and Philip Guston.

Not exact matches

In a selection of paintings with an architectural focus, we aim to show that these Precisionist characteristics used by artists of the 1930s - 1940s were modified only slightly by new narratives contributed by national and international social events.»

And, last but not least, Pocket Utopia included a snapshot of Two Coats editor (that's me) Sharon Butler's new paintings, and an invitation to «Precisionist Casual,» her (my!)

Other strengths of the twentieth - century collection include: sixty works by members of the Ash Can School; significant representation by early modernists such as Alfred Maurer, Marsden Hartley, John Marin, Georgia O'Keeffe, and Max Weber; important examples by the Precisionists Charles Demuth, Charles Sheeler, Preston Dickinson and Ralston Crawford; a good showing by the American Scene painters Charles Burchfield and Edward Hopper; a broad spectrum of work by the Social Realists Ben Shahn, Romare Bearden, Jacob Lawrence and Jack Levine; and ambitious examples of Regionalist painting by Grant Wood, John Steuart Curry and Thomas Hart Benton, notably the latter's celebrated five - panel mural, The Arts of Life in America (1932).

On the East Coast, the influence of the precisionist realism of Colville, Christopher Pratt and Mary Pratt also supported the idiosyncratic image painting of Gerard Collins, Nancy Edell and Suzanne Funnell.

This tour - de-force presentation includes key paintings by American Precisionists such as Charles Sheeler, Georgia O'Keeffe, and Charles Demuth, and iconic works by the masters of straight photography such as Paul Strand, Berenice Abbott, and Edward Steichen.

She was the only female participant in the Precisionist movement, which in the 1920s and 1930s took a Cubist - inspired approach to painting the skyscrapers and factories that had come to define the new American landscape.

Eric Shaw is another precisionist, making Pop paintings for the twenty - first century from drawings made first on his smartphone.

Pocket Utopia is pleased to present «Precisionist Casual,» a solo exhibition of new paintings by Sharon Butler.

«Sharon Butler: Precisionist Casual, New Paintings,» Pocket Utopia, 191 Henry Street, Lower East Side, New York, NY.

Charles Sheeler: Across Media (Feb. 10 - May 6, M.H. de Young Memorial Museum) A small but elegant show that examines how the «Precisionist» Sheeler moved among painting, photography and film at a time when few other American artists thought much about the differences that varying media made in images» meaning and impact.

Known primarily as a Precisionist painter, Elsie Driggs (1898 - 1992), in the course of her long career, also painted still life and the figure.

Among Charles Demuth's best known 20th century paintings in the Precisionist idiom include: My Egypt (1927, Whitney Museum of American Art), and Buildings Abstraction, Lancaster (1931, Detroit Institute of Arts).

If such early works have a precisionist care in how they are painted that recalls early Renaissance painters like Pietro Lorenzetti or Domenico Veneziano, as much as they do product advertisements and packaging design from the 1920s, later works offer a bolder more sculptural approach, and suggests a whole other range of range of artists who followed Davis, including Elizabeth Murray and Al Held.