Sentences with phrase «radical women show»

Not exact matches

David Cronenberg's chilling 1979 portrait of family dysfunction, in which a troubled woman undergoes a radical form of therapy at a remote institute, is showing in Huntington, New York.

Martha Araújo in her piece «Hábito / Habitante (Habit / Inhabitant),» 1985, part of the show «Radical Women: Latin American Art, 1960 - 1985,» at the Hammer Museum.

This year, Hockley co-curated «We Wanted a Revolution: Black Radical Women, 1965 — 85» at the Brooklyn Museum and «Toyin Ojih Odutola: To Wander Determined,» the artist's first New York museum show, which is on view at the Whitney through Feb. 25, 2018.

The show takes the women of the movement out of the shadows and inspires a radical rethinking and broadening of the term.

Hales Project Room put the spotlight on rarely seen, richly stained abstractions created in the 1970s by American painter Virginia Jaramillo, whose practice has recently been rediscovered through important group shows such as Soul of a Nation: Art in the Age of Black Power and We Wanted A Revolution: Black Radical Women, 1965 - 85.

Along with Andrea Giunta, Fajardo - Hill is a curator of «Radical Women: Latin American Art, 1960 - 1985,» one of the headline shows of the...

To celebrate the Hammer Museum's «Radical Women: Latin American Art, 1960 - 1985», we are featuring nine out of the 116 radical and downright badass Latinas exhibited at this monumentaRadical Women: Latin American Art, 1960 - 1985», we are featuring nine out of the 116 radical and downright badass Latinas exhibited at this monumentaradical and downright badass Latinas exhibited at this monumental show.

At this point, I'll just say that, in terms of sheer audacity, collective and individual, «Radical Women» is the single most exciting and hope - inspiring historical group show of contemporary art I've seen in 10 years.

«We Wanted a Revolution: Black Radical Women, 1965 - 85» is a group show that focuses on women of color as artists and actiWomen, 1965 - 85» is a group show that focuses on women of color as artists and actiwomen of color as artists and activists

«WE WANTED A REVOLUTION» AT THE BROOKLYN MUSEUM April 21 — September 17 — Prospect Heights «We Wanted a Revolution: Black Radical Women, 1965 — 85» is a groundbreaking show that gives an underrecognized generation of female artists and activists of color their due, including Emma Amos, Beverly Buchanan, Pat Davis, Lisa Jones, Samella Lewis, Lorna Simpson, Ming Smith, Carrie Mae Weems, and others.

Wanted a Revolution: Black Radical Women, 1965 — 85» is a groundbreaking show that gives an underrecognized generation of female artists and activists of color their due.

It makes a terrific complement to a far more politicized show of black radical women at the Brooklyn Museum.

These catalogs document those shows: «Soul of a Nation: Art in the Age of Black Power,» «Witness: Art and Civil Rights in the Sixties,» «The Freedom Principle: Experiments in Art and Music, 1965 to Now,» and «We Wanted a Revolution: Black Radical Women, 1965 — 85.»

In the spirit of revolution, the group was generally involved in radical change, not just in the way that the show was received but also in what it could stand for — the company had (and continue to have) a social justice agenda, often including protests for the rights of women or Aboriginals.

The solo show antecedes the presence of Porter's production in the city with the group show «Radical Women: Latin American Art, 1960 — 1985», opening in August at the Pinacoteca, after being exhibited at the Hammer Museum (Los Angeles) and the Brooklyn Museum (New York).

The fantastically radical Guerrilla Girls went on «The Late Show with Stephen Colbert» to talk about women and art.

This work will be included in the Hammer Museum's upcoming show «The Political Body: Radical Women in Latin American Art 1960 — 1985.»

Exhibition: «Radical Women: Latin American Art, 1960 — 1985» at Brooklyn Museum This first - of - its - kind show, which traveled from the Hammer Museum in Los Angeles, where it was part of the Getty Foundation's Pacific Standard Time: LA / LA initiative, focuses on contemporary art made by Latin American and Latina women artists over the course of two and a half decWomen: Latin American Art, 1960 — 1985» at Brooklyn Museum This first - of - its - kind show, which traveled from the Hammer Museum in Los Angeles, where it was part of the Getty Foundation's Pacific Standard Time: LA / LA initiative, focuses on contemporary art made by Latin American and Latina women artists over the course of two and a half decwomen artists over the course of two and a half decades.

