Sentences with phrase «recent documenta»

The spirit of the show, it's worth noting, is miles from the recent Documenta, an international overview heavy on explicit politics, somber and evangelistic.

Adnan was a featured artist in the most recent Documenta XIII in Kassel, Germany, 2012.

Not exact matches

Recent exhibitions include «Construire, Déconstruire, Reconstruire: Le Corps Utopique,» a solo show at the Musée d'Art Moderne de la Ville de Paris, Documenta 13 in Kassel, Germany, «Performing Histories (1)» at MoMA, New York, «10 ans du Projet pour l'Art Contemporain,» Centre Pompidou, Paris, the 4th Moscow Biennial, Moscow, «The Global Contemporary Art World after 1989,» ZKM, Karlsruhe, Germany, and «Contested Terrains,» Tate Modern, London.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

Some of his most recent large - scale public projects include David Fairchild's Laboratory, a permanent installation commissioned for The Kampong, National Tropical Botanical Garden, Coconut Grove, FL (2016); Den, a permanent installation commissioned for the Norway National Tourist Route (2012) and Neukom Vivarium, a permanent outdoor installation and learning lab for the Olympic Sculpture Park commissioned by the Seattle Art Museum (2006); Dion has also produced large - scale permanent commissions for Documenta 13 in Kassel, Germany and the Montevideo Biennale in Uruguay (both 2012).

The fourth floor of the exhibition will feature a number of large - scale works by Bayrle, including his monumental Flugzeug (Airplane)(1984), presented alongside his recent kinetic sculptures made of repurposed automobile parts repeatedly reciting the rosary, as in his much - celebrated inclusion in dOCUMENTA 13 (2012).

J.J. Charlesworth's UK election special with a brief history of artists who have tried to work out which way the wind is blowing; Maria Lind goes in search of where things are really happening at Documenta 14 in Athens; Heather Phillipson considers interspecies empathy while watching Fevered Sleep's most recent performance; Jonathan T.D. Neil on the banal, the extreme, and the high commercial theatre of the art market.

1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)

His poetic, playful brand of conceptual art has been in high demand recently: Gander was included in Documenta 13 in 2012 and in the 2011 Venice Biennale, and has had recent solo shows at institutions including the Palais de Tokyo in Paris (2012), the Museo Tamayo in Mexico City (2012), and the Guggenheim Museum in New York (2010).

It remains to be seen whether the political turn in contemporary art suggested by the recent Whitney Biennial and Documenta 14 in Athens translates into the commercial context of Art Basel.

Recent public and group exhibition projects include Art Basel Miami Public Sector, Miami; L'Avenir / Looking Forward, La Biennale de Montréal, Montréal; Inside, Palais de Tokyo, Paris; Imagineering, Okayama Castle, Okayama; Art Park Odrupgaard, Ordrupgaard Museum, Copenhagen; Incredibly shiny stuff that doesn't mean anything, Okayama Kyokuto Hospital, Japan; The artists have the keys, 2 Willow Road, London; The Human Factor, Hayward Gallery, London; Unlimited, Art Basel; Esperluette, Palais de Tokyo, Paris; dOCUMENTA (13), Kassel; Locked Room Scenario, commissioned by Artangel, London; ILLUMInations, 54th Venice Biennale; Intervals, Solomon R. Guggenheim Museum, New York; and The Happy Prince, Public Art Fund, New York.

/ recent acquisitions of the Van Abbemuseum, Athens; Tsarouchis, Antonakos, Hadjimichalis, Schirn Kunsthalle Frankfurt; 3rd Biennial of Centinje, Montenegro; Syhaxis, Centre d'Art Contemporain, Kerguhennec, Britanny, France; Documenta IX, Kassel; and the Architecture Biennial, Venice (1991).

The exhibition will include the artist's recent video Pre-Image (Blind as the Mother Tongue)(2017), which debuted at documenta 14 in Athens and presents a powerful allegory for the experience of exile.

His recent projects include Art Basel Miami Public Sector, Miami, US; L'Avenir / Looking Forward, La Biennale de Montréal, Montréal, CA; Inside, Palais de Tokyo, Paris, FR; Imagineering, Okayama Castle, Okayama, JP; Art Park Odrupgaard, Ordrupgaard Museum, Copenhagen, DK; Incredibly shiny stuff that doesn't mean anything, Okayama Kyokuto Hospital, Okayama, JP; The artists have the keys, 2 Willow Road, London, UK; The Human Factor, Hayward Gallery, London, UK; Unlimited, Art Basel, Basel, CH; Parcours, Art Basel, Basel, CH; Esperluette, Palais de Tokyo, Paris, FR; dOCUMENTA (13), Kassel, G; Locked Room Scenario, commissioned by Artangel, London, UK; ILLUMInations at the 54th International Art Exhibition of the Venice Biennale; Intervals at Solomon R. Guggenheim Museum, NYC, US and The Happy Prince, Public Art Fund, Doris C. Freedman Plaza, Central Park, NYC, US.

Spencer Finch's light work Goldberg Variations, new paintings by Art & Language, Michael Rakowitz's What Dust Will Rise project from Documenta, a hanging sculpture by Richard Rezac, and other recent works buttress the exhibition's historical pieces...

