Sentences with phrase «ramsay follows we need»
Lynne Ramsay follows We Need to Talk About Kevin with another masterwork on the cyclical traumas of violence, sporting a poetically grotesque performance from a -LSB-...]
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Following another cheaper option is to push Ramsay to the RW, and let him come to the middle as needed when he wants to attack.
And if you wanted a one - stop - shopping option, why not go for We Need to Talk About Kevin, Lynne Ramsay's adaptation of Lionel Shriver's novel that featured all of the following: the mighty Tilda Swinton resenting her own motherhood, a truly psychotic teen, a high - school massacre and, naturally, an underage corpse.
Following the exploits of the Paris police department's «child protection unit,» Polisse (which screened early on) helped to establish this year's Croisette - spanning theme of children in peril, which could be found to varying extents in fellow Competition entries Michael (kidnapping and pedophilia), Lynne Ramsay's We Need to Talk About Kevin (teenage sociopathy), Aki Kaurismäki's universally admired Le Havre (illegal immigration), and the Dardenne Brothers» Grand Jury Prize co-winner The Kid with a Bike (child abandonment); in the Directors» Fortnight entry Play (bullying); and in just about every film at the 50th - anniversary edition of the Critics» Week, from French actress - director Valérie Donzelli's opening - night Declaration of War (pediatric cancer) to Israeli actress - director Hagar Ben Asher's The Slut (pedophilia again), the fact - based 17 Girls (teen pregnancy), and the profoundly disturbing Snowtown, which recalled Henry: Portrait of a Serial Killer in its verité sketch of Australian serial killer John Bunting, who lured local youths into aiding and abetting his violent crimes throughout the Nineties.
Following 2011's groundbreaking We Need to Talk About Kevin, Lynne Ramsay returns in full force with her striking command of cinematic tension.
Lynn Ramsay's We Need to Talk About Kevin remains one of the most haunting and violent melodramas in recent memory and her follow - up, which premiered to strong reviews at Cannes, looks to double down on the whole «hard watch» aspect.