Sentences with phrase «pure art gallery»

Grand Cayman's best galleries that sell locally produced original paintings (as well as prints) can be found at: Guy Harvey Gallery & Shoppe in George Town; The National Gallery of the Cayman Islands and Kennedy Gallery (Tel: [phone]) both in the Seven Mile Beach area; Pure Art Gallery & Gifts [phone] in South Sound and the Bodden Town Art Shop [phone].

Not exact matches

· Arts Fund Gallery: Drift x Fixation exhibition + Pop - Up Artist Booths, UCSB's Afro - Brazilian Ensemble, The Burger Bus, McConnell's Ice Cream Truck, Ice Cold Kombucha on Draft, Pure Order Brewing Co, & Water for Life

Some fine examples of Maori cultural artwork and the award winning Pure Ora Garden are situated at the Taupo Museum and there are boutique galleries around the region showcasing locally produced art for every taste.

Recent solo exhibitions include; «Gravity», Stephen Friedman Gallery, London, England (2014); «Paint and Styrofoam», Luhring Augustine, New York, USA (2014); Stephen Friedman Gallery, London, England (2012); «Up in the Air», Magasin 3, Stockholm Konsthalle, Stockholm; touring to FRAC Montpellier, France (2010); «REAM», Saint Louis Art Museum, Saint Louis, USA (2009); «Pure Invention», Mildred Lane Kemper Art Museum, Saint Louis (2006); «Tom Friedman», South London Gallery, London, England (2004); «Stitching», Fondazione Prada, Milan, Italy (2002).

Recent exhibitions have included «Pure Colour» at the Gloss Gallery, Exeter and a forthcoming retrospective at Hillsboro Fine Art, Dublin in June.

Things, Words and Consequences, Moscow Museum of Modern Art, Moscow, Russia Curatorial Exchange, Irvine Fine Arts Center, Irvine, California The Holodeck, PØST, Los Angeles, California Pure Perception, Monica De Cardenas Galleria, Milan, Italy Pittura [1995 - 2009], Studio Guenzani, Milan, Italy PRINT IMPRINT, Actual Size Los Angeles and Cirrus Gallery, Los Angeles, California Nudes Painting Show, 3704 North Figueroa, Los Angeles, California Looking Back for the Future, Kunsthalle Zurich, Switzerland Natural History, Carnegie Museum of Art, Pittsburgh, Pennsylvania

■ グループ展 2017年 8TH ANNUAL Center Forward Exhibition (Center For Fine Art Photography, USA) 2014年 六甲山国際写真祭2013 ポートフォリオエキシビジョン （ ARTS CHIYODA 3331 ） 2012年 TANTOTEMPO pure 2012 （ TANTOTEMPO GALLERY ） 2011年 TANTOTEMPO pure 2011 国際展 （ TANTOTEMPO GALLERY ） 2011年 World Indie Photo Book & Zine Collection 2011 （ TANTOTEMPO GALLERY ）

1995 Choice Morsels from the Collection of the Centre National d'Art Contemporain, Centre National d'Art Contemporain, Grenoble, France Velge Noirhomme Gallery, Brussels Works on Paper, Baumgartner Galleries, Washington, DC Transatlantic, Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela Out Of Use 95: Caravanserraglio Arte Contemporanea, Pescara, Italy Pièces — Meublés, Espace Gran Dia / Galerie Jousse Seguin, Paris (curated by Robert Nickas) Komix, Brooke Alexander Editions, New York Peter Halley and Ettore Sottsass, Jay Gorney Modern Art, New York Pace Prints, Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, TN Exhibition in Honor of the 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogue)

Summing up the ambiguous position of Jane Frank's work on canvas with respect to both landscape art and pure abstraction, a reviewer for The Art Gallery magazine wrote of her 1971 solo show at London's Alwin Gallery: «Her richly textured canvases evoke a world of crags and forests, rivers and plains, in terms which are entirely non-representational.&raqart and pure abstraction, a reviewer for The Art Gallery magazine wrote of her 1971 solo show at London's Alwin Gallery: «Her richly textured canvases evoke a world of crags and forests, rivers and plains, in terms which are entirely non-representational.&raqArt Gallery magazine wrote of her 1971 solo show at London's Alwin Gallery: «Her richly textured canvases evoke a world of crags and forests, rivers and plains, in terms which are entirely non-representational.»

