Sentences with phrase «recent institutional exhibitions»

Ry David Bradley's recent institutional exhibitions include «Art of the Matter», Contemporary Art Museum St Louis, MO, USA, 2016; «Painting, More Painting», Australian Centre for Contemporary Art, Melbourne, Australia, 2016; «Face to Face», Palazzo Fruscione, Salerno, Italy, 2016; and «Superposition of Three Types», Artspace Museum, Sydney, Australia, 2016.

Recent institutional exhibitions include the 50th Biennale di Venezia (2003); Kunsthistorisches Museum, Vienna (2008); Tate Liverpool, England (2009, traveled to Fondazione Sandretto Re Rebaudengo, Italy; and Museum Ludwig, Budapest, through 2010); the 8th Gwangju Biennale (2010); Upton House, England (2012); «Conversation Piece V,» Frans Hals Museum, The Netherlands (2013 — 14); Des Moines Art Center, Iowa (2016, traveled to Contemporary Arts Center, Cincinnati); «Glenn Brown / Vincent Van Gogh: Suffer Well,» Fondation Vincent Van Gogh Arles, France (2016); «Glenn Brown / Rembrandt: After Life,» Rembrandt House Museum, Amsterdam (2017); and «Piaceri Sconosciuti,» Museo Stefano Bardini, Florence (2017).

Recent institutional exhibitions include Louisiana Museum of Modern Art, Humlebæk, Denmark (2010); «Shevirat Hakelim,» Tel Aviv Museum of Art, Israel (2011); «Beyond Landscape,» Albright - Knox Art Gallery, Buffalo (2013); Royal Academy of Arts, London (2014); «L'Alchimie du livre,» Bibliothèque nationale de France, Paris (2015); Centre Georges Pompidou, Paris (2015).

Recent institutional exhibitions include «Hao Liang: Aura,» Bonnefantenmuseum, Netherlands (2016); «Hao Liang: Eight Views of Xiaoxiang,» Ullens Center for Contemporary Art, Beijing (2016); 57th Biennale di Venezia (2017); «Streams and Mountains without End: Landscape Traditions of China,» Metropolitan Museum of Art, New York (2017); and «1977 — 2017: Le Centre Pompidou fête ses 40 ans,» Centre Georges Pompidou, Paris (2017).

Recent institutional exhibitions include the Kunsthalle Wien, Vienna; NEON Foundation Athens (in collaboration with Whitechapel Gallery, London), Fondazione Prada, Venice; the Pulitzer Foundation for the Arts, St. Louis, MO; and the Galeria D'Art Moderna (GAM), Milano.

Recent institutional exhibitions include the 50th Biennale di Venezia (2003); Museo d'Arte Contemporanea, Rome (2005); Norton Museum of Art, FL (2011, traveled to the Museum of Modern Art Oxford, England, through 2012); and «Jenny Saville Drawing,» Ashmolean Museum of Art and Archaeology, University of Oxford, United Kingdom (2015 — 16).

Recent institutional exhibitions and in situ paintings include Atoms Outside Eggs, Serralves, Porto, Portugal (2007); Hello Little Butterfly I Love You What's Your Name, ARKEN Museum for Moderne Kunst, Copenhagen (2009); One Floor Up More Highly, MASS MoCA, North Adams, MA (2010); Third Man Begins Digging Through Her Pockets, Museum of Contemporary Art Cleveland, OH (2012); Two younger women come in and pull out a table, De Pont Museum of Contemporary Art, Tilburg, The Netherlands (2013); WUNDERBLOCK, Nasher Sculpture Center, Dallas, TX (2013); Inside the Speaker, Museum Kunstpalast, Düsseldorf (2014); psychylustro, Philadelphia Mural Arts Program (2014); yes no why later, Garage Museum of Contemporary Art, Moscow (2015); Seven Hours, Eight Rooms, Three Trees, Museum Wiesbaden, Germany (2015); Untitled Trumpet, 56th Biennale di Venezia (2015); Museum Frieder Burda, Baden - Baden, Germany (2016); Rockaway!

Not exact matches

In this first UK institutional exhibition of Neïl Beloufa's work, the ICA show a selection of his latest works on film alongside recent sculptural works across the Lower Gallery and Theatre.

His work is included in numerous prestigious institutional collections including the Museum of Modern Art, New York, the Philadelphia Museum of Art, the Art Institute of Chicago, the Menil Collection, Houston, the Tate, London, the Musée d'Art Moderne de la Ville de Paris, and Israel Museum, Jerusalem, and has been recognized by recent solo exhibitions at Centre Georges Pompidou, Paris, and the Fundación Proa, Buenos Aires.

The first institutional solo exhibition in 20 years, Julia Wachtel features the works for which she became known as well as recent paintings.

That Dispatch's most recent «time - sensitive transmission» was one of the quietest little exhibitions imaginable, intriguing and alienating in pretty much equal measure, makes the self - conscious institutional rhetoric — tongue - in - cheek or not — seem all the more unnecessary.

For his first institutional solo exhibition at the Kunsthaus Baselland he showed his large - format works from recent years in the entire ground floor.

Recent institutional group exhibitions include I feel we think bad, Arsenal Contemporary, Montreal; Private Settings: Art After the Internet, MOMA Warsaw; New Order II, Saatchi Gallery, London; Stedelijk at Trouw: Contemporary Art Club — DATA, Stedelijk Museum, Amsterdam.