Recent group exhibitions include Being Modern: MoMA in Paris, Fondation Louis Vuitton, Paris (2017); 19th Biennale of Sydney (2014); and dOCUMENTA (13), Kassel, Germany.

In addition to his recent curatorial work with the Arts Council Collection, Night in the Museum, Gander's work has been featured in Performa 15, New York; dOCUMENTA (13), Kassel; and ILLUMInations, the 54th International Art Exhibition at the Venice Biennale.

Recent exhibitions include the 11th Istanbul Biennale in 2009, the 2nd Thessaloniki Biennale in 2009, the 17th Biennale of Sydney in 2008, and the Documenta 12 Magazine in 2008.

Hauser's most recent signing is Geta Bratescu, the 91 year - old Romanian artist who showed at Documenta and represented Romania at the Venice Biennale this year alone.

Recent exhibitions include: documenta 14 (2017); «The Mapping Journey Project», solo exhibition, MoMa, Museum of Modern Art, New York (2016); «Foreign Office», solo show at Palais de Tokyo, Paris (2015); «Garden Conversation», solo show at MACBA, Barcelona (2015); 8th Goteborg Biennale (2015); «Europe: The Future of History», Kunsthaus, Zurich (2015); «Here & Elsewhere», New Museum, New York (2014).

Recent shows and performances include: To Dig a Hole That Collapses Again, MCA Chicago (2018); The Tanks, Tate Modern, London, UK (2017); Carved To Flow, Documenta 14, Athens, Greece / Kassel, Germany (2017); The Encounter That Took a Part of Me, Nottingham Contemporary, Nottingham, UK (2016); Bruise and Lustre, MHKA Anvers (2015); Comot your Eyes Make I borrow you Mine, Kadist Foundation Paris (2015); Diaspore, 14 Rooms Basel, Switzerland, (2014); In Pursuit of Bling, 8th Berlin Biennale, Berlin, Germany (2014).

Voorhies examines recent artistic and curatorial work by Liam Gillick, Thomas Hirschhorn, Carsten Höller, Maria Lind, Apolonija Šušteršič, and others, at such institutions as Documenta, e-flux, Manifesta, and Office for Contemporary Art Norway, and he considers the continued potential of the exhibition as a critical form in a time when the differences between art and entertainment increasingly blur.

Recent exhibitions include Documenta 12, 2007 and Africa Remix, Contemporary Art of a Continent in 2005 at the Hayward Gallery, London; Centre Georges Pompidou, Paris; Mori Art Museum, Tokyo and Museum Kunst Palast, Düsseldorf.

For her recent commission for dOCUMENTA (13), for example, Macuga presented Of what is, that it is; of what is not, that it is not (2012), two tapestries that were shown simultaneously in the two separate locations of the exhibition: Kassel, Germany, and Kabul, Afghanistan.

Recent major group exhibitions include: The Great Mother, Fondazione Nicola Trussardi Milan, Italy; The World Goes Pop, Tate Modern, London, U.K.; Heaven, 2nd Athens Biennial, Athens, Greece; Making Worlds, La Biennale di Venezia, 53rd International Art Exhibition, Arsenale, Venice, Italy; 2008 Sydney Biennial, Sidney, Australia; 4th Berlin Biennial for Contemporary Art: Of Mice and Men / Of Mice and Men, KW Institute for Contemporary Art, Berlin, Germany; and Guangzhou Triennial, Guangzhou, China; as well as Documenta 3 (1964), 6 (1977), and 13 (2012).

Recent exhibitions include Art Gallery of Ontario, Toronto, Canada (2017); Museo Tamayo Arte Contemporáneo, Mexico City (2015); Museo d'Arte Contemporanea Donna Regina Napoli, Italy (2014); dOCUMENTA (13), Kassel, Germany (2012); Museum of Contemporary Art, Tokyo, Japan (2013) and Tate Modern, London (2010 - 11).

In Friedrichsplatz, Argentinean artist Marta Minujin has recreated a life - sized Parthenon out of banned books, while in the city's former underground train station Nikhil Chopra's film and painted panorama records the vicissitudes of his recent overland odyssey from Athens (where Documenta had another incarnation earlier this year) to Kassel.

After his participation in Documenta X («Cassettes pour Kassel») and a recent exhibition in a Parisian gallery («Castelli, les Jardineries du Sud»), Raymond Hains is showing new work inspired by his travels around the Iberian Peninsula.

In addition to his main work in theatre, Mroué's recent exhibitions include: CA2M, Madrid 2013, Museé de la Dance (2013), dOCUMENTA 13, Kassel (2012), Templhof, Berlin — Hebbel theater, the world UnFair exhibition (2012), Lunds konsthall, Lund (12 March — 8 May 2011); Iniva (Institute of International Visual Arts), London (23 March — 14 May 2011) and Württembergischer Kunstverein, Stuttgart (22 May — 31 July 2011); and Tranzitdisplay, Prague (10 June — 14 August 2011), BAK, basis voor actuele kunst, Utrecht (21 May — 1 August 2010), Performa 09, New York (2009); 11th International Istanbul Biennale (2009); Tarjama / Translation, Queens Museum of Art, New York (2009); Soft Manipulation — Who is afraid of the new now?

