Sentences with phrase «radical performance at»

Lorraine O'Grady is included in the group exhibition Elements of Vogue: A Case Study of Radical Performance at Centro de Arte Dos de Mayo, Madrid, Spain.

Not exact matches

Mr Corbyn said he was positive about improving his party's poll ratings and its performance at the ballot box, but also risked disappointing some senior Labour MPs by dismissing the radical idea of a «progressive alliance» with the Liberal Democrats.

We recently announced a radical programme of rail reform — aimed at tackling fares, subsidy and performance — and, in the summer, we'll announce the next set of investment plans for rail.

The performance of students in a program of radical acceleration at the university level.

A radical reinterpretation of the Q60 coupe, hinting at a performance hybrid powertrain and inspired by Formula One energy recovery systems.»

The radical new Civic Type R, with its sporty and sleek hatchback design and track - ready performance, will make its North American debut at the 2016 SEMA Show in Las Vegas, November 1 - 4, 2016, marking the arrival of the first - ever Honda - badged Type R in the U.S.

In the catalogue for «Radical Presence: Black Performance in Contemporary Art,» currently at NYU's Grey Art Gallery, curator Naomi Beckwith describes Mythic Being as «a seminal work of self - fashioning that both posited and critiqued models of gender and racial subjectivity.»

At once radical, controversial and revered, Marina Abramovic is the progenitor of contemporary performance art At once radical, controversial and revered, Marina Abramovic is one of the most discussed artists today.

Radical Presence: Black Performance in Contemporary Art is on view at the Studio Museum of Harlem in New York through March 9.

Culled from the artist's archive of hundreds of color slides originally shot using Ektachrome film (which Kodak discontinued in 2013), Harris initially presented selections from his archive publicly as digital projections at Yale University, as well as in conjunction with the exhibition Radical Presence: Black Performance in Contemporary Art at New York University's Grey Art Gallery and the Studio Museum in Harlem in 2013 - 14.

Radical Presence: Black Performance in Contemporary Art at the Studio Museum in Harlem continues reframing the historical narrative to include African Americans, as begun in Part 1 at NYU's Grey Art Gallery.

Recent group shows include Prospect 1.5, Prospect 2 and Prospect 3 New Orleans Biennials; a / wake in the water: Meditations on Disaster at the Museum of Contemporary African Diasporan Arts (MoCADA), Brooklyn, NY; and Radical Presence: Black Performance in Contemporary Art at the Studio Museum in Harlem and the Contemporary Arts Museum Houston.

Participant Inc hosts a series of performances by radicals who emerged on that scene at that time Wednesday night.

Selected recent and upcoming exhibitions include The Waiting Room, New Museum, New York; Greater New York 2015, MoMA / PS1, Long Island City, New York; The Free People's Medical Clinic, Creative Time, New York; I ran to the rock to hide my face the rock cried out no hiding place, Kansas City Art Institute; Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum Houston (traveled to The Studio Museum in Harlem, Grey Art Gallery at NYU, and Walker Art Center); Gone South, Atlanta Contemporary Art Center; and You Don't Know Where Her Mouth Has Been, The Kitchen, New York.

Eastern philosophy and radical art collide at this celebration of Chinese installation and performance art since 1980.

Radical Computer Music Thursday, December 3 at 6:30 pm Radical Computer Music is a performance and talk by Goodiepal, a renowned yet controversial Scandinavian electronic musician and professor of music composition.

Previously, he was Assistant Curator at The Studio Museum in Harlem, where he organized When the Stars Begin to Fall: Imagination and the American South (2014); Radical Presence: Black Performance in Contemporary Art (2013), a traveling exhibition curated by Valerie Cassel Oliver; and Fore (2012), co-organized with Lauren Haynes and Naima J. Keith.

Additional Radio Imagination events happening this fall include a musical performance by Nicole Mitchell and a panel discussion on radical reproduction at the Huntington; and a screening of short films at REDCAT curated by Erin Christovale.

