Sentences with phrase «publicity still for»

Claude Rains, Humphrey Bogart, and Paul Henreid in a publicity still for Casablanca (Michael Curtiz, US 1942).

Publicity still for Gold Diggers of 1933 (Mervyn LeRoy, US 1933).

Gary Cooper and Jean Arthur in a publicity still for Mr. Deeds Goes to Town (Frank Capra, US 1936).

Not exact matches

She's still on the board and is a consultant and publicity generator for the company.

«At the end of the day a theatrical release still generates a lot of publicity, it gets a movie reviewed — every person that goes to watch that movie is paying for it,» he said.

Good or bad, publicity is still publicity and it's embarrassing to work for a website where they're the biggest stars.

On the marketing side, Shel was still a teenager when he started doing publicity and marketing for grass - roots community organizations with zero promotional budget.

Despite the fact that our fresh mobile juice truck company is a standard one with a wide range of fresh juice and smoothie products that can favorably compete with other leading brands in the United States, we will still go ahead to intensify publicity for all our products and brand.

We can ask why Whitehead did not reformulate his basic philosophical problem in the context of an anthropology which takes into account the processes balancing the concrete individual with its own publicity, which it can only simulate --(in connection with which Whitehead's theory of propositions would offer a still completely unexhausted source for such a development).

Still, he can not resist remarking to an acquaintance, «That man should have been writing publicity for Mussolini.»

For all the publicity she has attracted, the only thing most people know about her is that she can dunk, an occurrence that is still so rare in women's college basketball that the instances can be counted on two hands.

If the bill does manage to pass, it would be the biggest victory for the National Popular Vote movement to date, not only because New York, with its 29 electoral votes, would represent the largest signatory of the compact so far, but also because of the publicity it would lend to a movement that still flies largely under the radar.

Still, with all the publicity accompanying Wendel's challenge, one might think somebody might have voted for him.

Lawrence and Daz also provide «There's Always Vanilla Collectible Scans» (1 min., 1080p) a slideshow of publicity stills, the fim's one - sheet poster, the VHS art for a limited - edition 2013 reissue from Sub Rosa Studios Productions under the title The Affair, box art and the VHS label from the Something Weird Video release, and, hilariously, a French - language brochure promoting «le «transit expressway» de Pittsburgh.»

We still don't have much info from the US, but the publicity and release details for Fading Gigolo are starting to appear for other countries.

Also on board is a two - minute theatrical trailer, a three - minute cache of black - and - white production stills and publicity photos (the quality is well above the norm for this stuff), and a 30 - second radio promo for the film.

Audio Commentary by Director / Co-Screenwriter John Carpenter & Producer / Co-Screenwriter Debra Hill (Recorded in 1995) / Documentaries: 2002 Documentary: «Tales From The Mist - Inside The Fog» (27:55) + 1980 Documentary: «Fear On Film: Inside The Fog» (7:10) / Outtakes (4:07) Widescreen (2.35:1) / Storyboard - to - film comparison (1:25) / Advertising Gallery: Original Posters (6), Film Memorabilia (3) / Photo Gallery: Behind The Scenes (48), Publicity Stills (18) / 3 -LRB-: 30) TV Spots / 4 page colour booklet / Theatrical Trailer (2:49), 2 Teasers -LRB-: 51) each for «The Fog»

Finishing off the disc is a gallery of publicity material (production stills, posters, press book, and soundtrack album - though the scanned notes for the composer are seriously blurry), the film's excellent theatrical trailer that no doubt help sway genre fans, and three TV spots (a teaser and two standard trailers).

With no entertainment websites or blogs available to tease audiences with stills from their films, lobby cards served that purpose for the studio publicity machine.

(Additional stills for costumes, sets, cast / crew portraits and publicity materials are archived in a separate gallery, as well.)

Extras include: international and U.S. theatrical trailers for Zombie (surprisingly, the American one is much artier); a pair of TV spots and a quartet of radio spots for the film; a Zombie - centric gallery of lobby cards, soundtrack covers, video covers, publicity stills (sub-divided into three categories), and the contents of the German press book; credits for the DVD (whose worm - eye menus are actually more skin - crawling than much of Zombie); and the biased, if thorough, biography of Fulci by Tracy Taylor that graces Blue Underground's other Fulci titles.

They were the last line of enticement — and sometimes the first — alongside carpet - bombing consumers with coming attractions, movie posters, marquees, publicity stunts, movie program books, and newspaper advertisements for their newest big - screen sensation.With no entertainment websites or blogs available to tease audiences with stills from their films, lobby cards served that purpose for the studio publicity machine.

It's recommended to begin a publicity campaign for your book at least three months prior to your book's publication date, but even if your book has already published, there's still an array of option to get the word out about your book.

