Sentences with phrase «recent performance projects»

«Word is a Virus» columnist Carol Cheh looks at two recent performance projects that involved retyping iconic works of literature on typewriters.

His most recent performance project; Do What Thou Wilt, was inspired by Norwegian Death Metal and early wax cylinder recordings of infamous British occultist Aleister Crowley and was commissioned by The Spill Festival and performed at The Barbican, London.

Not exact matches

Buffeted by recent financial market turbulence and a weakening U.S. performance, the International Monetary Fund quarterly update for the world economy projected world growth would slow to 4.1 percent this year, down from an estimated 4.9 percent last year.

Although the segregation, and related performance gaps, are not unique to Erie County, a recent report by the Civil Rights Project put the area in the top 3 percent of the country for its failure to integrate students.

Prior to his most recent positions as co-chair of the BRICS (Brazil, Russia, India, China and South Africa) Working Group on ICT (Information and Communication Technologies) and High Performance Computing, and a member of the Advisory Committee of the Breakthrough Listen project, Fanaroff also held numerous public service positions in South Africa.

Hong Sang - soo, whose recent film «On the Beach at Night Alone» finds an actress wandering around a seaside town thinking about her relationship with a married man, is not too different from his thematic concerns in «Claire's Camera,» This is a multi-lingual project that clocks in at sixty - nine mostly magical minutes, the whole episode graced with performances by Ms. Huppert in the title role and Kim Min - hee, who worked with the director in three of his films, in the role of youthful Manhee.

He gives one of his most natural performances to date in Maggie, but the movie, like some of Schwarzenegger's other recent projects, was overlooked.

Either way, her electric turns in The Great Gatsby, The Man From U.N.C.L.E., and especially her surreptitiously sharp performance at the heart of The Night Manager have already earned Elizabeth the status of a young queen on the silver and small screens - and the announcement of her most recent project promises she'll keep on stealing.

Students are eligible for the program if the student's resident district is not a school district in which the pilot project scholarship program is operating and the student satisfies one of the following conditions: the student attends a local public school that has received a grade D or F by the state's performance index score, the student is assigned to a community school but would otherwise be assigned to a qualifying school, the student attends a local public school that was ranked in the lowest 10 percent of public schools in two of the three most recent rankings and the public school was not declared to be excellent or effective in the most recent rating system, or the student is enrolling in grades K — 12 for the first time and would be assigned to a qualifying school as long as they are at least 5 years old by Jan. 1 of the school year.

But a recent study by the New Teacher Project, a training organization in New York, found that in many schools where teachers agreed that a colleague should be fired for poor performance, no one was even given an «unsatisfactory» rating on evaluations.

This would help to spread the project and to make a more recent custom OS that could better fit eink performances with a nicer UI (I'm wondering about system - level disabled animation; integration of stepped scrolling system - wide and so on...)

And if such a divergence reflects unique characteristics in the tax / debt structure & operational performance of Post Rock & Lost Creek (vs. the general characteristics of most other wind farm deals / projects), shouldn't this have been readily apparent in NTR's shareholder reports in recent years?

Recent performances include The Solomon R. Guggenheim Museum, New York; The Art Institute of Chicago with Das Institut and United Brothers; Issue Project Room, Brooklyn, with Woody Sullender; the 30th Bienal de São Paulo with Jutta Koether and Yuki Kimura; Gavin Brown's Enterprise, New York; with Das Institut and United Brothers.

Recent exhibitions include his solo show Potential Difference at the Agnes Varis Art Center, Urban Glass, Brooklyn, NY (2014), as well as group exhibitions including the SIKKA Art Fair, Dubai, UAE (2016), Perched in the Eye of a Tornado, Ying Space, Beijing (2015), A Personal Thing, 184 Project Space, Brooklyn, NY (2014) Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013), Body And Material, Greenpoint Film Festival, Brooklyn, NY (2012), Fractured, performance at the Chrysler Museum of Art, Norfolk, VA (2011), -LCB- Superposition -RCB-, Hyperopia Projects, Seattle, WA (2011), Art Here Art Now, University of Chicago / HyPa, Chicago, IL (2011), The Post - Glass Video Festival, Heller Gallery, New York, NY (2010), A Thin Veneer, RISD Museum, Providence, RI (2009).

2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish

Some of her recent performances have been at the Seattle Improvised Music Festival, Walt Disney Concert Hall, the University of Auckland, the Getty Center, REDCAT, the Hammer Museum, Machine Project, ALOUD at the Los Angeles Central Library, Music on Main (Vancouver, BC), ArtsAHA!

Her working method is interdisciplinary and recent projects take the form of performance, photographic installations, printmaking, text, video, curating, and collaborating.