Recently, Adrian Piper's request to withdraw her work from the exhibition Radical Presence: Black Performance in Contemporary Art at NYU's Grey Art Gallery stirred up debate around ethnocentric exhibitions once more.

His work is currently being shown at the CAM in Houston as part of the exhibition, Radical Presence: Black Performance in Contemporary Art.

Radical Presence: Black Performance in Contemporary Art is on view at NYU's Grey Art Gallery through December 7, 2013, and at the Studio Museum of Harlem through March 9, 2014.

Artforum, review of Radical Presence: Black Performance in Contemporary Art at the Contemporary Art Museum Houston, 2012

Footage from Piper's «Mythic Being» was presented in «Radical Presence: Black Performance in Contemporary Art» at NYU's Grey Art Gallery in 2013.

His work has been featured in numerous group exhibitions including Afro - Modernism: Journeys through the Black Atlantic, Tate Liverpool (2010); Greater New York 2010, P.S. 1 Contemporary Art Center, Long Island City, New York (2010); Intense Proximity, La Triennale, Palais de Tokyo, Paris (2012); Alphabets / Heaps of Language, The Museum of Modern Art, New York (2012); Radical Presence: Black Performance in Contemporary Art, Walker Art Center, Minneapolis (2014 — 15); the Belgian Pavilion at the Venice Biennale (2015); The Revolution Will Not Be Grey, Aspen Art Museum, Colorado (2016); and the Gwangju Biennale, South Korea (2016).

Exhibition and performance highlights include: MoMA PS1 Greater New York 2005; PERFORMA 05 and a performance project commissioned by the Calder Foundation for PERFORMA 13; Brooklyn Museum Open House, 2005; The Kitchen NYC, 2010; The Bearden Project at the Studio Museum in Harlem, 2011/12; a four - night solo performance in BAM's Fisher Theater, 2012; and a solo exhibition at Galerie Anne de Villepoix, Paris, 2013; Radical Presence: Black Performance in Contemporary Art, at the Contemporary Art Museum Houston & Studio Museum in Harlem 2013/14; The Shadows Took Shape, Studio Museum in Harlem, 2013; and Aestheticised Reductions of Self - Representation at the Hales Gallery, Lperformance highlights include: MoMA PS1 Greater New York 2005; PERFORMA 05 and a performance project commissioned by the Calder Foundation for PERFORMA 13; Brooklyn Museum Open House, 2005; The Kitchen NYC, 2010; The Bearden Project at the Studio Museum in Harlem, 2011/12; a four - night solo performance in BAM's Fisher Theater, 2012; and a solo exhibition at Galerie Anne de Villepoix, Paris, 2013; Radical Presence: Black Performance in Contemporary Art, at the Contemporary Art Museum Houston & Studio Museum in Harlem 2013/14; The Shadows Took Shape, Studio Museum in Harlem, 2013; and Aestheticised Reductions of Self - Representation at the Hales Gallery, Lperformance project commissioned by the Calder Foundation for PERFORMA 13; Brooklyn Museum Open House, 2005; The Kitchen NYC, 2010; The Bearden Project at the Studio Museum in Harlem, 2011/12; a four - night solo performance in BAM's Fisher Theater, 2012; and a solo exhibition at Galerie Anne de Villepoix, Paris, 2013; Radical Presence: Black Performance in Contemporary Art, at the Contemporary Art Museum Houston & Studio Museum in Harlem 2013/14; The Shadows Took Shape, Studio Museum in Harlem, 2013; and Aestheticised Reductions of Self - Representation at the Hales Gallery, Lperformance in BAM's Fisher Theater, 2012; and a solo exhibition at Galerie Anne de Villepoix, Paris, 2013; Radical Presence: Black Performance in Contemporary Art, at the Contemporary Art Museum Houston & Studio Museum in Harlem 2013/14; The Shadows Took Shape, Studio Museum in Harlem, 2013; and Aestheticised Reductions of Self - Representation at the Hales Gallery, LPerformance in Contemporary Art, at the Contemporary Art Museum Houston & Studio Museum in Harlem 2013/14; The Shadows Took Shape, Studio Museum in Harlem, 2013; and Aestheticised Reductions of Self - Representation at the Hales Gallery, London, 2013

«rAdicAl preEsEncE: Black Performance in Contemporary Art» ran at the Grey Art Gallery through December 7, 2013, and at the Studio Museum in Harlem through March 9, 2014.

