Sentences with phrase «prince joke painting»

You would be correct in assuming that the above line might come from a Richard Prince Joke Painting.

Elsewhere in the sale, an early Richard Prince joke painting, the kind not often seen on the market, that had been bought from the 1999 show it appeared in, made $ 1m over a $ 600k high estimate.

A 1993 work that looks like a Richard Prince joke painting — blue capital letters on a green monochrome — also addresses art history, though of a more sweeping variety (and demonstrates his skill as a colorist).

(I couldn't find one Prince Joke Painting specifically about dicks, but here's that one about a psychiatrist stealing his act, which is also on this Christopher Wool painting in «collaboration» with Prince.

Not exact matches

The auction draws its title from one of the highlights of the auction, Richard Prince's monochrome joke painting If I die..., as a tribute to the artist whose visual vocabulary was transformative for an entire generation.

Painted in 2006, Richard Prince's Untitled (de Kooning) updates his unique brand of appropriation, replacing his use of pulp fiction novels and minimal joke paintings with reproductions of de Kooning paintings and photographs of adult models.

The radical appropriation of the joke series echoes Warhol's Campbell Soup Can paintings and the monochrome jokes are archetypical of Richard Prince's creation as they define the dry, dead - pan aesthetic of the artist.

His word painting «Untitled» (1990 - 1991), in enamel and graphite on aluminum, which begins with «THESHOWISO / VERTHE AUDIEN / CEGETUP,» dominates the room devoted to art based on language and advertising, which includes a joke painting by Richard Prince («Nancy to Her Girlfriend,» 1988) and the mock liquor ad, «Come Through with Taste ⎯ Myers's Dark Rum ⎯ Quote Newsweek» (1986) by Jeff Koons.

To summarize internet - local highlights in #appropriationart... Richard Prince: B + for being the O.G. [«Joke Paintings» 1987 - 89] Donelle Woolford: A for pwning the O.G. *** Joe Scanlan: D -(Dick, minus.)

Woolford's dick jokes on canvas appropriated the concept from Richard Prince's Joke Paintings.

While the «joke paintings» take a swing at Richard Prince, say, or at the power dynamics generally played out in contemporary painting — and do so with Prior's legacy as weapon — the present installation instead quiets and diffuses a man the artist plainly admires.

Carol Jackson's glittery sculpture resembles early Lynda Benglis, while Donelle Woolford's joke paintings dare one to decide whether «Richard P» stands for Richard Prince or Richard Pryor.

The idea that Dick is a word that we use for men, men in general, and also a body part, but then also perhaps Richard Prince, who's known for his joke paintings as well.

He is not alone either in assuming multiple guises — like Richard Prince with his stale jokes and the Marlboro man, Robert Gober with industrial sinks and pretend newspaper bundles, Jeff Koons with a ceramic poodle and an ad for rum, Josephine Pryde with a cute kid and otherwise identical auto bodies disfigured by splashes of paint, or Liz Deschenes with green screens lit from within and an unsteady pattern of white dots.

For Prince in the «80s, that pop object was «the joke»: «Artists were casting sculptures in bronze, making huge paintings, talking about prices and clothes and cars and spending vast amounts of money.

They are printed with bawdy tales involving a character named Richard and elegant scribbles in the style of market - hot white male artists like Richard Prince (whose own «Joke» paintings can sell for seven figures), Christopher Wool, Michael Krebber and Albert Oehlen.

- Richard Prince Painted in 1990, If I Die is one of Richard Prince's celebrated series of monochromatic joke paintings; the deadpan, visual expressions of humor that have been the mainstay of the American artist's career.

I remember thinking that if I had seen someone make the hand - written joke and call it their work, I would have said, «I wish I had done that,» (R. Prince, quoted in «Band Paintings: Kim Gordon interviews Richard Prince,» Interview Magazine, June 2012).

Prince's first joke painting, made in 1986 but one that he has revisited time again, belies this preference for using found subject matter.

Picking out the two lines of the joke in a deep blue, anonymous sans serif font, and setting it within a vast field of flatly painted cardinal red, Prince has created a work that resounds on abstract, conceptual and prosaic levels.

That formula also saved Richard Prince's untitled 2003 joke painting, acquired in the year it was made from Barbara Gladstone Gallery, that sold to a telephone bidder for just $ 212,500 on a $ 300 - 400,000 estimate.

Weighing in at only 46 pages, this slim volume nevertheless contains representative samples of all of Prince's most famous work: biker girls, nurses, sculptures, paintings, tattoo pornography, jokes, and other assorted incendiary images.

Richard Prince, one of the pioneers of the Pictures Generation movement of the late 1970s and early 1980s, has built a career out of wryly commenting upon the psychology of pop culture through appropriated imagery — perhaps best epitomized by his iconic Joke paintings.

(The title is based on a joke painting by Richard Prince included in the sale, which reads «Jewish man talking to his friend: If I live I'll see you Tuesday.

