Public engagement theory has steadily moved towards two - way engagement over the past few decades.
Not exact matches
Scientists share their experience with
public engagement activities, categorized by the four sections of the AAAS Center for Public Engagement's Theory of C
public engagement activities, categorized by the four sections of the AAAS Center for
Public Engagement's Theory of C
Public Engagement's
Theory of Change.
The evaluation stems in part from the AAAS logic model and
theory of change for
public engagement with science, which describes short -, medium -, and long - term outcomes for individuals and for society more broadly.
The artist, writer, and media theorist (and former Rhizome editor and curator) continues her interdisciplinary methodology with Getting Ready — which invokes «the anxiety of preparation for
public engagement and exploring the degrees to which online participation soothes or exacerbates social alienation» — and touches on themes that have become staples in her work, like the politics of participation, gender
theory, and the cultural history of technology.
Requirements and qualifications Experience and skills: — Minimum six years» experience in a museum or academic institution — Proven experience initiating and executing major loan exhibitions with international scope — Demonstrated scholarly achievement and extensive published record, including evidence of original research — Demonstrated
engagement with international critical
theory and artistic practice — Demonstrated commitment to broad international audience
engagement and learning — Excellent interpersonal and communication skills with artists, museum colleagues, donors, and the general
public — Ability to create and maintain well - researched and precise records
Initiated after curator Claire Tancons» longstanding
engagement with Carnival across art history, performance
theory, postcolonial studies and curatorial practice, Up Hill Down Hall engages with Carnival as ritual of resistance, festival of otherness and performance art, and with the Notting Hill Carnival specifically as a contested site from which to reflect on notions of
public space, performance and participation.
Betsy Johnson is a specialist in modern and contemporary art history and
theory with expertise in curatorial practice, community
engagement, museum education, and
public programming.
Despite established
theory and proven practice regarding
public participation and
engagement, citizen consultation, and related fields, their application to climate change management, and in particular to assessing geoengineering as part of the portfolio of policy options, remains nascent.