Sentences with phrase «public art context»

Philipsz uses her own singing voice to create uniquely evocative sound installations that respond to the character of specific, often out - of - the - way spaces.The work installed at Tate Britain puts her work into a «Public Art context» and it works well

Not exact matches

In the context of across - theboard cuts to public services, some of which we know regrettably must be made, arguing against cuts to the arts may not seem the right fight to pick.

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We have examined STEM learning in the context of websites, apps, public television and radio series, digital badge systems, 3 - D movies and art education.

The $ 10,000 cash award, intended to be used for college, is funded by the Municipal Art Society and the Rockefeller Foundation and given to two exceptional NYC public high school seniors who demonsrate academic and extracurricular commitment to environmental stewardship with the urban context.

Art Dynamics Pertujukan Bali Tourism Culture in Context In general, the performing arts of Bali can be categorized into three: wali (sacred performing arts), which only made when the ritual worship; bebali performances are dedicated to the ceremony but also to visitors; and Balih - balihan nature for mere entertainment in public places.

Regardless, op art's popularity with the public increased, and op art images were used in a number of commercial contexts.

CONTEXT New York & Art New York will be open to the general public, May 4 — 8.

I see the remit of public art institutions, in general, particularly with respect to their engagement with the contemporary and recent art, to create a context that draws people in.

It is in this charged context that international art superstar Jeremy Deller was commissioned by the IHME festival to produce a work of art in a public space.

The exhibition at the University Museum of Contemporary Art will be the context for which a program of panel discussions, public talks, film screenings, readings, and an outreach school program is being organized.

In the future we look forward to placing their art in historical context through exhibitions, spotlight publications, and special showcases at key art fairs, and to educating curators, collectors, and the public about the place these artists have in the larger scheme of artistic production.»

We believe that the public deserves the right to experience innovative and thoughtful contemporary art in their day - to - day existence, something more or different than in a museum or gallery context.

Each time, a public places the art in a different context, often distorting its meaning in the process.

Within Italian project Outside the Cube, dedicated to Street Art and other forms of art connected to the urban and public contexts, Os Gemeos realized their first major mural titled EfêmeArt and other forms of art connected to the urban and public contexts, Os Gemeos realized their first major mural titled Efêmeart connected to the urban and public contexts, Os Gemeos realized their first major mural titled Efêmero.

In this I inherit a discourse of «public art» and spectacle that I must negotiate, but also a history and trajectory of work that uses the city as material, context, and form.

Based on documentary and photographic evidence of the time, it reconstructs the spatial, temporal, social, and political contexts in which the works of art were created and exhibited, and the way in which they were interpreted and received by the public of the time.

In its scope, and encompassing of works produced from varying artistic standpoints, the collection also emphasizes the connectedness of art objects to specific contexts, and as such their mediation between private and public discourse.

For Tuesday Evenings at the Modern, Andria Hickey expands upon her recent curatorial work to explore the shifting nature of the art object from the sanctioned art spaces of galleries and museums to the unyielding context of the public realm.

With the Casual Art Fair, The Hester Street Fair & LikeMindedObjects aim to play with the context of the contemporary art fair, to create an affordable inclusive space for galleries, project spaces, collectives, and experimental retail projects to gather outdoors in a truly public space and share their most current excitements, artists, and projecArt Fair, The Hester Street Fair & LikeMindedObjects aim to play with the context of the contemporary art fair, to create an affordable inclusive space for galleries, project spaces, collectives, and experimental retail projects to gather outdoors in a truly public space and share their most current excitements, artists, and projecart fair, to create an affordable inclusive space for galleries, project spaces, collectives, and experimental retail projects to gather outdoors in a truly public space and share their most current excitements, artists, and projects.

It is a simple, yet radical, move that upends the often closed systems within which the public encounters art within the context of the museum.