Also, it'll just be more bad publicity for B&N, and turn potential customers away, as well as what few loyal customers their digital division may still have...

--(Briefly) started a book recommendation site with a fellow author — Launched a movie review blog with a friend (still going)-- Launched a t - shirt company with a couple other friends (sucked a bunch of time and never amount to much of anything)-- Found a publicity company for indie authors called Book Review 22 (the second best venture)

Or is your book publicist still doing all of the same things she was doing 20 years ago to the exclusion of tapping into the potential of social networking for book publicity?

Sure, you want the spirit of your work to translate from book to screen, but if it doesn't translate, you still have the books and something new for readers to discover once they see your title get wild publicity.

The official cutoff date for the contest is Dec. 1st, so there is still time to submit a story of your own and enter to win $ 1000, a NOOK ™, free publicity, and a professional review of your story in Shelf Unbound Magazine.

That means book publicists» phones are ringing more often than before — not necessarily with tons of viable book promotion projects, but still, most authors understand that, if they want their books promoted, they have to do it themselves or hire a book publicity firm to do it for them (or at least to partner with them to conduct a book promotion campaign).

And oh, my — if there are any writers out there who still think publishers will take care of all their publicity, they're in for an unpleasant surprise.

That's why, despite the fact that traditional book reviewers should probably have changed their submission requirements long ago, when the technological changes in book publishing shortened the book production schedule so much, it's still impossible for book publicists (and for authors who are conducting book publicity campaigns) to bypass the rules and garner traditional book reviews without having at least three months» lead time.

There's little flexibility there — if you want traditional book publicity for your book (which is still nice, even in these days of online book promotion possibilities), you still have to do it the tried - and - true way.

The production costs for an ebook are miniscule, and even if you add a traditional publicity budget, the big publishers must still be making over $ 15 + per copy — and that's plain greedy!

For comprehensive ebook marketing, traditional book publicity and book promotion, however, still remain key.

Good to know, but what about deals — has the bad publicity and decrease in visitors translated into travel bargains for the cheap traveler and are all the sites still open?

With long hair and black clothes, Eno would pose for publicity photos with his Roland Jupiter - 8 synthesizer (analog of course), cultivating a rock and roll image at a time when game designers were still considered members of the pocket - protector set.

Human Revolution, the most recent entry in the videogame franchise, may not have received the publicity push that Assassin's Creed 3 did, but the project still holds some of the most potential out of the current games destined for adaptations.

The museum had staged a major publicity campaign for the show, entitled «Wild Noise», and insists that it will still take place at a later date.

Most Web sites were still silent — for galleries, this once, had more to worry about than publicity.

At 8 × 10 inches, Sherman's prints look like ordinary film stills: publicity images that stage scenes from a movie for press and other promotional uses.

New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012 White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14 Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany Paintings Gagosian Gallery, New York (catalogue) 2009 After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work of Richard Prince, 1974 - 77 Neuberger Museum of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs, Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999 Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The White Room Jürgen Becker, Hamburg; Parco, Tokyo White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995 Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum of American Art, New York (catalogue) Protest Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo

Derived from tabloid and paparazzi shots, film stills and publicity photos and often emblazoned with highly charged expressions of profanity, the paintings portray the actress as a two - dimensional doppelgänger for the artist herself — caught in the act of reclaiming female sexuality and power.

In an article published in Rue 89 Bordeaux the Deputy Mayor questions openly «whether contemporary art still exists» and asserts he would like to see the CAPC become a publicity «showcase» for the city.

And the year after the AR4 came out, Michael Mann published a paper claiming to validate his original hockey stick, repeating this claim for years after, including in a book he still promotes on his publicity tours.

Still, given the recent publicity about the Settled Science Syndicate's bullying of dissenters, this hardly seems the time to threaten a chap with excommunication not for questioning the «science» but for making a joke.

At first it might be done mostly for the free publicity it will generate, but once the novelty wears off, it could still be profitable for retailers and restaurants to offer a few cents of free electricity (11 cents per kWh on average in the US) to get customers through the door.

As an author, consultant and founder of Grow Your Wiki, Mader helps businesses implement this still - fresh Web 2.0 technology, but he admits that negative publicity surrounding select public wikis can create credibility problems for the rest.

We're still trying to feel this out 100 % but it's just finding the right opportunities, the right fit, the right places, to get the right publicity so the right people in the community turn out for these things so we can help as many people as possible.

The conventional wisom that any publicity is good publicity still holds true, as evidenced by the recent controversy over cellular company Alltel's fake ads soliciting plaintiffs for a class action lawsuit that have been appearing on law - related Weblogs like Overlawyered and How Appealing.

As long as you're adding value to the story, you can still get the publicity you want, but it will be for your insight, not for what you're trying to sell.