Sentences with phrase «real writers just»

Real writers just want someone to read their work, and any payment is a bonus.

Not exact matches

Just a few years ago, self - publishing (a.k.a. «vanity publishing») was an embarrassing last resort for writers unable to secure a «real» book deal.

As a sole proprietor of a travel consulting service and as a free - lance writer, I can guess at some of the reasons for failure: Undercapitalization Undercapitalization Undercapitalizaton Oh yes, then there is the fact that lots of folks just don't have the entrepreneurial personality, that can come up smiling in the face of crushing defeats (ask any real estate agent).

There are atheists, liberals, real evangelicals and false ones, and Christians... and there are women, educated people and uneducated people, writers and non-writers, real evangelicals or Christians and the rest are just plain atheist, liberals or closet liberals or crypto - liberals, etcetera.

Actually the writer is just people like most of the fans, who become more real that know what arsenal is now.

hey, I like that «fashion writer» new concept... but trust me, sometimes you are way more inspiring than real fashion bloggers (just saying...!)

PLEASE READ MY Bio raise in Texas now stay in Atlanta Georgia I don't be on here much JUST TO TRY SOMETHING NEW UNLESS I FIND SOMETHING REAL THAT»S WORTH STAYING WHERE IM AT... I AM A SONG WRITER I AM ALSO A PERSONAL TRAINER I BELIEVE IN LOVE AT FIRST SITE CORNY BUT TRUE.

While the previous films in the series have been just that — parts of a sequence designed to get us here, each with their own beginning and end — the first and second parts of Deathly Hallows are two halves of the same film, and to approach them as separate entities means missing just what director David Yates, writer Steve Kloves, and a host of storytellers and performers have done: They've made a five - hour fantasy epic that balances effects - driven battles with some very real character moments, and one that isn't afraid to have its heroes pay a high price for their convictions.

Everything was very raw, emotional, and just real, a credit to both the writer, director, and cast involved in Hellion.

There's no real effort made to prove Finkel's talents as a writer, or his loving relationship with Jill, or Longo's role as a devoted father (though that is probably just one of his deceptions).

These are the avenues that could make Bleed more than just a standard boxing movie, but writer / director Ben Younger (Boiler Room) doesn't seem interested in real character development.

The writer - director admirably steps away, for the most part, from easy outs, and Jerry and Dorothy's relationship (not to mention the one between the agent and his client) are affecting because there are real struggles there, not just contrivances.

A fulfilling serving of bonus features begins with the 15 - minute featurette «Just Like Family: The Making of Dan in Real Life», a touchy - feely look at production that sends much praise writer - director Peter Hedges» way.

«House of Cards» starts off at a remove, but it really gets going when its story plunges into something like the real world, one in which Bill Maher and Dennis Miller comment on the proceding on TV and a gaff on CNN gets autotuned into a viral clip, where an education bill is broken down and haggled over in terms of details on charter schools and collective bargaining and the slower moving but responsible reporting of a newspaper is put up against a fast - paced website in which an editor tells a writer she can just post her stories herself as soon as she's done with them.

The issue is human trafficking, and as a way of apparently atoning for the movie's tendency to brush aside the consequences of that real - life horror, writer / director Deon Taylor provides us with some numbers just before the end credits roll.

It's such a good line that it makes you think McQueen must have borrowed it from real life, just as the writer of John Frankenheimer's film Grand Prix appropriated the former world champion Phil Hill's striking claim that he always put his foot down harder on the accelerator when he passed the scene of an accident on the track because he knew everyone else would be lifting theirs.

First - time writer / director Gavin Wiesen does his best to avoid high school cliches like bullying and teachers that are more caricatures than real mentors, but he falls into just as many in his portrayal of high school romance, art and teen angst.

Writer - director Mottola's success lies in his resistance to romanticizing his characters — Eisenberg's James, in particular, is just as annoying and self - absorbed as a real 22 - year - old Oberlin grad, and gets called on it.

Blockheads are in for a real treat with Sony's Blu - ray release of the film, which includes three different audio commentaries — all featuring writer / director Joe Cornish with 1) the junior cast, 2) the senior cast, and 3) executive producer Edgar Wright — as well an in - depth making - of featurette («Behind the Block») that runs just over an hour long.

This is his highest - placed film, which may have something to do with just how real and recognisable Winterbottom and writer Laurence Coriat's vision of London is as he tells of one Bonfire Night weekend in the lives of three variously troubled sisters, played by Gina McKee, Shirley Henderson and Molly Parker.

