1989 was the same summer that Spike Lee's race - relations film, DO THE RIGHT THING came out, I had just read Malcolm X's Autobiography for a class, my IVCF chapter was more and more seeking to explore the implications of «multi-ethnicity» for campus ministry, and as a college radio DJ I had been exposed to more of the best rap than most white suburbanites — that is, a number of threads came together for me at that time to allow me to be a right - on - the - sidelines spectator of
the rap youth culture phenomenon.
Rap youth culture began to seem like a plague.
Not exact matches
Though it could do with fewer talking - head interviews and more extended clips from these impassioned live performances, Young Rebels is essential viewing for anyone interested in
rap music, free speech issues or the
youth culture of contemporary Cuba.
Including
rap lyrics in a unit on poetry, or graffiti as a jumping off point to talk about the history of art establishes a bridge between
youth culture and academic pursuits.
Assistant Professor Natasha Kumar Warikoo underscores the wisdom of that recommendation in new research that questions assumptions often made about the link between
rap / hip - hop - influenced
youth culture and underachievement in inner - city schools.
Associate Professor Natasha Kumar Warikoo underscores the wisdom of that recommendation in new research that questions assumptions often made about the link between
rap / hip - hop - influenced
youth culture and underachievement in inner - city schools.
(The term «bling» is rooted in urban
youth and
rap culture of the 1990s and refers to flashy jewelry and accessories.)