Not exact matches
«
Until the Whitney
Museum was picketed and threatened with human rights legislation in 1970, very few, if any, women artists were included in major
public exhibitions of contemporary art.
Foundation Gallery on the
Museum's first floor of the Whitney
Museum, which is free and open to the
public until February 25th, 2018.
Originally commissioned in 1976 by P.S. 1 founder Alanna Heiss for the
museum's inaugural exhibition, the work was not realized
until 1980, and Turrell continued to make modifications
until it opened to the
public in 1986.
He completed numerous
public commissions and exhibited actively in Europe, but it was not
until the 1996 traveling exhibition, Explorations in the City of Light: African - American Artists in Paris, 1945 - 65, organized by The Studio
Museum in Harlem, that Cousins» work was seen in the United States.
Paintings like this don't come on the market very often, for Klimt's jewelled sarcophagus - like portrait of one of his many Jewish patrons in fin de siecle Vienna hung in that city's Belvedere
museum until it was prised out of this major
public collection by law.
January will also be the
public's last chance to view the Luther Exhibitions USA 2016 projects at the Morgan Library and
Museum (
until 22 January), the Pitts Theology Library (
until 16 January), and the Minneapolis Institute of Art (
until 15 January).
Her Dance Constructions and other performance pieces such as Huddle, Hangers, Accompaniment for LMY, Rollers, Slant Board, Censor, and Platforms are being enacted in the
museum and in
public spaces in Salzburg by students at the SEAD (Salzburg Experimental Academy of Dance) during the duration of the exhibition, which runs
until September 11, 2014.
Although never giving up on her painting practice, she almost completely withdrew from the
public eye and it was not
until her inclusion in the 2010 traveling exhibition, Seductive Subversion: Women Pop Artists, 1958 - 1968 presented at the Brooklyn
Museum, that her work was re-introduced.
Over the last eight years, Gabriel has installed temporary or permanent works in over 35 private and
public institutions worldwide, including the Smithsonian
Museum's Renwick Gallery, Crystal Bridges
Museum of American Art and the Amon Carter
Museum of American Art where his Plexus 34 is on display in the Philip Johnson designed space
until September 2, 2018.
After more than 15 years of restoration work, 101 Spring Street, the cast - iron building in Soho where Minimalist artist Donald Judd lived off and on
until his death in 1994, will reopen to the
public as a
museum in June.
The
museum's executive director, Elizabeth Armstrong, said that
until the «Women of Abstract Expressionism» exhibition and its accompanying publication, «much of these women's outstanding paintings were not well known to the general
public and, in many cases, to art historians and
museum curators.»
View charges: [the
public] 800 yen (640 yen) ※ Rate general more than 65 years old [university student] 500 yen (400 yen)[less than high school student] Free of charge ※ (in) advance sale and more than 20 groups rate ※ A certificate of the physically disabled, a nursing notebook, the mental patient health welfare notebook owner is no charge for admission ※ The booking ticket is sold at art
museum the first floor reception desk, Takamatsu - shi government office consumers» cooperative, Yumetaun Takamatsu service counter, the Miyawaki Bookstore head office and the south head office
until Saturday, October 21
In 2011, he was honored with a solo retrospective at Cornell University's Johnson
Museum of Art, marking the last time
until now that a substantial body of his work has been on
public view in his hometown.
Earlier this year the
museum staged an exhibition of of 50 of Rodin's works — «Auguste Rodin: The Centenary Installation», and contemporary artists Urs Fischer and Sarah Lucas were invited to show works that respond to his sculptures — «Urs Fischer: The
Public and the Private», which ended in July, which ended in July, and «Sarah Lucas: Good Muse»,
until 24 September.
The Amon Carter
Museum of American Art offers outstanding exhibitions and
public programs for adults and children and is open Tuesday through Saturday from 10 a.m. to 5 p.m., Thursday
until 8 p.m. and Sunday from 12 to 5 p.m. Admission is always free.
Hoffmann has been director of special exhibitions and
public programmes at the
museum — he joined in 2012 and served as deputy director
until 2016.
Una aproximación al arte norteamericano del siglo XXI, Eutopía 08, Sala museística de Cajasur, Córdoba; curated by Alejandro and Mario Martín Pareja 2007 POPcentric, Gering & López Gallery, New York 2006 Info Babble, Richard & Dolly Maass Gallery, Purchase, New York Ugly Winners, Galerie Du Juor Agnes B., Paris New York's Own, Fuse Gallery, New York 2005 Highmath, V1 Gallery, Copenhagen 2004 Beautiful Losers, Le Tri Postal, Lille; curated by Aaron Rose & Christian Strike; travelling
until 2008: Circleculture Gallery, Berlin; Palazzo Dell «Arte, Milan; USF Contemporary Art
Museum, Tampa, Florida; Contemporary
Museum, Baltimore, Maryland; Orange County
Museum of Art, Newport Beach, California; Yerba Buena Arts Center, San Francisco, California; CAC - Contemporary Arts Center, Cincinnati, Ohio 2003 SK8 on the Wall, Parco Gallery, Tokyo 2002 Session The Bowl, Deitch Projects, New York ALIFE Shop, Deitch Projects, New York Coded Language, City Gallery Chastain, Atlanta, Georgia 2001 Shortcuts, Nicosia Municipal Arts Centre, Athens Pierides
Museum of Contemporary Art, Athens New Acquisitions from the Dakis Joannou Collection, Deste Foundation, Athens
Public collections City
Museum, San Louis, Misouri High
Museum, Atlanta, Georgia Modern Art
Museum of Fort Worth, Fort Worth, Texas
Museum of Contemporary Art, San Diego, La Jolla, California Nerman
Museum of Contemporary Art, Overland Park, Kansas Pizzuti Collection Rosenblum Collection, Paris Zabludowicz Collection, London
So, while
museums around the world had been modernizing their operations and expanding their audiences, the Prado often seemed lost in time — with no
public toilets
until the 1960s, no air conditioning
until the»70s, no microscopes in the conservation lab
until the»80s, and no temporary exhibition program to speak of
until the»90s.
Only a single work by her, belonging to the San Francisco
Museum of Modern Art, has been on
public view locally
until now.
Anne Haskel, who served as the Perot
Museum's chief development and
public affairs officer
until the summer of 2009 and previously worked at The Field
Museum in Chicago and at the Guggenheim
Museum in New York City, said that no company, foundation or individual she has worked with in Texas has ever asked to be involved in content decisions.
Starting today — April 22 —
until July 13, the worldwide display hits New York City, transforming 12,000 of the city's square - feet (including the South Street Seaport, World Financial Center, and Smithsonian's National
Museum of the American Indian) into a virtual Brazilian Amazon jungle — and if Eugenio's master plan works out — it'll transform both the children's and the general
public's distant and indifferent attitude towards the forest, into consciousness and concern.