Sentences with phrase «public programme series»

QUEER FUTURES Mar 16 - May 20, 2018 FINAL WEEK Public programme series of performances, talks, workshops & screenings exploring the theme of queer futures.
The public programmes series «ARE YOU FRIENDS WITH BOOKS...?»

Not exact matches

Sensing the strength and traction of devolutionist agendas in contemporary politics, and their growing resonance amongst the public, the BBC ran a series of programmes exploring the issues involved in the autumn of 2014.
On Friday 26th April, the Oxford Union hosted another in the series of «Head to Head» programmes, organised by and filmed for Al Jazeera, where this time interviewer Mehdi Hasan challenged one of the world's most famous public intellectuals, Bernard - Henri Levy, on whether foreign military intervention could ever be justified,
If you're a regular viewer of trendy BBC arts programme, The Culture Show, you'll already be aware of this, but in the unlikely event that you're not... the series is engaging in a search for the public's favourite British design icon.
2015 Resilience Lab a 6 - month public program, with Cabot Institute, commissioned by Aldo Rinaldi and Tessa Fitzjohn, Bristol public art programme Alterations Studio, 2 - month public program, commissioned by PEER Gallery, London 2014 What Survives The Storm, performative consultation, Sceaux Gardens Estate, commissioned by South London Gallery Local 2013 yörük, temporary settlement and performance program, commissioned by Hackney WicKED Arts festival, London «What we are doing is groundbreaking», The Walworth Archive, re-enacting the Elephant and Castle master - plan as a series of public performances, commissioned by UCL Urban Lab and Elephant and Castle neighbourhood Forum 2012 Elasticity, performance and video works commissioned by The Wick Award, Hackney Wick, London 2008 - 2016 FreeSpace on - going project based on Wenlock Barn Estate London.
Thanks to this commitment, HangarBicocca is able to offer an outstanding programme of exhibitions and public events to the public, including a series of activities for children and families.
A series of public events including artist and architects» talks, debates, film screenings, and workshops for families and children will support this programme
Curated by Shumi Bose, (Curator, RIBA Public Programmes) with support from Suzie Pugh (Curator, RIBA Drawings & Archives Collections) fourteen works are displayed alongside the new drawings series by Bronstein, situating and contextualising the exhibition in a continuity of architectural practice.
The first in a series of five displays, At Work is part of the Whitechapel Gallery's on going programme opening up important public and private collections for everyone.
He completed an MA in Art Practice at l'École Nationale Supérieure d'Arts de Paris - Cergy in 2011 and a programme of study at Open School East, London in 2015 where he pursued a period of research and a series of public conversations entitled «Beyond Beyoncé: Use It Like a Bumper!».
CONTEMPORARY ART SOCIETY COLLABORATES WITH WHITECHAPEL GALLERY As part of the Whitechapel Gallery's ongoing programme of opening up public and private collections, the Whitechapel Gallery presents a series of displays curated in collaboration with the Contemporary Art Society.
2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.
The exhibition at NGCA coincides with further presentations of new work by Dolphin at Tyneside Cinema, Newcastle and National Glass Centre, Sunderland and will be supplemented with a series of new essays written on the artist as well as an extensive public programme of events.
Para Site is pleased to present a series of summer public programmes comprising of gallery tours, a film screening, and an artist talk taking place alongside That Has Been, and May Be Again, our current exhibition curated by Leo Li Chen and Wu Mo..
In parallel to the public programme the New North and South network will facilitate a series of residencies hosted by Liverpool Biennial.
Para Site is pleased to present 5 x 7, 5 invitations with 7 guests, a series of public programmes taking place alongside A Luxury We Can not Afford, an exhibition that uses art, popular culture, and architecture of the 1950s / 60s and 2000s (two moments in which Singapore, currently celebrating its 50th year of independence, was at the brink of economic utopia) to reflect on the formation, development, and paradoxes of the country's national ideology.
It features a series of live performances, a film programme, and audio interventions in the public areas of the gallery by the collaborative project Support Structure by Céline Condorelli and Gavin Wade.
Through a series of commissions, offsite projects, workshops, public events and reading groups, situated within both Studio Voltaire's neighbourhood and a wider contemporary art discourse, the programme explored the turn towards education and participation within contemporary art practice.
Through a series of commissions, offsite projects, workshops, public events, and reading groups situated both within Studio Voltaire's neighbourhood and contemporary art discourse the programme will explore the new turn towards education and participation within contemporary art practice.The programme will include new commissions by artists Marysia Lewandowska working with The Jo Spence Memorial Archive, and Rehana Zaman working with King's College Hospital and Body & Soul.
In 2004, Phase 1 of his series of unique, anti-memorials, THE LOST MEN, was launched on the Grahamstown National Arts Festival main visual arts programme to public acclaim.
Friends with Books: Art Book Fair Berlin 2016 features 160 participants and a series of public programmes: discussions, readings, presentations, performances, and art works that explore the perimeters of today's art publishing.
The public programme related to «Image Diplomacy «project includes a series of talks, reading groups, film screenings and workshops by Russian and foreign experts in cinema, visual culture, photojournalism and philology.
It features a series of live performances, a film programme, and audio interventions in the public areas of the gallery by the collaborative project Support Structure.
Associated Events IMMA Talks & Public Programmes Curators Lunchtime Talk Series: Drop In, Meeting Point, Main Reception Friday 17 November, 1.15 - 2 pm Join Johanne Mullan, Programmer Collections, IMMA, for an insightful walkthrough of Coast - Lines.
This programme includes a series of sessions throughout the day for visitors to read and discuss the content on exhibition, followed by a public panel discussion that focuses on one of the international publications included.
Para Site is pleased to present a series of public programmes comprising of guided tours, workshops, and screenings, taking place alongside Afterwork, our current major group exhibition exploring issues of class, race, labour, and migration in Hong Kong, its surrounding region, and beyond.
Under his leadership the exhibition programme has become hugely dynamic, with explorations of the collection, large - scale solo exhibitions, international exchanges, presentations by young artists, a series of film and video exhibitions and projects in Ghent's public space.
Lees was previously Senior Curator of Public Programmes at the Serpentine Gallery London (2008 - 2013), where she oversaw interdisciplinary, time - based and performance projects and artist commissions as well as Park Nights, initiating the Serpentine Cinema series, and theSerpentine Gallery Marathon (co-curated with Hans Ulrich Obrist).
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