2016 Le retour des ténèbres» / Return of Darkness, Musée Rath in Geneva, Switzerland (upcoming) Artistic Differences, Institute of Contemporary Arts, London Nude: art from the Tate collection, The Art Gallery of New South Wales, Sydney Theories of Modern Art, Stuart Shave / Modern Art, London British Art Show 8, Scottish National Gallery of Modern Art, Edinburgh, Scotland Performing for the Camera, Tate Modern, London Pure Romance, The Redfern Gallery, Lonart from the Tate collection, The Art Gallery of New South Wales, Sydney Theories of Modern Art, Stuart Shave / Modern Art, London British Art Show 8, Scottish National Gallery of Modern Art, Edinburgh, Scotland Performing for the Camera, Tate Modern, London Pure Romance, The Redfern Gallery, LonArt Gallery of New South Wales, Sydney Theories of Modern Art, Stuart Shave / Modern Art, London British Art Show 8, Scottish National Gallery of Modern Art, Edinburgh, Scotland Performing for the Camera, Tate Modern, London Pure Romance, The Redfern Gallery, LonArt, Stuart Shave / Modern Art, London British Art Show 8, Scottish National Gallery of Modern Art, Edinburgh, Scotland Performing for the Camera, Tate Modern, London Pure Romance, The Redfern Gallery, LonArt, London British Art Show 8, Scottish National Gallery of Modern Art, Edinburgh, Scotland Performing for the Camera, Tate Modern, London Pure Romance, The Redfern Gallery, LonArt Show 8, Scottish National Gallery of Modern Art, Edinburgh, Scotland Performing for the Camera, Tate Modern, London Pure Romance, The Redfern Gallery, LonArt, Edinburgh, Scotland Performing for the Camera, Tate Modern, London Pure Romance, The Redfern Gallery, London

2016 Pure Fiction, Marian Goodman Gallery, Paris Suspended Animation, Hirschhorn Museum and sculpture garden, Washington, DC Fire Under Snow, Louisiana Museum of Modern Art, Copenhagen, Denmark

Tran has had numerous solo exhibitions both nationally and internationally, which include Adornment of Basic Space at Susanne Vielmetter Los Angeles Projects in Culver City, CA; Mind is a Pure Expanse of Space at Anthony Meier Fine Arts in San Francisco, CA; Luminosity at Cohan and Leslie, New York, NY; Tam Van Tran: Psychonaut at Blaffer Gallery, at The Art Museum of the University of Houston, Houston, TX; Cold Frost at the Irvine Fine Arts Center, Irvine, CA and SubUrban: Tam Van Tran at the Knoxville Museum of Art, Knoxville, TN, among others.

9 channel sound installation of pure Solfeggio frequencies, William's Gallery, Beard Arts Center, Indiana Wesleyan University, 2015

2007 PURE, Sean Kelly Gallery, New York, USA I Remember Heaven: Jim Hodges and Andy Warhol, Contemporary Art Museum, St. Louis, Missouri, USA Like Colour in Pictures, Aspen Art Museum, Aspen, Colorado, USA Ensemble, ICA, University of Pennsylvania, Philidelphia, USA; curated by Christian Marclay Sparkle Then Fade, Tacoma Art Museum, Tacoma, Washington D.C., USA New Prints 2007, IPCNY, New York, USA 2006 Shiny, Wexner Center for the Arts, The Ohio State University, Columbus, Ohio, USA Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, USA The Last Time They Met, Stephen Friedman Gallery, London, England The Fluidity of Time: Selections from the MCA Collection, Museum of Contemporary Art, Chicago, Illinois, USA Gay Art Now, Paul Kasmin Gallery, New York, USA; curated by Jack Pierson Artpeace at the Schoolhouse: For Rosa Parks and Martin Luther King, Schoolhouse Gallery, Provincetown, Massachusetts, USA The Missing Peace: Artists Consider the Dalai Lama, UCLA Fowler Museum, Los Angeles, California, USA 2005 Art inside the Park, Memorial Park, Jefferson City, Missouri, USA Suspended Narratives, Lora Reynolds Gallery, Austin, Texas, USA Landscape Confection, Wexner Center for the Arts, Columbus, Ohio, USA Universal Experience: Art, Life and the Tourist's Eye, Museum of Contemporary Art, Chicago, USA; toured to Hayward Gallery, London, England Visual Music: 1905 - 2005, Museum of Contemporary Art, Los Angeles, California, USA Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London, England

