Sentences with phrase «press accompanies the exhibition»

A full - color monograph published by the University of Texas Press accompanied the exhibition and features contributions from Dan Fox, Matthew Higgs, Jan Tumlir, and Rachel Hooper.

A scholarly catalogue published in association with Yale University Press accompanies the exhibition and includes essays by Veronica Roberts, Lucy R. Lippard, and others.

An expanded exhibition catalogue published by Sternberg press accompanies the exhibition and includes contributions by Richard Birkett, Andrew Blauvelt, Edward Bottoms, Maria Lind and Barbara Steiner, among others.

Not exact matches

A catalog published by Poor Farm Press with essays and interviews by Stuart Argabright, Amber Denker, Michelle Grabner, Tim Griffin, Carla Hanzal, Robert Longo, Peter Nagy, Lane Relyea, David Robbins, Rirkrit Tiravanija, and Philip Vanderhyden accompanies the exhibition.

The exhibition is accompanied by a fully illustrated catalogue copublished by the New Museum and Phaidon Press Limited.

The exhibition will be accompanied by a full - color catalog with accompanying essays distributed by the University Press of Mississippi.

The exhibition will be accompanied by a fully illustrated catalogue, published in association with Yale University Press.

Finally, in fall 2016, The Met is mounting an exhibition devoted to the works donated by the Souls Grown Deep Foundation which will be accompanied by a catalog published by the museum and distributed by Yale University Press.

The accompanying fully illustrated exhibition catalog, published by the AFA in association with Yale University Press, surveys the activities and contributions of women painters who worked in Paris in the late 19th century, and provides an examination of the sociopolitical conditions that shaped the culture of the period.

Beyond Decorum (MIT Press, 2000), accompanied a traveling exhibition — organized by Mark Besire, then director of the Institute of Contemporary Art at the Maine College of Art, in Portland, Maine — was the first comprehensive publication on Udé's photography.

An accompanying publication, Thornton Dial: Thoughts on Paper, edited by Bernard L. Herman (guest exhibition curator and George B. Tindall Professor of American Studies at The University of North Carolina at Chapel Hill) and published by UNC Press, offers the first sustained critical attention to Thornton Dial's works on paper.

► Publication Accompanying the exhibition is an illustrated catalogue published by the Museum of Fine Arts, Houston, and distributed by Yale University Press.

A fully illustrated catalogue accompanying the exhibition was co-published by The Phillips Collection and Yale University Press.

Abney's first solo museum exhibition, Nina Chanel Abney: Royal Flush, curated by Marshall Price, Nancy Hanks Curator of Modern and Contemporary Art, opened in 2017 at the Nasher Museum of Art, North Carolina; with an accompanying comprehensive, fully - illustrated hardcover catalogue with critical essays published by Duke University Press.

The exhibition is accompanied by a fully illustrated catalogue co-published by Yale University Press and The Baltimore Museum of Art.

Denise Markonish is the curator at MASS MoCA where her exhibitions include: Jim Shaw; Entertaining Doubts, Lee Boroson: Plastic Fantastic, Teresita Fernandez: As Above So Below, Mark Dion: The Octagon Room, Tom Philips and Johnny Carrera: Life's Work; Oh, Canada the largest survey of contemporary Canadian art (accompanied by a 400 - page catalogue co-published with MIT Press); Sanford Biggers: The Cartographer's Conundrum, Michael Oatman: all utopias fell; Stephen Vitiello: All Those Vanished Engines, Nari Ward: Sub Mirage Lignum (catalogue); Petah Coyne: Everything That Rises Must Converge (catalogue: Yale University Press), Inigo Manglano - Ovalle: Gravity is a force to be reckoned with (catalogue: D.A.P); These Days: Elegies for Modern Times and Badlands: New Horizons in Landscape (catalogue: MIT Press.

Published by the National Gallery of Art in association with Princeton University Press, the accompanying exhibition catalog includes essays by Greenough, Philip Brookman, consulting curator, Andrea Nelson, associate curator of photographs, and Diane Waggoner, curator of 19th - century photographs, all at the National Gallery of Art, Washington, as well as Leslie Ureña, assistant curator of photographs, Smithsonian National Portrait Gallery.

The exhibition is accompanied by a fully illustrated catalogue published by Yale University Press.

The exhibition is accompanied by an illustrated catalogue, published by the Dallas Museum of Art and distributed by Yale University Press, edited by Nicole R. Myers, with contributions by Michel Pastoureau, Elisabeth Taburet - Delahaye and Michel Zink.

The exhibition is accompanied by a book from Hauser & Wirth Publishers that expands on the 2001 publication from The University of Chicago Press, and features new texts from Musa Mayer and Debra Bricker Balken.

The exhibition will be accompanied by a fully illustrated catalogue published by Yale University Press.

The exhibition is accompanied by a book published by The Monacelli Press and authored by Milly Glimcher.

The exhibition is accompanied by a fully illustrated catalogue»» published by MOCA and co-published by the MIT Press, which will constitute a comprehensive and scholarly examination of the artist's career.

A 112 - page book accompanying the exhibition will be published and distributed through Indiana University Press.

