Sentences with phrase «real writers go»

Real writers go out and make it better.

Not exact matches

McClung goes to great pains to explain his guiding principles and assumptions and — unlike some financial writers — all of his recommendations can be fulfilled in real life.

But even when we understand why, for example, the New Testament writers went to great pains to confirm Jesus» birth in Old Testament predictions of a Savior, or to relate his biological lineage to King David, or to tie his betrayal and death to other Old Testament prophecies («so that the scriptures might be fulfilled»)-- we still are left with a fragmentary puzzle instead of a clear picture of the «real» Jesus.

Thirteen years later, the feisty writer and mystery - solver from Cabot Cove is still my go - to on days that need a little constancy and predictability, when real life is playing a bit too fast and loose with my heart.

I'm not even getting in the car and going to the ballpark every day like a real writer.

Bring back Uche on the board and let him write from time to time, as i do expect that you guys have axed him a long time a go for being a real minded writer.

It has been argued that Jackson's performances in Pulp Fiction and Jackie Brown served to sanction his writer - director's fetishizing of certain stereotypes pertaining to African - American movie characters — and also his co-opting of subcultural postures and attitudes well beyond his real - life experiences (if not, it goes without saying, his VHS collection).

There's little doubt that Real Time's admittedly intriguing premise initially seems as though it's going to be squandered by writer / director Randall Cole, as the filmmaker generally stresses hopelessly quirky situations and conversations that grow increasingly tiresome as the movie progresses.

I felt the writers were focusing most on making the audience laugh instead of keeping the story real, to go beyond the gags.

Hedges» previous outing as writer - director, the Steve Carell Touchstone dramedy Dan in Real Life, disappointed in similar ways, but this one goes much further, outraging with its smug depictions of factory layoffs, young romance, stock villains, and familial strain.

Coinciding with its world premiere at Cannes, Focus Features has released for writer - director Jeff Nichols» upcoming drama Loving, which explores the real - life courage and commitment of an interracial couple, Richard and Mildred Loving (Joel Edgerton and Ruth Negga), whose civil rights case, Loving v. Virginia, went all the way to the Supreme Court.

«House of Cards» starts off at a remove, but it really gets going when its story plunges into something like the real world, one in which Bill Maher and Dennis Miller comment on the proceding on TV and a gaff on CNN gets autotuned into a viral clip, where an education bill is broken down and haggled over in terms of details on charter schools and collective bargaining and the slower moving but responsible reporting of a newspaper is put up against a fast - paced website in which an editor tells a writer she can just post her stories herself as soon as she's done with them.

The film is adapted, very well, by Robert Carlock from a memoir written by the real - life American TV reporter Kim Barker, but given that Carlock is one of the main writers on 30 Rock and Fey is the star, this could easily have descended into broad farce — a sort of Liz Lemon (the screenwriter she plays in 30 Rock) Goes To War, if you like.

He gives a winning performance as Mee, a real - life writer who went through many of the trials and tribulations seen on screen, and he is given solid support by the ever - excellent Haden Church and Johansson, who makes for a more believable zookeeper than one would intially imagine.

So some credit needs to go to director Kenneth Branagh and writer Chris Weitz, who manage to create something that holds up as a story, with moments of real emotional honesty in it.

But alas, the myth is very real and a foundation belief for a lot of writers who only want to go to traditional publishing.

The story goes behind the scenes of her hit sitcom, where writers Tony and Bill, director Dennis and Sophie's male co-star, Clive, are enjoying the success — until some of the scripts start to bear too much of a resemblence to real life.

If indeed that «indie authors and self - published authors who claim they are real authors makes me laugh,» then I suspect most self - respecting and serious indies writers would simply prefer that you go away.

I'm going to be a real writer while waiting for the UPS guy to show up.

Here's a little real talk about the book publishing industry — it adds almost no value, it is going to be wiped off the face of the earth soon, and writers and readers will be better off for it.

Sarah A. Hoyt has a great post this morning on how one author is completely in the wind when it comes to understanding the difference between writers who self - publish or go with small presses to release their e-books and those «real» authors who spend years just researching their books.

Yes, number three, lack of self - confidence, I suspect it is the real reason why many writers don't give it a go — of course this may be simply because it was the real reason why I didn't.

Once upon a time, back before indie publishing was in its infancy and I still had hopes of becoming a «real» writer *, I went to the RWA National Convention in San Francisco with my friend and mentor Sarah A. Hoyt.

Whether this digital book will be fictional or full of real - world information, this book is going to represent you and your mind, so it's important to make sure you choose the right writer.

Screencraft.org has a fabulous video interview with this writer extraordinaire and master of dialogue in which he talks about creating memorable characters («what a character wants, and how they go about getting it defines a character»), and how characters do not resemble real people («people don't speak in dialogue» and «their lives don't unfold in narrative arcs.»)

I want to go where people haven't gone before, create new ways of telling stories, open doors to the historically invisible and silent storytellers and poets in our country, put the voices of young people out into the world, and visit places where kids think they've never met a «real» writer and hold up a mirror for them.

But it is also going to really, really divide the Authors away from the real Writers.

