Her work was the subject of the solo exhibition WOMEN Words, Phrases, and Stories at the FLAG Art Foundation, and
Real Ersatz at the Bruce High Quality Foundation University.
Photograph, Dallas Contemporary (courtesy of theguardian.com); Anita Steckel — Anita of New York (courtesy of nymag.com); Anita Steckel — Giant Woman (Subway), detail [courtesy of openingceremony.us]; Betty Tompkins —
Real Ersatz (courtesy of purple.fr); Betty Tompkins (courtesy of thestylecon.com); Joan Semmel — On the Grass; Joan Semmel — Intimacy - Autonomy, detail (courtesy of brooklynmuseum.org); Lea Shrager (courtesy of bustle.com); Leah Schrager — 09bsf, detail (courtesy of leahschrager.com); Leah Schrager — Onas, detail (couresy of leahsrageer.com); Naomi Elena Ramirez Performance; Zanele Muholi artwork (courtesy of madeatthetop.blogspot.com); Zanele Muholi.
Recent solo exhibitions include
Real Ersatz, FUG, The Bruce High Quality Foundation, New York, NY (2015); Art Basel Feature, Galerie Rodolphe Janssen, Basel, Switzerland (2014); Paintings & Works on Paper 1972 - 2013, Gavlak Gallery, Palm Beach, FL (2014); Woman Words, Dinter Fine Art, Project room # 63, New York (2013); Fuck Paintings, Galerie Rodolphe Janssen, Brussels, Belgium (2012); New Work, Mitchell Algus Gallery, New York (2009), among others.
East Village Betty Tompkins:
Real Ersatz / FUG / 431 East 6 / thru October 17 / bhqfu.org/gallery/real-ersatz Special Guest Curated by Bernard Ceysson Gallery: Denis Castellas, Franck Chalendard, Joe Fyfe, Sadie Laska, Lauren Luloff, Alexander Nolan, Eric Palgon, Wallace Whitney / Zürcher Gallery / thru?
Her work was the subject of the solo exhibition Sex Works / WOMEN Words, Phrases, and Stories at Gavlak, Los Angeles (2016), WOMEN Words, Phrases, and Stories at the FLAG Art Foundation, New York (2016), and
Real Ersatz at the Bruce High Quality Foundation University, New York (2015).
Her work was the subject of the solo exhibition WOMEN Words, Phrases, and Stories at the FLAG Art Foundation, New York (2016), and
Real Ersatz at the Bruce High Quality Foundation University, New York (2015).
Recent solo exhibitions include WOMEN Words, Phrases, and Stories, The FLAG Art Foundation, New York, NY (2016);
Real Ersatz, FUG, The Bruce High Quality Foundation, New York, NY (2015); Art Basel Feature, Galerie Rodolphe Janssen, Basel, Switzerland (2014); Paintings & Works on Paper 1972 - 2013, Gavlak Gallery, Palm Beach, FL (2014); Woman Words, Dinter Fine Art, Project room # 63, New York, NY (2013); Fuck Paintings, Galerie Rodolphe Janssen, Brussels, Belgium (2012); among others.
Not exact matches
Because it serves to remind us that even today the «money» that commercial banks and other private - market financial firms produce is in an important respect not the
real McCoy at all, but
ersatz (if often more convenient) stuff that serves in place of it, and does so only because the firms that supply it, not only make it very convenient to use (e.g., by swiping a debit card), but at the same time offer its users something akin to money - back (which is to say, a «money proper» - back) guarantees.
Yale and places like it are
ersatz communities, not
real ones.
Distance apart, cyberspace is a humanizing device for creating a kind of
ersatz office / pub / common room / public square area for those deprived, rather cruelly, of one or more versions of the
real thing.
At the time, motivations included the broader functionality and shelf - stability of the
ersatz products compared to
real dairy.
Stories like this, box scores on the agate page or the newspaper,
ersatz self - produced coaches shows posted directly to YouTube... its name made familiar so it can get down to its
real mission.
Nearly everything in Taylor Hackford's tin - eared comedy is as
ersatz as the Robert De Diro character's rage is
real.
Screenwriter and producer Diablo Cody's second feature film, an
ersatz horror story set in a small town high school, provides the first
real test as an actor for internet - manufactured hottie Megan Fox, until now lost among giant robots and special effects in the Transformers franchise.
Designers have tried incredibly hard to mimic the page - turns and sound effects of a
real book, but these
ersatz interactions satisfy a bibliophile as much as a picture of water satisfies a man in the desert.
Just inside the fair entrance, Shanzhai Biennial collective members Cyril Duval, Avena Gallagher, and Babak Radboy sat in their
ersatz real estate office all day, nervously awaiting a visit from Jay Z and Beyoncé — the most promising potential buyers for the $ 51.5 million house the artists were selling in partnership with an actual brokerage, Aston Chase.
We, for our part, still believe that realism (the
real thing, not the
ersatz neo-con variety) is the best ground for an honest optimism, and in that spirit we'd like to start off this issue of Climate Equity Observer with an effort to look reality in the eye.