With a successful NYC exhibition back in June that saw strong institutional interest, the ever - dynamic Matthew Palladino (interviewed) looks to continue exploiting his near never - ending supply of creative juices with his most recent painting.

Recent institutional solo exhibitions include, «Cloud metal cities», at Kunsthalle São Paulo; «One Torino,» with Santo Tolone and Naufus Ramírez - Figueroa, Castello di Rivoli, Turin (2013); «If I don't taste it will melt on your finger», public commission for the city of Turin,» Luci d'Artista», (2013); «Der Tanz,» Atelier Amden, Amden (2013); «Afer the Monument Comes the People,» Back wall installation, Kunsthalle Basel (2012); «I wish Blue could be Water,» CRAC Alsace, Altkirch (2012); and «Les Figures Autonomes,» Centre Culturel Suisse, Paris (2012).

Recent gallery solo exhibitions include Alex Mackin Dolan, Lucy Dodd, Dawn Kasper, Greg Parma Smith and the gallery solo debuts of Jared Madere and Jeffrey Joyal; with solo museum exhibitions for Jared Madere and Lucy Dodd at the Whitney Museum of American Art, among other institutional shows.

With a recent solo exhibition at the Harvey B. Gantt Center, Charlotte, NC (2017), Casteel has participated in exhibitions at institutional venues such as Crystal Bridges Museum of American Art, Bentonville, AR (2018); The Studio Museum in Harlem, New York, NY (2017 and 2016); MASS MoCA, North Adams, MA (2017); Boston University Art Galleries, Boston, MA (2017); HOME, Manchester, UK (2016); University of Denver School of Art (2016); and Kenyon College, Gund Gallery, Gambier, OH (2015).

Discussing current commissions (Katrina Palmer, The Quarryman's Daughters for Art Angel); exhibitions and recent sound displays (for example, Susan Phillipzs: War Damaged Musical Instruments) the group considered current theoretical, practical and institutional issues dealing with artists working with sounds as a sculptural medium, informing the networks about current practices in contemporary art.

Recent major solo exhibitions of the artist's work have been staged at institutional venues including Fondation Beyeler, Basel, touring to the Louisiana Museum of Modern Art, Humblebaek (2014 — 2015); National Galleries of Scotland, Edinburgh, touring to Musée des Beaux - Arts de Montreal (2013 — 2014); Gallery Met at the Metropolitan Opera, New York, touring to Musée d'Art Moderne de la Ville de Paris, Paris (2011); Tate Britain, London, touring to Musée d'Art moderne de la Ville de Paris (2008); Schirn Kunsthalle Frankfurt (2008); Museum der Bildenden Kunste, Leipzig (2006); and Dallas Museum of Art, Texas, touring to The Gallery at Windsor, Florida, and Art Gallery of Ontario (2005 — 2006).

For his first institutional solo exhibition in London, Prem Sahib will present new and recent work in the Lower and Upper Galleries at the ICA.

This is Described in the preface to the exhibition «Dale's past experience in the UK of hospitalization in an outdated mental facility with its confined interiors travels through time and space to collide with his recent investigation into Southern California's exterior streets where those confining institutional walls have ceased to exist.

Sixteen years separate «Freeze,» the legendary 1988 Damien Hirst - curated exhibition that gave birth to Young British Art, and Tate Britain's recent «In - A-Gadda-Da-Vida,» a show that signaled both the phenomenon's institutional apotheosis and, for many, its creative swan song.

Recent institutional group exhibitions include the Museum Dhondt - Dhaenens, Deurle, Belgium (2016); Museum of Modern Art, New York (2015); Sharjah Biennial 12, Sharjah, United Arab Emirates (2015); The International Biennial of Contemporary Art Foundation of Cartagena, Columbia (2014); 5th Moscow Biennale, Russia (2013), and documenta (13), Kassel, Germany (2012).

Jac Leirner, Institutional Ghost 14 February 2017 — 5 June 2017 Considered one of Brazil's most important contemporary artists, this solo exhibition from Jac Leirner comprises of exciting recent and new work made in response to the architecture of IMMA.

With a recent solo exhibition at the Harvey B. Gantt Center, Charlotte, NC (2017), Casteel has participated in exhibitions at institutional venues such as The Studio Museum in Harlem, New York, NY (2017 and 2016); MASS MoCA, North Adams, MA (2017); Boston University Art Galleries, Boston, MA (2017); HOME, Manchester, UK (2016); University of Denver School of Art (2016); and Kenyon College, Gund Gallery, Gambier, OH (2015).

Recent major solo exhibitions of the artist's work have been staged at institutional venues including Fondazione Bevilacqua La Masa - Palazzetto Tito, Venice (2015); Fondation Beyeler, Basel, touring to the Louisiana Museum of Modern Art, Humblebaek (2014 - 2015); National Galleries of Scotland, Edinburgh, touring to Musée des Beaux - Arts de Montreal (2013 - 2014); Gallery Met at the Metropolitan Opera, New York, touring to Musée d'Art Moderne de la Ville de Paris, Paris (2011); Tate Britain, London, touring to Musée d'Art moderne de la Ville de Paris (2008); Schirn Kunsthalle Frankfurt (2008); Museum der Bildenden Kunste, Leipzig (2006); and Dallas Museum of Art, Texas, touring to The Gallery at Windsor, Florida, and Art Gallery of Ontario (2005 - 2006).