Recent projects include «Not Alone» at Stephen Friedman Gallery, London (2015), «So Sorry» performed at The Power Plant Contemporary Art Gallery, Toronto (2015); «FECUNDITAS and Creation», for Performa, the New York performance - art festival, New York (2014 and 2009); «Brad Jones - Diptychs» in collaboration with Brandi Twilley at Sargent's Daughters, New York (2014); «Engagement», her iconic waxwork of Prince William, at both Stephen Friedman Gallery and the Saatchi Gallery, London (2011); «The de Pury Diptych» at the Saatchi Gallery, London (2010); «Icons» at the Brooklyn Museum, New York (2010); and «Old - Fashioned» at the LA County Museum of Art, Los Angeles (2010).

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera, (June 6 — August 30, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he selected small books from flea markets, manipulating and altering the found objects; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes - overlooked artist in the first museum survey of her work since 2001.

Recent solo exhibitions, performances and commissions include Galerie Nordenhake, Stockholm, Composite, Brussels and Rotterdam Film Festival (2015); Hayward Gallery Project Space, London (2014); Site Gallery, Sheffield and MK Gallery, Milton Keynes (2013).

Recent projects have included a commission for one of One Thoresby Street's Social Events; 45683968, Set The Controls For The Heart Of The Sun, Leeds, UK (2014); The Generation Game, Luton, UK (2015); # 1 Fish, S1, Sheffield, UK (2014); Still Wearing Each Other When Alone, Vox Populi, Philadelphia, USA (2014); Power up, Salt + Powell, York, UK (2014); One Touch, The Telfer Gallery, Glasgow, UK (2013); but it could be a levi's advert, Flatfile, Eastside Projects, Birmingham, UK (2013); Performance Fetish, SWG3, Glasgow, UK (2013); LAN Party, Two Queens, Leicester, UK (2013); When Passive Aggressive Strategies Fail to Get Results, Supercollider, Blackpool, UK (2012); and Dovble Trovble, CCA, Glasgow, UKprojects have included a commission for one of One Thoresby Street's Social Events; 45683968, Set The Controls For The Heart Of The Sun, Leeds, UK (2014); The Generation Game, Luton, UK (2015); # 1 Fish, S1, Sheffield, UK (2014); Still Wearing Each Other When Alone, Vox Populi, Philadelphia, USA (2014); Power up, Salt + Powell, York, UK (2014); One Touch, The Telfer Gallery, Glasgow, UK (2013); but it could be a levi's advert, Flatfile, Eastside Projects, Birmingham, UK (2013); Performance Fetish, SWG3, Glasgow, UK (2013); LAN Party, Two Queens, Leicester, UK (2013); When Passive Aggressive Strategies Fail to Get Results, Supercollider, Blackpool, UK (2012); and Dovble Trovble, CCA, Glasgow, UKProjects, Birmingham, UK (2013); Performance Fetish, SWG3, Glasgow, UK (2013); LAN Party, Two Queens, Leicester, UK (2013); When Passive Aggressive Strategies Fail to Get Results, Supercollider, Blackpool, UK (2012); and Dovble Trovble, CCA, Glasgow, UK (2012).

His recent projects are edited and composed using unprocessed location recordings; in his performances, he sometimes combines these with analog electronics to create pieces that move between the abstract and the documentary.

Recent solo exhibitions include Some Were Caught Up, and Some Were Not, Loock Galerie, Berlin; The Invert, Tops Gallery, Memphis; Self Evidence, a performance presented by The University of the Arts, Philadelphia, in association with Pig Iron Theatre Company and New York Performance Art Collective; and a solo project at NADA NYC, presented by 1 / 9unosuperformance presented by The University of the Arts, Philadelphia, in association with Pig Iron Theatre Company and New York Performance Art Collective; and a solo project at NADA NYC, presented by 1 / 9unosuPerformance Art Collective; and a solo project at NADA NYC, presented by 1 / 9unosunove, Rome.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

Recent performances include The Solomon R. Guggenheim Museum, New York; The Art Institute of Chicago with Das Institut and United Brothers; Issue Project Room, Brooklyn, with Woody Sullender; the 30th Bienal de São Paulo with Jutta Koether and Yuki Kimura; Gavin Brown's Enterprise, New York; with Das Institut and United Brothers.

Recent exhibitions include: Gibst du mir Steine, Geb ich dir Sand, Performance Project Liste 17, Basel (2012); NO DANCING, Favorite Goods, Los Angeles (2012); Magicgruppe Kulturobjekt, W139, Amsterdam (2011); Inform.Award, Museum of Contemporary Art, Leipzig (2010).

