Sentences with phrase «puzzolo exhibition views»

© CLAUDE LUTTEN / EXHIBITION VIEW IN PARC FLORAL DE VINCENNES

Main image: Jennifer Packer, «Tenderheaded», 2017, exhibition view, The Renaissance Society, Chicago.

Exhibition Views All below photos by Markus Tretter.

Exhibition view, Nottingham Contemporary.

Produced and commissioned by the 57th Venice Biennale of Art, Italian Pavilion, courtesy Galleria Laveronica, exhibition view courtesy Roberto Marossi

Exhibition view, Marian Goodman Gallery, New York, 2014

Exhibition view: Texts on benches from Building The Barricade by Anna Świrszczyńska, translated by Piotr Florczyk.

Exhibition view: New Museum, New York.

Exhibition view, Philippe Parreno, «Anywhere, Anywhere, Out Of The World», Palais de Tokyo, 2013.

Exhibition view (1) from left to right: works by Paul Chan (Sade before Sade, 2000 - 2009), Manuel Gorkiewicz (Untitled, 2005), Guthrie Lonegran

Exhibition view (6) from left to right: works by Paul Chan (Sade before Sade — 2000 - 2009), Manuel Gorkiewicz (Untitled, 2005), Damon Zucconi

Diane Simpson, 2016, exhibition view, Corbett vs. Dempsey, Chicago.

Sharp Auditorium at the Denver Art Museum Doors open at 6 p.m. Pre-lecture exhibition viewing at Denver Art Museum 5:30 — 6:30 p.m.

Featured images: artmonte - carlo 2016; Espace Ravel by Fabien Prauss; artmotne - carlo 2016; Fondazione Sandretto Re Rebaudengo; artmonte - carlo 2016; Exhibition View by Fabien Prauss.

For more information on this exhibit click here (below, Leon Golub: «Bite Your Tongue» exhibition view at Serpentine Gallery.

Michel Blazy - Fontaine de mousse, 2007: Trash cans, foam bath, compressor, pipes / Exhibition view Post Patman, Palais de Tokyo / Paris Photo: Marc Domage

Exhibition view, Hangar for the Passerby, showing the Open Circle installation, «Melting Pot,» with photographs by Ram Rahman and pages from Rajeev Sethi's unpublished manuscript, «Three Stones.»

(Exhibition view at Diaz Contemporary / Toronto).

Exhibition view, The Place Is Here, Nottingham Contemporary, 2017.

Courtesy Estate of Belkis Ayón Exhibition view of Nkame: A Retrospective of Cuban Printmaker Belkis Ayón (1967 — 1999), at Kemper Museum of Contemporary Art, USA, 2018.

Exhibition View: «Singular Forms (Sometimes Repeated): Art from 1951 to the Present,» Solomon R. Guggenheim Mueeum, New York, March 4 - May 19, 2004

Summmer Hang, 2015, exhibition view.

Exhibition view, How Do I Fit This Ghost in My Mouth?

Exhibition view, I am attracted none the less, their variousness, their ingenuity, their élan vital, and that something, essence quiddity, I can not penetrate or name, Casey Kaplan, New York, 2015

AA Bronson, Tent for Healing (in collaboration with Travis Meinholf), 2013, exhibition view AA Bronson, Tent of Healing, Stedelijk Museum, Amsterdam, 2013, Courtesy the artist and Esther Schipper, Berlin

Exhibition view of Nkame: A Retrospective of Cuban Printmaker Belkis Ayón (1967 — 1999), at Kemper Museum of Contemporary Art, USA, 2018.

4:30 - 6 P.M. Reception and exhibition viewing Continue the conversation with speakers and refreshments at the Ulrich Museum of Art.

Zhana Ivanova, exhibition view, Ongoing Retrospective (Chapter 2), Kunsthalle Basel, 2016.

Courtesy Estate of Belkis Ayón Exhibition view of Nkame: A...

Kameelah Janan Rasheed, «A Supple Perimeter», 2017, exhibition view at Lower Manhattan Cultural Council's Art Center at Governors Island, New York.

Main image: Adam Pendleton, «shot him in the face», 2017, exhibition view at Baltic Centre for Contemporary art, Gateshead.

Interview written and conducted by Thierry Somers Images from top to bottom: Liam Gillick: The Thought Style Meets The Thought Collective, exhibition view, ground floor gallery, room 1, Maureen Paley, London, 2015 Liam Gillick: The Thought Style Meets The Thought Collective, exhibition view, first floor gallery, room 2, Maureen Paley, London, 2015 Liam Gillick: The Thought Style Meets The Thought Collective, exhibition view, first floor gallery, room 3, Maureen Paley, London, 2015 © the artist, courtesy Maureen Paley, London

Exhibition view from APPARAT group show.

Exhibition view South London Gallery, 2017.

Exhibition view: All the World's Futures, 56th Venice Biennale (Curator Okwui Enwezor), 2015.

Exhibition view of «Featuring» with Francis Picabia, Ryan Gander, René Jacques, Mathieu Mercier and Donelle Woolford, Valentin, Paris, 2008

Exhibition View of Between Declarations and Dreams: Art of Southeast Asia Since the 19th Century in Singapore's restored Supreme Court Building.

Exhibition view of «Art of Living», Katja Novitskova, Timur Si - Qin, Anicka Yi (with Lupo Borgonovo, Luca Francesconi, Sonia Kacem and Emanuele Marcuccio), Valentin, Paris, 2013

Rowan Smith and Xhanti Zwelendaba, «Chamber of Mines», 2016, exhibition view; front: Untitled (Bale), 2016; back: Untitled (amabhokobhoko), 2016.

Exhibition view, Zabludowicz Collection, London.

The event is followed by a book signing and special exhibition viewing.

New York, New York, New York, New York, 2004 4 - channel video installation with sound Duration / dimensions variable Exhibition view, Lifelike Walker Art Center, Minneapolis, USA, 2012

2013 Carnegie International, Exhibition view, foreground: sculptures by Sarah Lucas; background: paintings by Henry Taylor

Cow - boat De Kooning, Roberto Matta, Mark Tobey, Julien Beck Intuition © Jean - Pierre Gabriel, Intuition, Exhibition view, Palazzo Fortuny, 2017

Arcadia Missa, London hosting VI, VII, Oslo, 2017, exhibition view, as part of Condo London 2017.

Double Negative exhibition view, Amie Siegel: The Spear in the Stone, Simon Preston Gallery, New York.

Simone Forti, Huddle, 1976 Integral hologram (Multiplex) Plexiglas reinforcement, polymer protective cover, electric light, wood Exhibition view Simone Forti, 18 Juli — 9 November 2014 Generali Foundation Collection — Permanent Loan to the Museum der Moderne Salzburg © Generali Foundation, Photo: Rainer Iglar.

Indeed, while we tend to think of conceptual art as belonging very much to now, this challenging exhibition views it as a tightly defined historical phenomenon, whose heyday was 40 years and more ago, a period during which, the show claims, British artists changed the very nature of art.

Exhibition view, «Philippe Parreno, H -LCB- N) Y P N (Y -RCB- OSIS», Park Avenue Armory (2015).

«A Way of Seeing» (2000) Exhibition view of «Atlas».