Sentences with phrase «readymade as artistic practice»

Session I, 5 — 7 pm Discussant: Tom McDonough Associate Professor and Chair of Art History, Binghamton University Nicolas Linnert «All Access Politics: Reality and Spectatorship in Two Film Installations by Jean - Luc Godard & Hito Steyerl» Hammam Aldouri «Sortir du Champ: Toward the Readymade as Artistic Practice» Benedikt Reichenbach «Materialism of Form: Binary Images as Models of Representation» Session II, 7:30 — 9:30 pm Discussant: Soyoung Yoon Assistant Professor of Art History & Visual Studies, The New School Kim Bobier «Mine the Gaps: Subliminal Civil Rights Struggle in Lorraine O'Grady's Art Is...» Kaegan Sparks «Routine Performance: Self - Management and Affective Labor in Martha Wilson's Early Works» Harold Batista «Immediate Peers for the Generations: Intergenerational Cooperation and Mutual Dependence» Admission is free.

Hammam Aldouri «Sortir du Champ: Toward the Readymade as Artistic Practice» Benedikt Reichenbach «Materialism of Form: Binary Images as Models of Representation»

Not exact matches

Andrews referred to Duchamp when she described these props as «truer» readymades, claiming, «The inclusion of readymades have become so standard in artistic practice that the question of whether or not the artist made the object is of little consequence.»

This selection help us to understand his progressive concept of «sculpture as form, sculpture as structure, sculpture as place» and, in addition the exhibition focuses on the key role of language in Andre's artistic practices via a large number of visual and concrete poetry series, textual collages and works on paper and, for the first time in 20 years, an exceptional group of works entitled Dada Forgeries, expounding his jocular relationship with Duchamp's readymades.

After moving to New York from his hometown of Los Angeles in 1975, Allan McCollum developed an artistic practice that integrated modernist painting, conceptual art, and legacies of the readymade as a means to interrogate the ontology of art.