Recent appearances include poetry readings and multimedia performances at Issue Project Room in 2014 and the MoMA PS1 VW Dome in 2013.

The exhibition at ICA will feature the cumulative works of Give It Or Leave It (2016, in - progress), a project of film, drawing, collage, and performance that asks broad questions about hospitality by investigating the influence, recent past, and continuing present of the music and life of Alice Coltrane, born Alice McLeod (1937 - 2007).

Recent projects include the performance Prick, Prick, Prick — part of ongoing research examining call and response relationships between the body and the photographic frame, as well as repetition and rhythm produced by speech and actions.

Instead of including only recent performance art and earlier artist projects with full documentation so viewers could witness the action - based art for themselves, exhibition curator Andrea Grover selected works important to the developing art movement, tracing its course from its roots in the»60s to the present day.

Recent projects underwritten by the collection include a site - specific performance by Japanese choreographer Saburo Teshigawara; a selection of 10 drawings, paintings, and an artist's book by Italian - born, New York - based artist Luisa Rabbia; and a large - scale, laboratory - like installation by Czech sculptor Krištof Kintera.

Recent activities include The Wayfinding Project at New York University to map the Lenape Trail that is now Broadway; Expert at Creative Tech Week; Artist in Residence at LES Studio Program, a program of Artists Alliance Inc., New York, NY; Van Lier Visual Art Fellow at Wave Hill, Bronx, NY; finalist for the Joan Mitchell Foundation Emerging Artist Award; digital publishing with the Museum of Modern Art, New York, NY; and lecture performances at Asia Society, New York, NY; and «My Art Guide: Venice Meeting Point, «56th Venice Biennale.

Recent activities include a residency at LES Studio Program, a program of Artists Alliance Inc., New York, NY; a solo project at Wave Hill, New York, NY; finalist for the Joan Mitchell Foundation Emerging Artist Award; digital publishing with the Museum of Modern Art, New York, NY; and lecture performances at Asia Society, New York, NY; and «My Art Guide: Venice Meeting Point, «56th Venice Biennale.

Liversidge's recent projects include The Bridge, a choral performance of 500 singers at Tate Modern; Notes on Protesting, a performance with 60 children at Whitechapel Gallery, London, which was centred around the ways of expressing their discontent with various rules they were expected to follow; and Surface Mail, an exhibition of his postal objects from a private collection at Van Abbemuseum, Eindhoven.

learn more... June 2017 - First Public Art Project Unveiled Sandra DeLucca Developmental Center - Miami May 25, 2017 - Mermaid Performance Vizcaya Museum and Gardens - Miami April 22 - June 25, 2017 - Group Exhibition Aesthetics & Values - Frost Art Museum - Miami March 9, 2017 - Performance Along the Shadow of the River - Girls Club Collection - Fort Lauderdale Empty Kingdom Interview Drawings at PAMM, part of «Global Positioning Systems» Exhibition My first edition, available thru Girls Club Collection New Video at the Art Center / Miami Beach Group Show - Museum of Contemporary Art - Miami Recent performances at MOCA and Pinecrest Gardens Art Slant Review New Times Review Recent Interview - OPP Website Update - Select videos now available for viewing New York Show - launchf18

Most recently, McDonald completed the DCASE residency where he began work on his most recent body of work Cuts and Beats, a project that montages performance photography from the floors of dance festivals and nightclubs with late 19th - century imagery from stage and theater advertisements, sheet music covers, and celebrity portraiture.

The catalogue Andrea Hornick Recent Work: 1460 — 1865 was published for her exhibition at David Krut Projects, New York, in 2009, and Andrea Hornick: works from 1779 — 1798 was published in 1999 for an installation and performance of the same name.

The conversation covers all of his major pieces to date, from the internationally acclaimed Cremaster cycle to the somewhat less well - known Drawing Restraint series, as well as looking at particular projects in more detail, such as the recent «Khu» performance and Barney's participation in Il Tempo del Postino, curated by Obrist at the 2007 Manchester International Festival.

The «Den Mother» Behind Creative Time — The Times profiles Anne Pasternak, who as head of the New York nonprofit has turned it from a «20 - year - old start - up» into a globally engaged organization with a multimillion - dollar budget, creating such projects as Nick Cave's recent Heard NY performance in Grand Central and working with artist from Vic Muniz and Marina Abramovic to Takashi Murakami and Laurie Anderson.

Recent exhibition and performance venues also include the Whitechapel Gallery, London; Punta della Dogana, Venice; Fabric Workshop and Museum, Philadelphia, PA; Birmingham Museum of Art; Contemporary Art Museum, Houston; Locust Projects, Miami; the Seattle Art Museum; Los Angeles Museum of Contemporary Art; Milwaukee Art Museum; Contemporary Arts Museum Houston; the Armory Show and the Whitney Biennial in New York.