The exhibition will be accompanied by a fully - illustrated monograph co-published by Blaffer Art Museum and University of Texas Press with contributions by Rachel Hooper, Dan Fox, Matthew Higgs, and Jan Tumlir.

Mark Grotjahn's exhibition was accompanied by a publication by the Aspen Art Press and distributed by Artbook DAP, New York.

The exhibition is accompanied by a catalogue, published by Yale University Press, featuring essays by each of the curators and over 100 illustrations.

The accompanying exhibition catalog Dwan Gallery: Los Angeles to New York, 1959 — 1971, copublished by the National Gallery of Art and the University of Chicago Press, is a richly illustrated scholarly study of the history of the Dwan Gallery by Meyer with writings by Virginia Dwan on the movements and artists she showed, and a chronology of Dwan's life and professional activities and a complete exhibition history of the Dwan Gallery in Los Angeles and New York by Paige Rozanski, curatorial assistant in the department of modern art at the National Gallery of Art.

The exhibition, entitled: Carlos Estevez: Images of Thought represents his artistic practice during the years 1992 - 2009, and is accompanied by a new book entitled: Images of Thought: Philosophical Interpretations of Carlos Estevez's Art, by the exhibition's curator Dr. Jorge J.E. Gracia, SUNY Distinguished Professor (2009, SUNY Press).

An accompanying 160 - page monograph published by MIT Press, MUDMAN: The Odyssey of Kim Jones features essays by Robert Storr and Kristine Stiles, and exhibition curators Sandra Q. Firmin and Julie Joyce.

A collection of those photos, Cities of the Dead: The Ancestral Cemeteries of Kyrgyzstan (University of Washington Press) was published in 2015 and an accompanying exhibition opened at the Arthur A. Houghton Gallery at The Cooper Union in February.

The exhibition will be accompanied by an opening gala, press outreach, plus a digital catalogue purchasable in book form on demand, and will be featured prominently on the Otis Centennial website launching in August 2018.

A free, limited edition Colpa Press Risograph print with writing by Suzanne L'Heureux accompanied this exhibition.

An exhibition of the works will be presented at the Met in the fall 2016, accompanied by a catalog published by Yale University Press.

The exhibition is accompanied by a scholarly catalogue, published by the Terra Foundation and distributed by Yale University Press.

Straub and Huillet's publication Writings (2016), edited by Sally Shafto and published by Sequence Press, accompanies the exhibition and is available in the Carpenter Center's CRC / bookshop.

This exhibition is accompanied by a fully illustrated color catalogue with an essay Barry Schwabsky, a regular contributor to Artforum, and the author of The Widening Circle: Consequences of Modernism in Contemporary Art (Cambridge University Press, 1997), and Opera: Poems 1981 - 2002 (Meritage Press, 2003).

selfportait.map, University of Washington Press, was published to accompany the exhibition.

Julia Wachtel recently completed a retrospective exhibition of her work at the Cleveland Museuuem of Art, with an accompanying monograph by Yale University Press.

Curated by scholars William C. Agee, Irving Sandler and Karen Wilkin, the exhibition is accompanied by a fully illustrated catalogue co-published by the Addison and Yale University Press.

The exhibition is accompanied by We Sit Together: Utopian Benches from the Shakers to the Separatists of Zoar, published by Princeton Architectural Press.

The artists» exhibition purposely has no press release or description of the curatorial premise, but includes an accompanying text that reads as a type of prayer, excerpted below:

The exhibition is accompanied by a fully illustrated catalogue distributed by Yale University Press with contributions by the exhibition's curators and other invited scholars, including Audrey Gay - Mazuel, Curator, Department of the Nineteenth Century at the Musée des Arts décoratifs, Paris; Olivier Meslay, Associate Director of Curatorial Affairs and Barbara Thomas Lemmon Curator of European Art at the Dallas Museum of Art; and Sylvie Patry, Chief Curator of Impressionist and Post-Impressionist Paintings at the Musée d'Orsay, Paris.

Join us for a conversation inspired by the exhibition Coney Island: Visions of an American Dreamland, 1861 — 2008, on view at the Wadsworth Atheneum Museum of Art, and accompanied by the Yale University Press publication of the same title.

In 2015, this project lead to a solo exhibition at the Transformer Station / Cleveland Museum of Art and an award winning monograph of his work, published by Yale University Press to accompany the exhibition.

The MIT Press published a monograph to accompany The Friendliest Black Artist in America, his 2002 - 2004 traveling survey exhibition.

The exhibition is accompanied by a fully illustrated catalog copublished by Yale University Press and written by Diane Waggoner; with additional essays by Russell Lord, Freeman Family Curator of Photographs, New Orleans Museum of Art and Jennifer Raab, assistant professor in the history of art, Yale University.

The exhibition is accompanied by a comprehensive catalogue raisonné co-published with Yale University Press.

The exhibition will be accompanied by a fully illustrated catalogue — published by MOCA and co-published by the MIT Press — which will constitute a comprehensive and scholarly examination of the artist's career.

The exhibition will be accompanied by a fully illustrated catalogue co-published by the New Museum and Phaidon Press Limited.