Kalup Linzy on Edouard Manet Video and performance artist Kalup Linzy lives and works in Brooklyn, N.Y.. His work is on view in «Radical Presence; Black Performance in Contemporary Art» at the Yerba Buena Arts Center in San Francisco (througperformance artist Kalup Linzy lives and works in Brooklyn, N.Y.. His work is on view in «Radical Presence; Black Performance in Contemporary Art» at the Yerba Buena Arts Center in San Francisco (througPerformance in Contemporary Art» at the Yerba Buena Arts Center in San Francisco (through Oct. 11).

Given this history of refusal, I was at first surprised to find a postcard announcement for Piper's 1982 — 4 participatory performance Funk Lessons in the exhibition «We Wanted a Revolution, Black Radical Women: 1965 — 1985», currently on view at New York's Brooklyn Museum.

Piper withdrew, for instance, her video The Mythic Being (1973) from the 2013 exhibition «Radical Presence: Black Performance in Contemporary Art» at NYU's Grey Art Gallery.

Gilbert & George are famous and infamous for their provocative and controversial visual lexicon and have built a strong tradition of eccentric, radical, and pugnacious cross-disciplinary art practice — embodying performance, sculpture, and painting since they first met as students at St Martin's School of Art in 1967.

Providing a critical history beginning with Fluxus and Conceptual art in the early 1960s through present - day practices, Radical Presence chronicles the emergence and development of black performance art over three generations, presenting a rich and complex look at this important facet of contemporary art.

Major group exhibitions include Viva Arte Viva at the 2017 Venice Biennale; Soul of a Nation: Art in the Age of Black Power at Tate, London, and Crystal Bridges Museum of American Art; We Wanted a Revolution: Black Radical Women, 1965 — 85 at the Brooklyn Museum; Radical Presence: Black Performance in Contemporary Art at the Contemporary Art Museum, Houston, and the Studio Museum in Harlem; Now Dig This!

Stretching Boundaries Radical Presence, the survey of black performance art that is up at NYU's Grey Art Gallery and continues at the Studio Museum, might be male - dominated, but it has some serious female heavy hitters: Senga Nengudi, Lorraine O'Grady, Xaviera Simmons, Carrie Mae Weems, Tameka Norris, Coco Fusco, Chitra Ganesh, Simone Leigh, and Maren Hassinger.

Also a part of Radical Presence: Black Performance in Contemporary Art at the Grey Art Gallery, NYU (September 10 — December 7, 2013) and The Studio Museum in Harlem (November 14, 2013 — March 9, 2014).

Recent exhibitions and performances include Radical Presence: Black Performance in Contemporary Art at Contemporary Arts Museum Houston, Texas; Flux This!

Coco Fusco performs Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist as part of Radical Presence: Black Performance in Contemporary Art at the Walker Art Center, Minneapolis, MN.

Coco Fusco performs Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist as part of Radical Presence: Black Performance in Contemporary Art at the Los Angeles County Museum of Art, CA.

Radical Presence: Black Performance in Contemporary Art Contemporary Arts Museum, Houston November 12, 2012 - February 16, 2013 Grey Art Gallery, New York University, NY September 10 - December 7, 2013 Studio Museum in Harlem, NY November 14, 2013 - March 9, 2014 Photographs from Lorraine O'Grady's Art Is... (1983/2009) series is included in Radical Presence: Black Performance in Contemporary Art, part two of the exhibition's New York presentation, at the Studio Museum in Harlem.