We organise an annual, subsidised group study visit - in recent years to Documenta in Kassel, Frankfurt, New York, Istanbul, Berlin, Rome and Venice Biennale.

Recent group exhibitions include Being Modern: MoMA in Paris, Fondation Louis Vuitton, Paris (2017); 19th Biennale of Sydney (2014) and dOCUMENTA (13).

In recent work presented at Documenta, the Whitney Biennial, and PS1 Contemporary Art Center, Watts integrates signs and symbols from spiritual literature to articulate a complex international sensibility.

As one of Cambodia's up - and - coming artists, Vandy has had his work featured in recent exhibitions including «TIME of OTHERS» at Tokyo Metropolitan Museum of Contemporary Art and «dOCUMENTA (13)», and was also shortlisted for this year's Hugo Boss Asia Art Award.

In addition to recent participation in Art Basel Hong Kong Encounters sector in 2015, Art Basel Unlimited sector and Gwangju Biennale in 2014, her previous group exhibitions include Open House, Singapore Biennale (2011), Asia - Pacific Triennial (2009 - 10), Documenta 12 (2007), Continuities: Contemporary Art of Malaysia At The Turn of The 21st Century, Guangdong Museum of Art, China (2004) and the Florence Biennale (2003).

Recent curatorial projects include Every Time A Ear di Soun — a documenta 14 Radio Program, SAVVY Contemporary, 2017; The Conundrum of Imagination, Leopold Museum Vienna / Wienerfestwochen, 2017; An Age of our Own Making in Holbæk, MCA Roskilde and Kunsthal Charlottenborg Copenhagen, 2016 - 17; Unlearning the Given: Exercises in Demodernity and Decoloniality, SAVVY Contemporary, 2016; The Incantation of the Disquieting Muse, SAVVY Contemporary, 2016.

Think of the incident with the work The Liberator Simón Bolívar at the Hayward Gallery in 1994 and the diplomatic incident it unleashed with Colombia, Venezuela and Ecuador, but also back then at the 4th Sydney Biennale (1982), with the abortive arrest of the work Stupid as a Painter (1982), and even more recent with the Documenta in 2007.

This exhibition features recent monumental chalk - on - blackboard mountainscapes (last seen at Documenta) by the Turner Prize nominee and YBA known for her drawings filmic works.

Recent editorial work includes These are the Tools of the Present., Mophradat and Sternberg; VOTI Union of the Imaginary, Buchhandlung Walther König and SALT; Quis Erudiet Without Documenta, Mousse, Grazer Kunstverein and SALT.

Her recent exhibitions include dOCUMENTA (13)(Kassel, Germany, 2012) and the Serpentine Gallery Map Marathon (London, 2010).

Recent initiatives include, among others, a sponsorship to create a Curatorial Fellowship at dOCUMENTA (13) in Kassel, Germany; a partnership with Hunter College (New York) to create the Patricia Phelps de Cisneros Professor of Latin American Art; and an alliance with the Bard Graduate Center (New York) to organize the Cisneros Seminar in the Material Cultures of the Ibero - American World.

In her recent installations for Documenta 13 a series of masks were formed from computer packaging and drinking glasses balanced to create a precarious bamboo forest.

Alongside her work for documenta 14, Lala was keeping busy with assembling a publication that records the historic lineage of Women's Action Forum and positions it within feminist currents of recent decades.

Djordjadze's recent exhibitions include the Georgian Pavilion at the 2013 Venice Biennale; Kölnischer Kunstverein, Germany, Malmö Konsthall, Sweden, Kunsthalle Basel, Switzerland, and a major solo installation at Documenta 13 in Kassel, Germany.

In recent years, her practice has received attention with retrospectives of Spence's work at MACBA, Barcelona (2005) and Camera Austria, Graz (2006), and her inclusion in Documenta 12 (2007).

This volume documents recent installations for the 52nd Venice Biennale and Documenta 12 in 2007 and a project for the San Francisco Museum of Modern Art, as well as earlier works.

Other recent exhibitions include Documenta 12, 2007 and Africa Remix, Contemporary Art of a Continent in 2005 at the Hayward Gallery, London.

Recent publications include Ice Cream: Contemporary Art in Culture (Phaidon, 2007), co-authored with nine other curators; The Next Documenta Should be Curated by an Artist (Revolver, 2004); and Perform (Thames & Hudson, 2005), co-authored with Joan Jonas.

His most recent pieces are This variation, presented at dOCUMENTA (13) in Kassel, Germany, in summer 2012; and These associations, the 2012 Unilever Series commission for the Turbine Hall at Tate Modern in London.

The garden is a collaboration between graduate students at CCS Bard and artist Duane Linklater, recent Bard MFA graduate and participant in dOCUMENTA (13).

Secretion, 2012, first shown to critical acclaim at dOCUMENTA 13, draws on the possibilities of lost and forgotten narratives located somewhere between recent history and a near future.