Sentences with phrase «radical possibilities for»

«Bankruptcy conflict: global firm represents largest creditor and may not represent debtor Main Robert F. Cochran, Jr., «Collaborative Practice's Radical Possibilities for the Legal Profession:» [Two Lawyers and Two Clients] for the Situation»»

Finally, they imagine radical possibilities for change, which encourages students to dream instead of feeling like they have to operate within an existing system.

Not exact matches

A radical Christian would interpret these words as meaning that the glory of the God of the old covenant is abolished, for apart from an abolition of the God of judgment, there remains no possibility of transforming humanity into the likeness or image of the glory of Christ.

It is possible not only in a theoretical sense and not only for a few, but it presents itself as a real chooseable possibility to many people who could never see the radical response as a live option.

A radical new possibility has opened up for theology.

A cultural starting point might well demand a «hermeneutical suspicion» (i. e., a distrust of one's previous reading of Scripture, given the possibility that such a reading conceals some of the radical implications of the Biblical message for our day), but it may also assist in the renewed hermeneutical task, allowing the Biblical witness to be freshly experienced, freshly understood, and freshly applied.21

Put differently, whatsoever really exists, in whatsoever way it does exist, has and must have God, ipsum esse per se subsistens, for its cause — but in a radical way that extends even to its mode of being, its very mutability, its possibility for otherness, interaction, frustration, and fulfillment.

9 These situations are not in man, however, as his essence, for to say this is to destroy the radical possibility of man constituting himself.

However both Whitehead and Derrida's critique of modernism present a noble and exciting possibility for decentering the domination and absolutist claims of modernity; opening the way for other philosophical perspectives without necessarily falling prey to a radical relativism.

However, because its primary prehension is of its own preceding occasion and because its other prehensive activity is of an environment greatly similar to its predecessor, the possibility for radical change is slight.

Christ was the man of radical freedom — freedom from anxiety, freedom to love — and he opens for us the possibility of authentic existence.

My central claim in the book is that the «ontological turn'taken by a number of thinkers of radical or agonist democracy, in the belief that reflecting on the essential dynamics of political being would engender a revivified understanding of possibilities for democratic action, created a particularly influential strand of socially weightless theorising.

A radical increase in the mental and physical prowess of certain individuals via bio-technology and synthetic biology would nullify the presupposition of shared vulnerability, and with it a fundamental ground for the possibility of a social contract.

One possibility for how that happens, says Hekimi, is that slow cellular metabolism delays the normal buildup of metabolic byproducts, such as reactive compounds known as free radicals, that are toxic to cells.

The possibilities raise a radical question about the moral status of human cells, noted Jan Helge Solbakk, head of research at the Center for Medical Ethics at the University of Oslo in Norway and chair of the society's ethics and public policy committee.

Joel Garreau's Radical Evolution joins several recent titles that attempt to make sense of the radical future possibilities for our sRadical Evolution joins several recent titles that attempt to make sense of the radical future possibilities for our sradical future possibilities for our species.

But Bell jettisons any possibility for radical ideals or emotional poignancy in favor of a hackneyed rom - com ending tacked onto a movie that's both stale and unpleasantly madcap.

The seemingly innocuous structure of Kiarostami's film, a series of apparently mundane conversations with wildly spinning depths that over time accumulate such weight, such possibility, that builds to a crescendo with the year's most shattering momentum, wins out over Boal's screenplay that is more than just the effective distillation of a decade of history, but a radical (for Hollywood at least) rethinking of character and a fascinating, open - ended exploration of what counts as evidence and certainty in the post-Iraq War world.

3:45 — 4:45 pm Madness of the Present: Abstraction's Radical Possibilities: A conversation between Adam Pendleton and Adrienne Edwards Focusing on Adam Pendleton's art of the past two years, from his installation for the Belgian Pavilion at the 2015 Venice Biennale to his recent suite of paintings entitled Untitled (A Victim of American Democracy), Pendleton and curator Adrienne Edwards explore abstraction as a platform for revolutionary possibilities in art Possibilities: A conversation between Adam Pendleton and Adrienne Edwards Focusing on Adam Pendleton's art of the past two years, from his installation for the Belgian Pavilion at the 2015 Venice Biennale to his recent suite of paintings entitled Untitled (A Victim of American Democracy), Pendleton and curator Adrienne Edwards explore abstraction as a platform for revolutionary possibilities in art possibilities in art and politics.

They are both invested in art's revolutionary possibilities for social change as evinced in Rainer's anti-war protest dances in the 1970s and the feminist dimensions of her radical choreographic style and films, as well as in Pendleton's Black Lives Matter flag for the Belgian Pavilion in the 2015 Venice Biennial and his latest series of paintings entitled Untitled (A Victim of American Democracy), which debuted this past summer as part of Edwards» Blackness in Abstraction exhibition at Pace Gallery and are now on display in Pendleton's first show with Galerie Eva Presenhuber, Zurich named Midnight in America.

The Soane's collaboration with Factum Arte is a brilliant counterbalance to that tendency, proposing radical new possibilities for conservation and the role of facsimiles in a world ready to progress beyond giddy, self - consuming narratives of simulacra and simulation, and achieve originality anew.

Gilliam established himself at the forefront of American abstraction while working in Washington, D.C. in the 1960s, when his experiments with paint application and his radical transformation of the canvas support profoundly expanded the possibilities for the future of abstract painting.

The exhibition focuses on the early, «radical moment» of Postmodernism, which it reveals to be one of the most inventive periods in British architectural history — a moment when the architectural past came alive with new possibilities for the future.

Guided by its leader's radical approach to space, time and technology, the Company has forged a distinctive style, reflecting Cunningham's technique and illuminating the near limitless possibility for human movement.

One of the most innovative and radical French artists of the second half of the twentieth century, Robert Filliou has opened up endless possibilities for the medium of sculpture through his performative approaches and use of chance, wit and play.

In reality, the radical abstractions from 1947 to 1950 had opened possibilities for thinking of things in new ways.

Spanning the years 1953 — 1968, Voulkos: The Breakthrough Years is the first exhibition to focus on the early career of Peter Voulkos, whose radical methods and ideas during this period opened up the possibilities for clay in ways that are still being felt today.

By offering shifting perspectives, from Argentina to Cuba to Panama and Venezuela (among others), Radical Women lays out the tools necessary for women to conceptualize, develop, and celebrate the possibilities of their gender.

His buoyant tweet highlighted the way that the Internet — perhaps the most radical social design experiment of the last quarter century — has created limitless possibilities for the discovery, sharing, and expansion of knowledge and information.

Running through May 24, the exhibition addresses the radical changes in the size, media, presentation and techniques of sculpture that have created new possibilities for the medium.

[3] This willful displacement of the artist / author by a predetermined system, one of Conceptual art's most radical tenets, allows for endless possibility without the limiting hand of artistic intention.

Perhaps the point is less about surrogacy as such, and more about modes of thinking predisposed to see the world in such a way for obvious historical reasons, made manifest in political institutions of many kinds — i.e. «establishment» and radical» — during the time when global conflict was a more tangible possibility.