Radical Presence: Black Performance in Contemporary Art Contemporary Arts Museum, Houston November 12, 2012 - February 16, 2013 Grey Art Gallery, New York University, NY September 10 - December 7, 2013 Studio Museum in Harlem, NY November 14, 2013 - March 9, 2014 Coco Fusco performs Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist as part of Radical Presence: Black Performance in Contemporary Art, part two of the exhibition's New York presentation, at the Studio Museum in Harlem.

Coco Fusco and Lorraine O'Grady included in Radical Presence: Black Performance in Contemporary Art at the Yerba Buena Center for the Arts in San Francisco, CA, organized by the Contemporary Arts Museum Houston, curated by Valerie Cassel Oliver.

Coco Fusco performs Observations of Predation in Humans: A Lecture by Dr. Zira, Animal Psychologist as part of Radical Presence: Black Performance in Contemporary Art, part two of the exhibition's New York presentation, at the Studio Museum in Harlem.

Radical Presence: Black Performance in Contemporary Art Contemporary Arts Museum, Houston November 12, 2012 - February 16, 2013 Grey Art Gallery, New York University, NY September 10 - December 7, 2013 Studio Museum in Harlem, NY November 14, 2013 - March 9, 2014 Walker Art Center, Minneapolis, MN July 24, 2014 — January 4, 2015 Lorraine O'Grady included in Radical Presence: Black Performance in Contemporary Art at the Walker Art Center, organized by the Contemporary Arts Museum Houston, curated by Valerie Cassel Oliver.

Radical Presence: Black Performance in Contemporary Art Contemporary Arts Museum, Houston November 12, 2012 - February 16, 2013 Grey Art Gallery, New York University, NY September 10 - December 7, 2013 Studio Museum in Harlem, NY November 14, 2013 - March 9, 2014 Lorraine O'Grady's Mademoiselle Bourgeois Noire (1980-83/2009) featured in Radical Presence: Black Performance in Contemporary Art at the Contemporary Arts Museum, Houston.

Coco Fusco and Lorraine O'Grady featured in Radical Presence: Black Performance in Contemporary Art at the Grey Art Gallery, New York University.

Radical Presence: Black Performance in Contemporary Art Contemporary Arts Museum, Houston November 12, 2012 - February 16, 2013 Grey Art Gallery, New York University, NY September 10 - December 7, 2013 Studio Museum in Harlem, NY November 14, 2013 - March 9, 2014 Coco Fusco's Sightings (2004) photo series and a / k / a Mrs. George Gilbert (2004) video featured in Radical Presence: Black Performance in Contemporary Art at the Grey Art Gallery, New York University.

Radical Presence: Black Performance in Contemporary Art Contemporary Arts Museum, Houston November 12, 2012 - February 16, 2013 Grey Art Gallery, New York University, NY September 10 - December 7, 2013 Studio Museum in Harlem, NY November 14, 2013 - March 9, 2014 Lorraine O'Grady's Mademoiselle Bougeois Noire (1980-83/2009) featured in Radical Presence: Black Performance in Contemporary Art at the Grey Art Gallery, New York University.

Lorraine O'Grady: A Portrait (2012) included in Radical Presence: Black Performance in Contemporary Art at the Studio Museum in Harlem, reviewed by Jillian Steinhauer in Hyperallergic.

«With its distinctive exchange of radical forms and ideas situated at the intersection of performance, music and the visual arts, UC Davis was the intellectual progenitor and experimental catalyst of some of the most important art and artists to emerge from the West Coast,» Teagle says.

The event is organized by Grey Art Gallery, New York University and NYU's Department of Museum Studies, in conjunction with Radical Presence: Black Performance in Contemporary Art, on view at Grey Art Gallery through December 7, 2013.

Coco Fusco and Lorraine O'Grady featured in the exhibition Radical Presence: Black Performance in Contemporary Art, curated by Valerie Cassel Oliver, at the Contemporary Arts Museum Houston.