Selected recent performances, exhibitions, and film screenings include: Weddings and Babies, Pilar Corrias Gallery, London (2017); The Next Step, Two Queens, Leicester (2016); Alice Theobald and Atomik Architecture, BALTIC Ryder Commission, BALTIC Centre for Contemporary Art, Gateshead (2016); You've got my back and I'm on your side, FRAC Champagne - Ardenne, Reims (2016); The boys the girls and the political, Lisson Gallery, London (2015); The Fifth Artist, Wysing Arts Centre, Cambridge (2015); Scene Four: Home, Flat Time House, London (2015); Dear Luxembourg (yours, bucktoothed grl), Nosbaum Reding Projects, Luxembourg (2015); Marmalade Me, South London Gallery, London (2014); I've said yes now, that's it., Outpost, Norwich (2014) and Chisenhale Gallery, London (2014); AFTER / HOURS / DROP / BOX, Modern Art Oxford, Oxford (2013) and Spike Island, Bristol (2014); Young London, V22, London (2013); They Keep Putting Words In My Mouth!

Recent exhibitions and projects include Propped at Oakville Galleries, Tape Condition: degraded with Cait McKinney at the Canadian Lesbian and Gay Archives in Toronto, a screening of Muscle Panic at neue Gesellschaft für bildende Kunst in Berlin, a commission to produce the installation and performance Where Once Stood a Bandstand for Cruising & Shelter for Nuit Blanche Toronto and her text PONE BONE published in Art Criticism and Other Short Stories.

Recent exhibitions include «Ilinka» at The Suburban in Milwaukee; «Going Home,» curated by David Rimanelli, at 43 Fifth Avenue / Bortolami in New York; «Prologue» at pilot projects in Philadelphia; «Making a Scene: Objects for Performance» at New York's Museum of Arts and Design; «The Nothing That Is» at the CAM Raleigh; «Inside the Episode,» curated by Jack Pierson, at Launch F18 in New York; and «Tomorrow's Man,» also curated by Jack Pierson, at Galerie Thaddaeus Ropac in Salzburg and Paris.

Recent activities include a residency at LES Studio Program, a program of Artists Alliance Inc., New York, NY; a solo project at Wave Hill, New York, NY; finalist for the Joan Mitchell Foundation Emerging Artist Award; digital publishing with the Museum of Modern Art, New York, NY; and lecture performances at Asia Society, New York, NY; and «My Art Guide: Venice Meeting Point,» 56th Venice Biennale as part of Asian Contemporary Art Week.

Recent projects include the group exhibition To Bee or Not to Be at Galleri F15 and the performance program,» Magic Language / / / Game of Whispers» at Revelations in Paris.

Exhibitions include: Practices Remain, Regina Rex, NY, Odalis Valdivieso's Recent Works, Le Cloître et L'église des Billettes, Paris, SET, Bridge Red Studios — Project Space, North Miami, Noise Field, Dorsch Gallery, Miami, New Work Miami 2010, Miami Art Museum, Miami, After Process, Miami Beach Regional Library, Ocupa, Far Side Gallery, Miami, Urban Interventions, Contemporary Art Museum, Rosario, Talking Heads, Girls Club, Fort Lauderlade, and Fragile Global Performance Chain Journey, Florence, to name a few.

Recent projects in Alberta include Everyday Rituals (survival tactics), an exhibition of photographs and video at SNAP Gallery in Edmonton, Common Opulence 2, an artist residency and sustainable building initiative in Peace Country and After Aurora, an unexpected structure and performance in Intersite Visual Arts Festival (Calgary).

Encompassing formats including performance - lectures, published fiction, and collections of various articles and artefacts, the recent projects of Berlin - based Simon Fujiwara take shape as if scattered trails of evidence whose parts are more - or-less plausible.

Recent exhibitions and performances include: The Grand Dold Projects Art Gala at Villa Jungans, Villingen, Germany; There Are Certain Facts That Can not Be Disputed at the Museum of Modern Art, New York; and Take Ecstasy with Me at the Whitney Museum of American Art, New York.

Recent performances include some left (2011, in collaboration with Kim) and Kim's in the room series, New Museum, New York (2009); a concert in the Get Weird series, New Museum (2010); Vox Populi, Philadelphia (2009); Gallery TPW / Images Festival, Toronto (2009); Établissement d'en face projects, Brussel (2009); Insa Art Space, Seoul (2007); pushing against the air, De Appel, Amsterdam (2007); a concert with Byungjun Kwon, BAK, Utrecht (2006).