«Defining the Public Context,» New Land Marks, exhibition catalogue, Pennsylvania Academy of Fine Arts, February 10 - April 15, 2001

Propositions on the Permanent Collection, Studio Museum in Harlem, New York, NY, 2009 Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970, Spelman College of Art, Atlanta, GA, 2007 and Contemporary Arts Museum Houston, Houston, TX 2008 - 2009 Horizon, EFA Gallery, Curated by David Humphrey, New York, NY, 2007 Black Alphabet, conTEXTS of Contemporary African American Art, Zacheta National Gallery of Art, Warsaw, Poland, 2006 - 2007 Turn the Beat Around, Sikkema Jenkins & Co., New York, NY, 2006 The Manhattan Project, Fred Snitzer Gallery, Miami, FL, 2006 Frequency, Studio Museum in Harlem, New York, NY, 2005 - 2006 MFA Thesis Exhibition, Columbia University, Curated by Jeffery Uslip, New York, NY, 2005 Recess: Images & Objects in Formation, Rush Gallery, Curated by Derek Adams, New York, NY, 2005 Past Perfect, Kantor / Feuer Gallery, New York, NY, 2004 - 2005 After Goya, Leroy Neiman Gallery, Columbia University, Curated by Tomas Vu Daniel, New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach Gallery, New York, NY, 2004 Signs, Public Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed Gallery, Los Angeles, CA, 2000 Art in St. Louis, Honorable Mention, Curated By Jerry Saltz, Art St. Louis Gallery, St. Louis, MO, 1997

To give another example, when Subodh Gupta shows with Hauser & Wirth and Anish Kapoor creates a public sculpture for London costing over 30 million US dollars, why does nearly every presentation of an Indian artist in the United States appear in the context of a «contemporary art from India» exhibition?

DTW stimulates public dialogue, broader audiences and expanded contexts for contemporary art.

Art in Context: Hear ideas from contemporary thinkers about art, the business of art, the history of art, and the controversies and challenges of public aArt in Context: Hear ideas from contemporary thinkers about art, the business of art, the history of art, and the controversies and challenges of public aart, the business of art, the history of art, and the controversies and challenges of public aart, the history of art, and the controversies and challenges of public aart, and the controversies and challenges of public artart.

The one - off event follows Berlin - based artist Bartholl's concept of presenting «browser based internet art» in the context of an exhibition opening, the public cybercafe becoming the gallery.

«As home to one of the most comprehensive American art collections, we have an incredible opportunity to engage students and the public in ways that advance the national dialogue around American identity in context of the full sweep of U.S. history represented in our holdings.

Informed by world - class public art agencies Creative Time (New York) and Artangel (London), Fringe Projects are site - determined commissioned artworks that integrate, investigate, and interrogate Downtown Miami's less conventional spaces in a wide range of practices from interventions, to context specific installation, and participatory performance - based works.

It focuses on how art and artistic practice manifest themselves and function in various public contexts outside the art institution's traditional exhibition space.

As construction of his design for the National Museum of African American History and Culture in Washington D.C. nears its completion, slated for next year, and news of Adjaye's selection to redesign the Studio Museum in Harlem, where a solo exhibition of his work Making Public Buildings was presented in 2007, the Art Institute's exhibition context is important to Adjaye's buildings, which continue to identify him in the United States.

Welchman will examine some of the contexts of Kelley's relation to institutions in general and public art in particular, as well as the artist's longstanding engagements with his home town of Detroit; basements and subterranean spaces; and with the «truths» and projected fictions of autobiography.

His work as a director of important European institutions, curator of major biennials and both writer and publisher of critical texts have sought to investigate the role of art as a catalyst for social change and the societal or political contexts in which art comes to be made public.

In 2010 Pousttchi realized the project Basel Time at the outside facade of Art Basel in the context of Art Public Projects.

The Royal Academy Forum is the RA's long established forum for public debate on the arts, exploring ideas at the intersections of different artistic practices, and their interface with philosophical, political, social and economic issues and contexts.

Pohl's unique aesthetic has been widely exhibited with features in the Orlando Museum of Art, Context Miami, Dallas Art Fair, The Santa Monica Museum of Art, Cornell Museum of Art and American Culture, the Denver International Airport, and a public sculpture show curated by Olga Viso, in which she won the People's Choice Award.

Wilson will give public talks in Atlanta at 7 p.m., Feb. 22 at SCAD Atlanta, fourth floor, Building C, 1600 Peachtree St.; and in Savannah at 7 p.m., Feb. 23, Trustees Theater, 216 E. Broughton St.. A Whitney Museum of American Art board of trustees member and a MacArthur Foundation «genius grant» awardee, Wilson is known for his «institutional interventions» in which he creates new exhibition contexts for the display of art and artifacts found in museum collections through his re-adaptation of wall labels, sound and lighting, as well as his non-traditional pairings of objecArt board of trustees member and a MacArthur Foundation «genius grant» awardee, Wilson is known for his «institutional interventions» in which he creates new exhibition contexts for the display of art and artifacts found in museum collections through his re-adaptation of wall labels, sound and lighting, as well as his non-traditional pairings of objecart and artifacts found in museum collections through his re-adaptation of wall labels, sound and lighting, as well as his non-traditional pairings of objects.