Recent solo exhibitions include: «Tom Friedman: paint and Styrofoam», Luhring Augustine, New York, USA (2014); «Tom Friedman», Stephen Friedman Gallery, London, England (2012); «Up in the Air», Magasin 3, Stockholm (2010); «REAM», Saint Louis Art Museum, Saint Louis (2009); «Pure Invention», Mildred Lane Kemper Art Museum, Saint Louis (2006); «Tom Friedman», South London Gallery, London (2004); «Stitching», Fondazione Prada, Milan (2002) and «Tom Friedman: The Epic in the Everyday», South - eastern Centre for Contemporary Art, Winston - Salem; travelled to Museum of Contemporary Art, Chicago; Yerba Buena Center for the Arts, San Francisco; Aspen Art Museum, Aspen; The New Museum of Contemporary Art, New York (2000).

Showing at the Suzanne Tarasieve Gallery Paris until 25 May, the work of Juergen Teller is, frankly speaking, one of the purest examples of how the stereotypical everlasting conflict between art and fashion could be resolved.

Set up by acclaimed graffiti artist Pure Evil, the gallery is a pioneering force in the spectre of modern street art, constantly pushing the boundaries of what a gallery should be by putting on eclectic shows and having creative workshops.

The selection mixed gallery artists with invited guests in an eclectic display of pure and simple quality: an exhibition that sought to prove world - class contemporary art needn't cost the earth.

In this podcast recorded on April 7, 2002, at the National Gallery of Art, Turrell discusses the four decades of his career spent creating installations based on the pure experience of artificial and natural light.

«Drawing», Kerry Schuss, New York, New York «Pure Pulp: Contemporary Artists Working in Paper at Dieu Donné», The Ruth and Elmer Wellin Museum of Art, Clinton, New York «Papier / Paper V, Zeichnung (Drawing), Clement & Schneider, Bern, Germany «Cornering the Round: Robert Mangold, Brice Marden, Robert Ryman and Kate Shepherd», Barbara Krakow Gallery, Boston, Massachusetts «The Good Earth», Kerry Schuss, New York, New York «Intersections @ 5», The Phillips Collection, Washington, D.C. «Oysters with Lemon», Ventana 244, Brooklyn, New York «Color Fields», Massachusetts College of Art and Design, Boston, Massachusetts «Pica: Celebrating 20 Years Reflecting On The First Decade», Elizabeth Leach Gallery, Portland, Oregon «Expanded Field.

Daniels recent exhibition include Transparent Things at the Kunstverein Freiburg, Germany; Big Minis at the CAPC Bordeaux; Pure, Personal or Abstract at the GAM Contemporary City Museum in Turn; Newspeak: British Art Now, The State Hermitage Museum St. Petersburg and The Saatchi Gallery, London; Twenty - Five, Luhring Augustine, New York; At Home, curated by Mario Testino, Yvon Lambert, New York; Jerwood Contemporary Painters, Jerwood Space, London.

2008 Sonja Weber — Woven Impressions, artThiess Gallery, Munich The Wave — Spell of the movement, Palatinate Museum, Heidelberg Sky Far, Theological Seminary of the study VELKD, Pullach PURE WATER — Artes element motif of Contemporary Art, Kunstverein Villa Streccius, Landau Of course, LV 1871, Munich Art in Flow — Mariette Haas Gallery, Ingolstadt

West Gallery: Art in the Obsessional Style Night Vision: Stars in her Eyes «The Pure Gold Baby that Melts to a Shriek» Toronto artist Catherine MacTavish will be presenting paintings at Mercer Union from March 8th — March 26th.

Whitechapel Gallery, London, 15 January — 16 April 2015 Abstract art can sometimes seem like a self - contained art form, existing as a pure engagement only with other modes of artistic abstraction.