As a longtime self - published author, I also believe she is raising the standards of our whole industry by providing real value in educating nonfiction writers about the professional way to go about creating and publishing content.

The writer would just vanish and then one day someone would ask «What ever happened to...» But mostly, sadly, we just didn't notice that the writer had gone back to the real world.

As I have pounded over and over, writers are people who write, so if you are a real writer who can't sell the 4th book, you indie publish the book and move to a new series, a new name, a new publisher and just keep going.

While I don't think there's a real war going on between indie and traditionally published writers — Tor.com, for example, posted a glowing review of The Red: First Light — but the SFWA membership leans heavily to the traditionally published, and a lot of writers know each other from their professional ties under the same imprint.

It was a toss - up between a post on some comments about the cover of Black Tide Rising, an anthology based on John Ringo's series of books, and a response to an article The Passive Voice linked to about how real writers don't go indie.

1 Structure, Plan and Write 1.1 Turning Real Life Into Fiction 1.2 Kurt Vonnegut on the The Shapes of Stories 1.3 The 12 Key Pillars of Novel Construction 1.4 Plot Worksheets to Help You Organize Your Thoughts 1.5 The Snowflake Method For Designing A Novel 1.6 Seven Tips From Ernest Hemingway on How to Write Fiction 1.7 Study the Writing Habits of Ernest Hemingway 1.8 Making Your Characters Come Alive 1.9 Vision, Voice and Vulnerability 1.10 10 Points on Craft by Barry Eisler 1.11 Coming up with Character Names 1.12 Using the Right «Camera Angle» for Your Writing 1.13 The Art of «Layering» in Fiction Writing 1.14 Weaving Humor Into Your Stories 1.15 On Telling Better Stories 1.16 The 25 Best Opening Lines in Western Literature 1.17 6 Ways to Hook Your Readers from the Very First Line 1.18 Plot Development: Climax, Resolution, and Your Main Character 1.19 How to Finish A Novel 2 Get Feedback 2.1 Finding Beta Readers 2.2 Understanding the Role of Beta Readers 2.3 Find Readers By Writing Fan Fiction 2.4 How Fan Fiction Can Make You a Better Writer 3 Edit Your Book 3.1 Find an Editor 3.2 Directory of Book Editors 3.3 Self Editing for Fiction Writers 3.4 The Top Ten Book Self Editing Tips 3.5 Advice for self - editing your novel 3.6 Tips on How to Edit a Book 4 Format and Package Your Book 4.1 The Thinking That Goes Into Making a Book Cover 4.2 Design Your Book Cover 4.3 Format Your Book 4.4 Choosing a Title for Your Fiction Book 5 Publish 5.1 A Listing of Scams and Alerts from Writers Beware 5.2 Publishing Advice from JA Konrath 5.3 How to Find a Literary Agent 5.4 Understanding Literary Agents 5.5 Association of Authors» Representatives 5.6 Self - Publishing Versus Traditional Publishing 5.7 Lulu, Lightning Source or Create Space?

The real writers — people like Joe Konrath and Barry Eisler and Hugh Howey and every professional writer I know who has gone indie — all of these people will tell you there are no guarantees.

On Monday, my Killzone mate Clare Langley - Hawthorne asked how prolific a writer should be, to which a commenter responded, unprovoked, ``... you can always just go indie / self pub yourself... Of course, then you wouldn't be able to post about how self - pub writers are ruining it for the «real» writers.»

One reason self - publishing is losing its stigma is because authors are now making real money going that route (and real money attracts serious writers, which in turn raises the quality of self - published works).

So I've had the opportunity to be a «real writer» without going through the process of querying agents and publishers.

«The Infrastructure of the Gods: 11 Signposts for Going all the Way» by Brian Hodge «The Writer's Purgatory: Between Finishing the First Draft and Submitting the Manuscript» by Monique Snyman «Why Rejection is Still Important» by Kevin Lucia «Real Writers Steal Time» by Mercedes M. Yardley «What Right Do I Have to Write» by Jasper Bark «Go Pace Yourself» by Jack Ketchum «A Little Infusion of Magic» by Dave - Brendon de Burgh «Never Look Away: Confronting Your Fears in Fiction» by Todd Keisling «Once More With Feeling» by Tim Waggoner Writers On Writing is an ongoing series of 15,000 to 20,000 word eBooks, with original «On Writing» essays by writing professionals.

And here's a little real talk about the book publishing industry — it adds almost no value, it is going to be wiped off the face of the earth soon, and writers and readers will be better off for it.

A fiction writer should aim to put «just the good parts» on the page, and that includes leaving out the normal pleasantries that people go through in real conversations.

If you are concerned about traveling to a destination, reach out to other travel writers and bloggers before you go to get a real life experience.

The big screen take on the globe - trotting adventure game series has gone through a number of different writers and directors» hands over the past several years, prior to Shawn Levy (Real Steel, Stranger Things) signing on to call the shots.

It's a simple process that a salesperson goes through to make a sale, not a real resume critique that a professional resume writer would give.

Your writer not only has real world experience in placing candidates at the executive level, they have also gone through our elite training program to teach them how to focus on your unique needs.