To Make A Public parallels Temporary Art Review as an ever expanding project, a text in multiple forms, embedded within overlapping contexts and histories.

Like other artists whose work is on show here, Joseph is familiar with contexts outside the traditional art world; he has directed several music videos and recently came to public attention for his contributions to Beyoncé's 2016 «visual album» Lemonade.

Their «New Sculpture» pushed beyond Minimalism and called all previous conceptions of the art form into question by employing unusual materials that had never before been used.Throughout his career, Sonnier has experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video.In 1968, the artist began working with neon, which quickly became a defining element of his work.The linear quality of neon allows Sonnier to draw in space with light and color, while the diffuseness of the light enables his work to interact on various architectural planes.Sonnier's architectural neon installations in public spaces have earned him wide acclaim in an international context.

Curated by Dean Saskia Bos and Associate Dean Steven Lam, Free as Air and Water addresses these questions within the context of contemporary art linking a broad set of issues such as public access to resources, political ecology and governmentality within a group exhibition that features a diverse array of artistic operations and tactics.

In order to give a public voice to these questions and to question how value systems and related criteria must be constructed and communicated in order to answer them, Witte de With Center for Contemporary Art (Rotterdam) and the Stedelijk Museum Amsterdam co-host the symposiumI AM FOR AN ART CRITICISM THAT... On two successive afternoons and evenings — one at each site respectively — an international roster of art writers are brought together — with a focus on the Dutch context and how it translates to an international oArt (Rotterdam) and the Stedelijk Museum Amsterdam co-host the symposiumI AM FOR AN ART CRITICISM THAT... On two successive afternoons and evenings — one at each site respectively — an international roster of art writers are brought together — with a focus on the Dutch context and how it translates to an international oArt (Rotterdam) and the Stedelijk Museum Amsterdam co-host the symposiumI AM FOR AN ART CRITICISM THAT... On two successive afternoons and evenings — one at each site respectively — an international roster of art writers are brought together — with a focus on the Dutch context and how it translates to an international oART CRITICISM THAT... On two successive afternoons and evenings — one at each site respectively — an international roster of art writers are brought together — with a focus on the Dutch context and how it translates to an international oART CRITICISM THAT... On two successive afternoons and evenings — one at each site respectively — an international roster of art writers are brought together — with a focus on the Dutch context and how it translates to an international oart writers are brought together — with a focus on the Dutch context and how it translates to an international oart writers are brought together — with a focus on the Dutch context and how it translates to an international one.

Working with a variety of people in contexts including schools, churches, art fairs, public space and television, his work has focused on the need and failure of language to voice ourselves.

Millennium Court Arts Centre is proud to present «Shane Cullen, Durer and the Gallowglass, Antwerp, 1521» a new body of work by International Irish artist Shane Cullen, a touring exhibition that explores the importance of public art in both an historical and contemporary context.

Since 2013, Tresoldi's work has focused on site - specific installations in public spaces and archaeological contexts, as well as private commissions, contemporary art and music festivals and group exhibitions.

On view from 11 May through 11 June 2012, the works and interventions of 112 Artists from 45 countries inhabited a wide range of locations throughout the city, articulating the curatorial aim to instigate an international dialogue while transforming the Cuban context and the public scenarios into a temporary laboratory of art experimentation.

(Madrid, Spain) A collective exhibition showcasing the work of over thirty Spanish and international artists with the single objective of reviewing the relationship between art and public within a context.

The fair will also explore alternative contexts including public art, experimental architecture, and environmental, social, and collaborative projects.

Sin motivo aparente (For no apparent reason) is a collective exhibition showcasing the work of over thirty Spanish and International artists with the single objective of reviewing the relationship between art and public within a context, the CA2M venue, Center where the viewer has been CA2M main objective since its opening five years ago.

These forms of objection and commentary are uniquely possible in the context of art and the work of many artists in the exhibition has a continuing presence and widespread impact on public life.