It's called «The Political Body: Radical Women in Latin American Art 1960 — 1985» and will be shown at UCLA's Hammer Museum.

Featuring a collection of sculptural and framed works from the 1970s to the present day, including a variation of her 1974 piece Pensar es un hecho revolucionario, recently shown in Radical Women: Latin American Art, 1960 - 1985 at the Hammer Museum, Los Angeles; Shutdown!

With more than 100 artists and fifteen countries represented in the show, Radical Women constitutes the first show to directly address the genealogy of feminist art practices and influence in Latin America and internationally.

She is currently participating in the touring exhibition Radical Women: Latin American Art, 1960 - 1985, which launched at the Hammer Museum, Los Angeles, in 2017, and will be on show at the Brooklyn Museum in New York from 13 April — 22 July 2018.

1 Of the more than seventy shows under the LA / LA banner (fifty received Getty Foundation funding), none perhaps is more ambitious than the Hammer Museum's «Radical Women: Latin American Art, 1960 — 1985.»

Margarita Paksa obliterates these words in her distinctive glass - framed works at the Hammer Museum's «Radical Women: Latin American Art, 1960 - 1985» show for Pacific Standard Time LA / LA.

We Wanted a Revolution: Black Radical Women, 1965 — 85 is a new show at the Brooklyn Museum featuring more than 40 artists, including Carrie Mae Weems, Howardena Pindell and Faith Ringgold, to highlight the work of black women who were at the crossroads of the Civil Rights, Black Power and Women's Movements during that 20 - year peWomen, 1965 — 85 is a new show at the Brooklyn Museum featuring more than 40 artists, including Carrie Mae Weems, Howardena Pindell and Faith Ringgold, to highlight the work of black women who were at the crossroads of the Civil Rights, Black Power and Women's Movements during that 20 - year pewomen who were at the crossroads of the Civil Rights, Black Power and Women's Movements during that 20 - year peWomen's Movements during that 20 - year period.

Ella Plevin is the author of said quote, taken from a text that comes with the room sheet noting the show's Richard Kern short - film namesake, challenges gendered identity, questions ideas of «radical femininity» as constructed by men and mentions that women haven't always had control over their own bodies «(we still don't btw)».

Making a radical shift away from the landscape and interior scenes that dominated her 2012 solo show at this gallery, Thomas concentrates on women's heads in her new mixed - media portraits.

These shows introduced a radical generation of young Black and Asian women artists to the British art scene, challenging their previous invisibility.

One notable exhibition, among a field of exemplary shows, is Radical Women: Latin American Art, 1960 — 1985 presented by the Hammer Museum.

Of all the PST: LA / LA shows not to be missed, Radical Women is at the top of the list.

The show serves as a genealogy of radical and feminist Latin American and Chicana art practices, and seeks to dismantle the received stereotypes of women in art through a meticulous deconstruction of a male - dominated sociolinguistic system.

The exhibition Radical Women: Latin American Art, 1960 - 1985, organized by the Hammer Museum in Los Angeles, is a show that has been nothing less than a revelation.

Smith kicked things off with a solo exhibition at Steven Kasher Gallery, New York; is featured in the landmark exhibitions We Wanted a Revolution: Black Radical Women, 1965 - 85; Soul of a Nation: Art in the Age of Black Power; and Arthur Jafa's recent show at Serpentine Sackler Gallery, London; and is wrapping things up with a big bow, as Karl Lagerfeld personally selected her photograph of Sun Ra for Paris Photo (Steidl).

Particularly inspired by the 2017 Brooklyn Museum exhibition «Black Radical Women,» she recently started seeking works by some of the artists included in the show such as Lorraine O'Grady, Senga Nengudi and Coreen Simpson.

From Yves Saint Laurent in Paris to David Hockney in New York and Radical Women in Los Angeles — must - see shows for the second half of 2017, as recommended by Christie's experts in London, New York and Hong Kong

At a time when all of our industries are in radical transformation, it's never been more important to have the very best minds and the most creative breakthrough plans, and the research overwhelmingly shows that organizations with women at or near the top are more successful.