(200 x 160 x 120 cm)
Private collection Installation view, «Dreams and Conflicts: The Dictatorship of the Viewer,» Venice Biennale, 2003 © Urs Fischer.
Not exact matches
His works and site - specific
installations are housed in both
private and public
collections around the world.
Incorrect
installation is unfortunately equally common in museums as in
private collections.
This
installation features works by Ed, Philip, and Matt Moulthrop from Southeastern
private collections.
The result: one of the most significant
private collections of postwar American art in the world, with more than 800 works displayed throughout their ranch - style home in the Northern California Bay Area — built in 1969 with art
installation in mind — and a nearby nine - building office campus designed in 1964.
Brought together from international public and
private collections, this will be the first time these particular works have been exhibited together in a group of this size since Judd's 1989
installation.
MoMA's Woman II by de Kooning and Mondrian's Large Composition with Red, Blue and Yellow (borrowed from a
private collection) will be shown alongside vintage gallery announcements, posters and photos of the original exhibition
installations.
Her work in painting and
installation can be found in the
collections of the High Museum of Art, the Mobile Museum of Art, the Museum of Contemporary Art of Georgia, and in many public and
private collections across the country.
Laughlin's paintings are in numerous
private and public
collections, and her paintings have been shown in over 43 competitive exhibitions including 10 solo exhibitions or
installations, 11 museum exhibitions, and 6 published color exhibition catalogues.
the exhibition and
installation comment on the
private / public nature of archival
collections and the strategies by which archives are institutionalized and interpreted over time.
London gallery Dickinson will present a curated show of «Expressionism in Europe», while at Waddington Custot viewers will witness an immersive
installation by designer Robin Brown to recreate Peter Blake's
private environment through the artist's work,
collections and studio content.
Drawn from local and international,
private and institutional
collections, the selection comprises approximately 19 film and video
installations spanning more than 20 years of Friedman's creative production.
The 2014 recipient of the Gish Prize for her contributions to art and social change, Lin has been the subject of solo museum exhibitions and created outdoor
installations for public and
private collections from New York to New Zealand.
While there, check out the great
private collection featuring over 30 paintings, drawings, sculpture and
installations by Bushwick / Ridgewood artists.
Installation view of Black Panther documentation and images, a
private collection loaned to Void by Jack Shainman Gallery, New York
Alexander Liberman, Sun II, 1962 Acrylic on canvas, 79.25 inches diameter,
private collection Feb. 16 — June 17, 2007 The first comprehensive survey of Op Art by an American museum in more than 25 years, the exhibition examines the development and lasting influence of the international movement exploring perceptual phenomena in painting, sculpture, and light
installation.
Hogan has been a principal draftsperson for the Sol LeWitt Studio since 1982 and
Installations Director for the LeWitt Estate since shortly after LeWitt's death in 2007, overseeing numerous installations of LeWitt wall drawings, including at the US Mission to the United Nations, Centre Pompidou - Metz, M - Museum Leuven, works in private collections, as well as the creation of the MASS MoCA r
Installations Director for the LeWitt Estate since shortly after LeWitt's death in 2007, overseeing numerous
installations of LeWitt wall drawings, including at the US Mission to the United Nations, Centre Pompidou - Metz, M - Museum Leuven, works in private collections, as well as the creation of the MASS MoCA r
installations of LeWitt wall drawings, including at the US Mission to the United Nations, Centre Pompidou - Metz, M - Museum Leuven, works in
private collections, as well as the creation of the MASS MoCA retrospective.
