Not exact matches
«I'm an academic
realist painter, but I'm living in the 21st century, so I'm not going to be painting Roman soldiers invading, or some gothic baroque composition... The highest aspiration of an academic
realist painter are these big group
figure paintings, and I'm using the hardcore scene as my subject.»
Join Jessica May, Chief Curator, for a talk about the work of Philip Pearlstein, the
realist painter famous for his casual yet powerful
figures.
Carl Christian Edvard Otto Carlsen was a Danish
realist painter born in 1855, mostly known for his landscapes and
figure scenes.
Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract
painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social
Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New
Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans
WAYNE THIEBAUD: «THE
FIGURE» While best known for his Pop - realist paintings of food products, Mr. Thiebaud has also been a skillful and innovative figure painter, as this fine show of paintings and drawings dating from 1963 to 1992 demonst
FIGURE» While best known for his Pop -
realist paintings of food products, Mr. Thiebaud has also been a skillful and innovative
figure painter, as this fine show of paintings and drawings dating from 1963 to 1992 demonst
figure painter, as this fine show of paintings and drawings dating from 1963 to 1992 demonstrates.
A virtuoso
painter, he employs a hyper -
realist technique, working the canvas through the traditional chiaroscuro and utilising a single light source to both shape and highlight his
figures on the canvas.
• Postmodernist Painting Important contributors to postmodern styles of painting not listed above, include: the inimitable Francis Bacon (1909 - 92); the contemporary
realist Lucian Freud (1922 - 2011), the subject
painter Jack Vettriano (b. 1951), and the
figure painter Jenny Saville (b. 1970).
Robert Henri (1865 - 1929) American urban
realist painter; leading
figure of the Ashcan School of Art.
It explores how modern and contemporary artists respond to the human
figure with world - renowned works by one of the world's greatest
realist painters Lucian Freud, leading sculpture Ron Mueck and American photographer Spencer Tunick.
Putting aside what might arguably be called the novelty artists — a whole swath of modernist fashionistas labeled pop, op, conceptual, installations, etc., and with these I'd also include the abstract expressionists and action
painters of yesteryear, funded by post-World War II corporate America — Herman Rose is up there with the major
painters of the
realist tradition,
figures like Ryder, Bellows, Hopper, Soyer and Alice Neel.
The collection of American art includes works by the great 18th century history
painter John Singleton Copley; the Francophile Mary Cassatt, a leading
figure in the American Impressionism movement; the portraitist Gilbert Stuart; the
painter of the cowboy west Frederic Remington; the wonderful 19th century
realists Winslow Homer and Thomas Eakins; the post-Impressionist Whistler; the virtuoso society portrait
painter John Singer Sargent; the Pop - Artists Jasper Johns, Edward Ruscha, Andy Warhol, and Roy Lichtenstein; co-inventors of «Action - Painting» Jackson Pollock and Lee Krasner; and the Abstract Expressionist Mark Rothko, to name but a few.
«Some Women
Realists:
Painters of the
Figure», Arts Magazine, vol.