Taken together, these shows trace a line of erotic imagery from the crass commercialism of pure pornography to the more refined commercialism of the art gallery, raising questions about how these forms relate to modern sexuality.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

New Mexico 2003 Magical Light Kittrell Riffkind Gallery Dallas, Texas 2001 Solid Air Houston Center for Contemporary Crafts Houston, Texas 1999 Pure Light in Glass Philabaum Glass Gallery Tucson, Arizona Group Exhibitions (selected) 2016 Mid Winter - Love Light Gallery 286 London, UK 2015 Paseo - Taos Fall Arts Festival Taos, New Mexico Cinnabar Gallery San Antonio, Texas International Exhibition of Holograms Elisseev Palace St. Petersburg, Russia Dallas Art Fair Nyehaus Gallery Dallas, Texas Inventory of Light Gerald Peters Gallery Santa Fe, New Mexico Collaboration Gallery 286 London, United Kingdom 2014 A Contemporary Edge Bonhams London, United Kingdom The Very Last Plastics Show Dorfman Projects New York, New York Currents The Santa Fe International New Media Festival Santa Fe, New Mexico Armory Show Center for the Contemporary Arts Santa Fe, New Mexico Momentary Realties Cinnabar Fine Arts San Antonio, Texas 2013 No Paint Gallery Sonja Roesch Houston, Texas Luminescent Cloud 5 Santa Fe, New Mexico Light as Form

The art world is, equally, a realm where believing goes beyond seeing: pure, untamed thought is rendered on blank pages and empty gallery walls.

In a group show, Reconfiguring Abstraction, at the Manitoba School of Art Gallery last year, Dunlop's work was notable for its focus on pure materiality.

Standing before Tracey Emin's tiny new paintings in the vast galleries of White Cube Bermondsey, the entire reason for art's existence unfurls: every line is a snatch of emotion, every drip a careful meditation, equal parts memory and fantasy, brought from artist to audience in an act of pure communication.

Summarizing her principles in her «Pure Movement» manifesto (1975), she announced her artistic signature as an abstract artist through the serial production of approximately 16 accumulating dances, devised for presentation in art galleries, international exhibitions and museums.

1997 Theories of the Decorative: Abstraction and Ornament in Contemporary Painting, Inverleith House, Royal Botanic Garden, Edinburg, Scotland; traveled to Edwin A. Ulrich Museum, Wichita State University, Wichita, Kansas, USA (curated by Paul Nesbitt and David Moos) Primarily Paint, Museum of Contemporary Art, San Diego, La Jolla, California, USA Pintura, Galeria Joan Prats, Barcelona, Spain; traveled to Galeria Marta Cervera, Madrid, Spain After the Fall: Aspects of Abstract Painting Since 1970, Snug Harbor Cultural Center, Staten Island, New York, USA (curated by Lilly Wei) Intimate Universe (Revisited): Seventy American Painters, Robert Steele Gallery, New York, USA (curated by Michael Walls) Schilderijen: Reinoud Van Vaught, Fabian Marcaccio, David Reed, Jonathan Lasker, Gallerie Tanya Rumpff, Haarlem, the Netherlands Wetterleuchten, Galerie Evelyne Canus, La Colle - sur - Loup, France (curated by Günter Umberg) Critiques Of Pure Abstraction, Independent Curators, Inc., New York, USA (curated by Mark Rosenthal)(traveled) Stepping Up, Andrew Mummery, London, England Relations Between Contemporary Architecture and Painting: Greg Lynn, Fabian Marcaccio, David Reed, Jesse Reiser / Nanako Umemoto, Künstlerhaus Palais Thurn und Taxis, Bregenz, Austria Some Lust, Patricia Faure Gallery, Santa Monica, California, USA Installations / Projects, Institute for Art and Urban Resources / P.

1995 Curators and artists in Pure Hinterland and Vast, N.A.M.E. Gallery, Chicago, IL, USA Artist's talk on About Place: Recent Art from the Americas, The Art Institute of Chicago, Chicago, IL, USA Panel discussion: 31st National Society for Photographic Education conference, Atlanta, Georgia, USA

«Still Life with Fish: Photography from the Collection,» Hammer Museum, Los Angeles, CA, February 13 — May 15, 2016 «Pure Romance: Art and the Romantic Sensibility,» The Redfern Gallery, London, UK, February 2 — 27, 2016

, 32 Edgewood Gallery, Yale University School of Art, New Haven, CT Pure Pulp: Contemporary Artists Working in Paper at Dieu Donné, Ruth and Elmer Wellin Museum of Art, Hamilton College, Clinton, NY Diaspora Calling, Kings Theater, Museum of Contemporary African Diasporan Arts, Brooklyn, NY

One would expect that in the commercial gallery world the majority of your time is spent on business and a good amount of time, but a lesser amount of time, is spent on pure art matters.

While Artists» House Gallery continues in the tradition of classical representational art it has also opened its doors to new visions and expressions to embrace non-objective works that explore pure color and line.»

Make like an art gallery and paint walls pure white so that the colours really stand out.