Adams / Central Mixed Use Development, Permanent Public Art
Installation, Los Angeles, CA Baylor College of Medicine, Houston, TX Bibi Space Gallery, Daejon, South Korea Gibson, Dunn & Crutcher, Los Angeles, CA Harvey Universal Inc., Los Angeles, CA Jarrow Formulas Inc., Los Angeles, CA Luxe Hotel, Los Angeles, CA Museum of Art and History, Permanent
collection, Lancaster, CA Tsuge Cafe, Tokyo, Japan United States Federal Courthouse, Los Angeles, CA Wallach Glass Studio, Santa Rosa, CA
PRIVATE COLLECTIONS Estate of Betty Asher, donated, Los Angeles County Museum of Art Sam Alexander Carol April Phillip Bialeck Sheila Baird Gerald E. Buck
Collection Tony and Cindy Canzoneri Robert and Maureen Carlson Rick Morris and Lisa Cliff Norm DuPont Jeff Ehrlich Merrill Francis Mark Frankel Arnold and Homeira Goldstien Joni Gordon Jonathan and Nancy Glaser David Grant Barbara Horwitz Dr. Todd Hutton Anne Hutton Ken Kaplan Doug Kennedy Marianne Kim, Daejon, Korea Neil and Pamela Kramer Shuji Kato and Kazumi Kua, Tokyo, Japan Jeffrey Kurland Marilyn Lasarow and Judge William Lasarow Dr. Richard Lasarow David Loomstein David Nash Gina Posalski Jarrow Rogovin John and Elsie Sadler Ralph Perl and Rhoda Shapiro Dr. Kumiko Saito, Hayama, Japan Junko Saito, Hayama, Japan Susan Sauvageau George and Kay Sherman Joannie Stern Steve Sztopek Brad and Cynthia Theil Sue Tsao DeWain Valentine
Luckily for the viewers, the artworks selected for the show include some historical
installations zealously guarded by the artist in his own
private collection — these rare pieces will be presented to the public alongside other works brought in from various
private and public
collections, joined by the artworks from the Museum's own permanent program.
One of the most important in Italy, the permanent
collection of the International Gallery of Modern Art at Ca» Pesaro, comprising a large number of artworks — paintings, sculptures, drawings, photographs, and
installations — by Italian and international artists, has been built over a period of more than 120 years though both acquisitions by the Venice city council and donations from
private collectors.
Their work is part of
private and public
collections including the permanent public
installation at Chateau Trebesice, Czech Republic and Manitoga, Russell Wright Design Center, Garrison, NY.
Specializing in: • Developing exhibitions internationally, securing loans from institutions and
private collections • Strategic planning and project management for museums and foundations • Site - specific
installations by artists, designers and architects • Building and developing institutional and
private collections of contemporary and modern art globally • Creating strategic partnerships between
private funding sources, museums and cultural institutions • Initiate and oversee local and global fundraising projects • Collaborate and facilitate with partnering institutions • Serving as active board member in the
private and public sector • Historic building preservation and conservation
Known for his large - scale sculpture, furniture, and
installations carved out of cypress and redwood, Blunk remains a greatly underappreciated figure despite his presence in major public and
private collections.
Our clients are mainly
private collectors, both new and well established, to whom we offer a range of advisory services including
collection development and management, appraisal, conservation,
installation and transport coordination.
Previously, he spent seven years in the Los Angeles gallery sector, primarily overseeing prominent
private and corporate
collections, as well as project - managing site - specific
installations by leading blue - chip artists.
Art + Shanghai Gallery provides art advisory services to both
private and corporate clients building
collections by consulting on and locating artworks, and provides all necessary collector services, from management of transportation, documentation, and insurance, to providing professional onsite consultation and
installation.
This exhibition is a cross-section of his oeuvre, combining both existing loan from public &
private collections, new works and a site - specific
installation produced especially for this exhibition.
The
installation presents a confluence of high - profile loans from
private collections and significant recent acquisitions.
Exhibited amongst a larger
collection of drawings, paintings, and collages, Humanfive's sculptural
installation, Shrine to Process, constructs a mini-society out of the refuse salvaged by Redekop from his time spent working nine to five for a
private Vancouver - based recycling firm.
