The artists in
Radical Women explore bodies as political prisms through which we experience the world.
Feminist or not, the artists in
Radical Women explored female subjectivity and subverted patriarchal ideology and culturally and biologically determined roles of women in society.
Not exact matches
«In this anthology, we are
exploring how we are informed by and participating with those mothers, especially
radical women of color, who have sought for decades, if not centuries, to create relationships to each other, transformative relationships to feminism and a transnational anti-imperialist literary, cultural and everyday practice.»
Exploring the intersection of race, feminism, political action, art production, the much - anticipated «We Wanted a Revolution: Black
Radical Women, 1965 — 85» is opening at the Brooklyn Museum.
A versatile French artist, Louise Bourgeois
explored explicit subject matter that was rare and
radical for
women artists at the time.
This session proposes to
explore and discuss the multiple meanings and definitions of radicality as it is found in the works of
Radical Women.
Like «Mundos Alternos,» the much - praised «Home,» which opened in June at the Los Angeles County Museum of Art, and the forthcoming «
Radical Women» at the Hammer also mix artists from Latin American countries and the United States to
explore economic, social or political transformations.
Radical Women: Latin American Art, 1960 — 1985 is the first comprehensive exhibition to explore the pioneering artistic practices of Latin American and Latina women artists during a tumultuous and transformational period in the history of the Americas and the development of contemporary
Women: Latin American Art, 1960 — 1985 is the first comprehensive exhibition to
explore the pioneering artistic practices of Latin American and Latina
women artists during a tumultuous and transformational period in the history of the Americas and the development of contemporary
women artists during a tumultuous and transformational period in the history of the Americas and the development of contemporary art.
Esperanza Mayobre, a Brooklyn - based artist whose work
explores fictive spaces and ideas of heroes, infinity, and global economies, responds to works in the special exhibition
Radical Women: Latin American Art, 1960 — 1985.
With an expanded view of Latin America that includes Latina and Chicana artists working in the U.S.,
Radical Women will
explore how the different social, cultural, and political contexts in which these artists worked informed their practices.
To
explore the story of these
radical shifts and their legacy, «Revolution in the Making» unfolds as a thematic historical survey that is international in scope and fundamentally revisionist, making
women artists central to the history of sculpture by tracing the legacy of studio - based organic abstraction.
Sex - Work is a new section for Frieze London 2017, curated by Alison Gingeras,
exploring feminist art and
radical politics The section at Frieze London will be dedicated to
women artists working at the extreme edges of feminist practice since the 1960s, and the galleries who supported them, including: Galerie Andrea Caratsch presenting Betty Tompkins; Blum and Poe presenting Penny Slinger; Richard Saltoun presenting Renate Bertlmann; Salon 94 presenting Marilyn Minter; and Hubert Winter presenting Birgit Jürgenssen.
Camp Beaverton is the only all -
women, trans - inclusive, sex - positive camp at Burning Man to date.They are a close community of queers, lesbians, bisexuals, transgendered and straight
women engaged in
radical self expression, open communication and
exploring their personal and sexual boundaries.