New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012 White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14 Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany Paintings Gagosian Gallery, New York (catalogue) 2009 After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work of Richard Prince, 1974 - 77 Neuberger Museum of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs, Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999 Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The White Room Jürgen Becker, Hamburg; Parco, Tokyo White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995 Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum of American Art, New York (catalogue) Protest Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo

Los Angeles Modern Auctions (LAMA), the boutique auction house dedicated to modern and contemporary fine art and design, set a new company record, selling a single work for the highest price in the company's 24 - year history: Richard Prince's Bedtime Story (1988) from the seminal Monochromatic Jokes paintings realized $ 1.585 million.

Looking cheap compared to some of his contemporaries like Christopher Wool (b. 1955), a small yellow joke painting by Richard Prince (b. 1949) fetched the princely sum of # 242,500 ($ 405,000) at Sotheby's against a high estimate of # 120,000 ($ 201,000).

Galleries advance the image - scavenging of appropriation art, such as Richard Prince's sly painting of an old barroom joke and Sherrie Levine's cast - bronze copy of a Marcel Duchamp urinal.

Unlike his Pop Art predecessors however, whose work still retains a kind of optimistic freshness of the postwar era in which they were created, Prince's joke paintings display a sarcastic quality that is more suited to the postmodern world.

[I take this quote of Richard Prince in the same light one may take his Playboy joke paintings, as actual sexism or as satire, take your pick or take both].

Whether centering on a series within an artist's oeuvre — such as Joan Miró's late works, Sigmar Polke's fabric paintings, and Richard Prince's monochromatic jokes — or presenting artists in dialogue with one another — such as Egon Schiele with Cy Twombly and Jean - Michel Basquiat, or Andy Warhol together with Christopher Wool and Wade Guyton — the exhibitions have illuminated exceptional moments in art history that have altered the course of artistic production.

Bringing together two of Prince's most iconic motifs — the nurses and the jokes — Untitled is both a synthesis of his concerns with authorship, and a brilliant example of the artist «s continuous innovation in the realm of painting.

These dick joke paintings, the latest in «her» practice, are based on works by Richard Prince.»

However, all the other items in the installation, which included a joke painting, planters made from old tires, a table made from a basketball backboard, a jewelry cabinet displaying a necklace fashioned from bread fasteners, and a selection of first - edition books about Woodstock from Prince's library, are presumed to have been lost to the flames.

These loaded statements grab our attention, and like Barbara Kruger's tongue - in - cheek phrases and Richard Prince's «Joke» paintings they allow for a very different way of seeing art that oddly does not have to be purely aesthetic.

«Among the casualties were Lisa Yuskavage's 2003 oil - on - canvas work «Dark Garden II,» a 2001 joke painting by Prince and a pink acrylic work of blank advertising signs from 2004 by Ed Ruscha.

Jay Heikes MARIANNE BOESKY GALLERY Richard Prince's «Joke» paintings remain the gold standard for the use of dark verbal humor in contemporary art, but in the last few years a younger set of...

On my Saturday excursion, Margo Leavin was showing new work by the queen of the appropriationists, Sherrie Levine; Stuart Regen was showing a new batch of nasty joke paintings by Richard Prince; Manny Silverman was hosting a modest retrospective of paintings by Sam Francis; and the Kohn Turner Gallery was showing new work, based on Brancusi and Ezra Pound, by Richard Pettibone.

Prince's new paintings, which go on view at Gladstone Gallery on 3 November («Richard Prince: Ripple Paintings», until 22 December), are to my eye the greatest paintings he has made since he first started to paint car hoods apaintings, which go on view at Gladstone Gallery on 3 November («Richard Prince: Ripple Paintings», until 22 December), are to my eye the greatest paintings he has made since he first started to paint car hoods aPaintings», until 22 December), are to my eye the greatest paintings he has made since he first started to paint car hoods apaintings he has made since he first started to paint car hoods and jokes.

Lot 30, Richard Prince, Untitled Joke Painting, 2009, Pre-sale estimate: $ 350,000 - $ 450,000.

They are jokes with received imagery and pure painting splatted one atop the other, though in truth — and true to Prince — the paintings aren't painted at all, but rather inkjet prints of painted collages of the original cartoons.

Known for his «appropriation art» critiquing American culture, artist and collector Richard Prince began examining mainstream humor with his Moral Essays Portfolio in 1986 and continued to develop his Joke paintings, often paired with disparate images.

Richard Prince is showing his best paintings since he began painting the monochrome jokes in the late 1980s («Richard Prince: Ripple Paintings ``, until 22 December at Gladstone paintings since he began painting the monochrome jokes in the late 1980s («Richard Prince: Ripple Paintings ``, until 22 December at Gladstone Paintings ``, until 22 December at Gladstone Gallery).

«I first came to Jeanne's uptown space to view several monochrome Richard Prince «Joke» paintings,» Mr. Rodriguez wrote in an email.

In 1987 Prince embarked on a series of Monochromatic Jokes paintings — sleekly minimalist presentations of hackneyed wisecracks — which tackle the clichés of verbal folk culture.