His work is in notable international
private collections, and has been exhibited internationally, with shows in London and New York, as well as being included in Banksy's Dismaland
installation in 2015 in the UK.
Installation view of Felix Gonzalez - Torres, Untitled, 1995, billboard, dimensions vary with installation, private collectio
Installation view of Felix Gonzalez - Torres, Untitled, 1995, billboard, dimensions vary with
installation, private collectio
installation,
private collection, New York.
Awofeso's sculptural
installations are housed in
private, public and corporate
collections, namely the UNISA art
collection, Nandos (West Africa, South Africa, Middle East and Europe), and the ABSA foundation.
The works are pulled from the gallery's
private collection and the show, like the
installations of Holzer's posters, is unauthorized by either Holzer or her gallery, Cheim & Reid, reported Brett Sokol for the New York Times, who added Holzer is intrigued by the show and has no plans to stop it.
The rest of the exhibition is devoted to over a hundred paintings, sculptures,
installations, photographic works and drawings from the
private Visser
collection.
The retrospective provides insight into the largest
collection of letters and documents from the Toni Gerber
collection (which was donated to the Kunstmuseum Bern in 1986 and 1996), and a precise selection of sculptures and
installations from all periods in Byars» creative life (from the
collection of the Kunstmuseum and on loan from
private and public
collections).
The exhibition «Ourouba, The Eye of Lebanon» at the heart of BEIRUT ART FAIR 2017 focuses on artistic productions and acquisitions of the 21st century and features
installations, paintings, photography, video and sculptures from major
Private and Institutional
Collections throughout Lebanon.
The rarefied selection (only a few pieces are for sale) features loans from major museums and
private collections, and includes one of Fontana's monumental ceiling sculptures in plaster and neon and a Klein
installation incorporating a field of thrown pigment in his signature blue.
2002 CAB Gallery Retrospective 1999 - 2001, Essor Gallery Project Space, London, UK Between Language and Form, Yale University Art Gallery, New Haven, Connecticut, US Amsterdam Revisited: Adam & Eve On Sex, Tolerance and other Dependencies, De Appel, Amsterdam, NL Reaction - A Global Response to 9/11, Exit Art, New York, US Art Aficionado Auction of Cigar Box Art, Birmingham Museum of Art, Birmingham, Alabama, US Just Remember: It's Vienna, Galerie Hubert Winter, Vienna, AT Welfare State International, London, UK Light & Shadows..., Galerie Anselm Dreher, Berlin, DE From the Observatory, Paula Cooper Gallery, New York, US Galerie Pietro Spartà, Chagny, FR Coolecção Onnasch: Aspectos da Arte Contemporânea, Museu Serralves / Museu Arte Contemporânea, Porto, PT Conceptual Art 1965 - 1975 from Dutch and Belgian
Collections, Stedelijk Museum Amsterdam, NE DIN Art 4 - 560 Künstler und 1 Formular, Museum für Kommunikation, Hamburg, DE 2002 Benefit Silent Auction and Gala, White Columns, New York, US Parole, Parole, Parole, Galleria Civica di Arte Contemporanea, Trento, IT Water - Sand — Space, The International Art Exhibition: Sharjah Art Museum, UAE; Städtischen Galerie Wolfsburg, DE
Private Views, London Print Studio Gallery, London, UK
Collections, Stedelijk Museum, Amsterdam, NL Startkapital, K21 Kunstsmamlung Nordhein - Westfalen, DE 20 Years in Danish Art, Stalke Galleri & Galleri Kirke Sonnerup, DK The Artists» Memory, Stadtische Museen Jena, Kabinett im Stadtmuseen, DE Ideal Avalanche, The Pond, Chicago, Illinois, UK Pièes de Collection / Oeuvres Contemporaines, Une Proposition de Françoise et Jean - Philippe Billarant, Ecole Supérieure des Beaux - Arts de Nîmes, ESBAN @ Hôtel Rivet, FR Hors d'Oeuvre, Artist's Pages, Le Journal de l'art Contemporain en Bourgogne, No. 10, FR Frenetic Interferences a presentation of MEMORY / CAGE EDITIONS, Museum Store of The New Museum of Contemporary Art, New York, US Sens Giratoire Exposition Collective Peintures, Photographies,
