Split Ends, I Feel Wonderful Black
Radical Imagination at Trinidad & Tobago Film Festival
curated by Erin Christovale & Amir George September 20th, 2014 Trinidad & Tobago
Hancock's work has also been included in a number of significant group exhibitions, including Juxtapoz x Superflat,
curated by Takashi Murakami and Evan Pricco, Pivot Art + Culture, Seattle, WA (2016 - 17), Statements: African American Art from the Museum's Collection, Museum of Fine Art, Houston, TX (2016), When the Stars Begin to Fall:
Imagination and the American South, The Studio Museum in Harlem, New York, NY (2014),
Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum Houston, Houston, TX (2012), The Best of Times, The Worst of Times: Rebirth and Apocalypse in Contemporary Art, Kiev International Biennale of Contemporary Art, Armory, Kiev, Ukraine (2012), Wunderkammer: A Century of Curiosities, Museum of Modern Art, New York, NY (2008), Darger - ism: Contemporary Artists and Henry Darger, American Folk Art Museum, New York, NY (2008), Political Nature, Whitney Museum of American Art, New York, NY (2005), Whitney Biennial, Whitney Museum of American Art, New York, NY (2002), Whitney Biennial, Whitney Museum of American Art, New York, NY (2000).
Previously, he was Assistant Curator at The Studio Museum in Harlem, where he organized When the Stars Begin to Fall:
Imagination and the American South (2014);
Radical Presence: Black Performance in Contemporary Art (2013), a traveling exhibition
curated by Valerie Cassel Oliver; and Fore (2012), co-organized with Lauren Haynes and Naima J. Keith.