Just as more and more traditional readers... those «but I love the feel and smell of my real books» readers (like my sister) are dipping a toe into the digital waters, those who have been on the e-cutting edge for awhile are beginning to find some innovative ways to take advantage of the relative low - entry costs of digital to open new avenues to writers.

So then the actual question is who should decide just who the real authors are and who are simply writers?

A story about your first sale in 1992 as a way to do it just won't be relevant in any real way to a new writer in 2014.

Sarah A. Hoyt has a great post this morning on how one author is completely in the wind when it comes to understanding the difference between writers who self - publish or go with small presses to release their e-books and those «real» authors who spend years just researching their books.

She doesn't just write about home renovation, she lives it — working as a renovator and real estate assistant as well as a writer.

Yeah, I don't have the patience for cop - outs where writers are making use of characters like that just to get points but not bother to actually develop any real story there.

I believe that the vast majority of writers have no real idea just how much is involved in turning your written words into sales.

Derek has done just that with his awesome website WriterSprints.com, which allows writers to race up to 50 other writers in real time!

It's a real fear that just about any writer has encountered.

i wish you could crowdfund something like a real «kindle for writers» --- mobile, write anywhere, frontlit, write in any lighting conditions, fits in pocket, write without distractions, works offline, sync to google docs blah blah, and the possibility to preview your manuscript just like published books..

It's perhaps the biggest single influence on his ultimate career choice - even though Sansom claims «I would never tell anyone that I was a writer, not because it's a secret, but just because it sounds so daft - «Oooh», I can hear my family and my friends and the great heavenly host of actual, real dead writers chorusing, «He says he's a writer.»»

These guys aren't just horror genre writers — these guys are the REAL deal.

Perhaps, just maybe, you should do what real writers call «research» before posting total fantasy and trying to pass if off as fact.

The writer would just vanish and then one day someone would ask «What ever happened to...» But mostly, sadly, we just didn't notice that the writer had gone back to the real world.

As I have pounded over and over, writers are people who write, so if you are a real writer who can't sell the 4th book, you indie publish the book and move to a new series, a new name, a new publisher and just keep going.

Rather than just writing a to - do list, I thought it would be more interesting to present a real - world case study featuring one of my favourite indie writers — Andrew Langley, author of the Nathen Turner supernatural thriller series.

Just because they happened to have some editor pick them, they're now real writers and everyone else is inferior.

There's been a lot of talk about hybrid authors in the last few years, and I've noticed that a number of authors who've had real success with their traditionally published works have also chosen that option, as well as writers who are just starting out.

On Monday, my Killzone mate Clare Langley - Hawthorne asked how prolific a writer should be, to which a commenter responded, unprovoked, ``... you can always just go indie / self pub yourself... Of course, then you wouldn't be able to post about how self - pub writers are ruining it for the «real» writers.»

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Frustration is real to many writers and author as rightly packed in my just published story: The frustrated Child and The Night Visitor [email protected] O. OYEJIDE

Just make an order on our site and we will assign a writer, who is a real professional in the field of your study.

Note, I am not a real writer, just someone who can write and does so on occasion.

So I guess the real question isn't so much, to me, how do I feel about paying for positive reviews as much as paying for reviews at all, since most often a writer, or publisher, is more likely to pay a reviewer for a positive review than a negative one, and likely reviewers, and reviewing companies — not just the one mentioned in the article — know that.

A fiction writer should aim to put «just the good parts» on the page, and that includes leaving out the normal pleasantries that people go through in real conversations.

I guess all the writers now - a-days are really just wannabees, hacks with no real skill, just regurgitating the news from AP.

Some great articles here but I do think sometimes the posts that are interesting aren't necessary the most shared, just the writers that have a real passion for their subject.

«Access to fans on social media that are at the ready to follow their trip from start to finish is just one thing the blogger has over the writer,» said Maja Derviskadic, social media manager at Hawkins International PR in New York, adding that «real - time coverage by bloggers often drives the bottom line quicker with more transparency in terms of tracking impact.»

I'd imagine travel will always be «real»; serious travel writers just have to know how to slow down and maintain their awareness, even as the manner in which we travel changes.

Social critics who proclaim that «real travel» is dead are just too lazy to look for complexities within an interconnected planet — and travel writers who seek to diminish their own presence in the tourist matrix are simply not being honest.