Installations PASSAGES, Centre d'Art Contemporain, Troyes, FR Ilona Ruegg, Kunsthalle Bern, Bern, CH Kunst und Schock Der 11, September und das Geheimnis des Anderen, Eine Austellung mit Bildern und Texten in Zusammenarbeit mit Lettre International, Haus am Lützoplatz, Berlin, DE Art Unlimited, Basel Art Fair, Basel, CH Les Horizons du Paysage, curated by François Montliau & Hubert Besacier, Maison de la Culture de Bourges, FR Ansammlungen von Ingrid Wald und Gerhard Jaschke («Freibord»), Sommerallerie, Unterretzbach, AT Out of Print Edição Esgotada, Museu Serralves, Museu de Art Contemporaneâ, Porto, PT De Concert, Oeuvres d'une Collection Privé, Frac des Pays de la Loire, FR What About Hegel (And You)-RRB-?
For Double Bind's
installation, Ledare assembled the two sets of
private photographs against a
collection of roughly 6000 pieces of ephemera culled from the pages of various cultural, editorial, pornographic, fashion, and advertising print media.
Featuring some 40 paintings, etchings, and drawings drawn from major public and
private collections in Europe, the
installation marks the first time in decades that many of these works have been on view in the US.
The icons are dispersed throughout various public and
private collections, including the Dia Art Foundation, the Judd Foundation (Donald Judd was one of the artist's closest friends), and the National Gallery of Canada, but since April five of the eight have been on view at the Dan Flavin Art Institute in Bridgehampton, a former firehouse and Baptist church renovated under Flavin's direction in the early 1980s and housing a permanent
installation of his fluorescent light - tube sculptures.
Frank Bowling: Map Paintings will highlight the DMA's acquisition of its first painting by the seminal artist Frank Bowling, Marcia H Travels (1970), in an
installation with four additional works from
private collections presenting the entire selection of work from the artist's influential «Map Paintings» series.
Combining works of the imagination with rare examples of actual «surreal» houses, the exhibition presents a diverse range of paintings, photographs, films, models and
installation from public and
private collections in Britain, Europe, Canada and the United States, many rarely seen in the UK.
Werner's paintings and
installations have been shown extensively across Canada in solo and group exhibitions, and her work is included in numerous public and
private collections.
Susan's artwork is included in numerous
private collections and public and permanent
Installations: Jewish Appeal (UJA), Mount Kisco, New York and in Israel at: Rehovott Tel Hashomer - Shiba Hospital / Rehabilitation Center, Rambam Hospital the Children's Pavilion, & School in Rishon Lezion.
The exhibition will feature more than 280 works, spanning video, sound, multimedia
installation, performance, painting, works on paper, and photo / text - based graphics, drawn from public and
private collections.
This research brings together key pieces of each artist in various media: paintings, photographs,
installations and works on paper from major public and
private collections worldwide.
For 2016's edition, the exciting public programme supported presents specially - commissioned exhibitions from institutions and
private collections, two new
installations and a wide variety of book signings.
She has created permanent outdoor
installations for public and
private collections, including the California Academy of Sciences, San Francisco (San Francisco Arts Commission for the Civic Art Collection, California); the Wanås Foundation, Knislinge, Sweden; the Wexner Center for the Arts, Columbus; her acclaimed Wave Field at Storm King Art Center, Mountainville, New York; and her largest earthwork to date, unveiled in New Zealand this spring.
Situated in a purpose - built building (rather than a re-purposed warehouse or power plant), the building houses the Karpidas Foundation, its
collection and large - scale
private gallery spaces for varying
installations from the
collection.